Cat# |
Artist: |
Title: |
MX |
Xref: |
Loc: |
Date: |
Comp: |
1A |
Max Meili, Fr. Siedersbeck |
Ita se n'era / Io son un pellegrin |
M6-73113 |
GS8a (USA) |
Paris |
1933 |
Vincenzo da Rimini / Giovanni da Cascia |
1B |
Max Meili, Fr. Siedersbeck |
Gloria in celio / O celestial lume |
M6-73114 |
GS8b (USA) |
Paris |
1933 |
unknown / Bartolomeo Brolo |
2 |
Quintet of Garde Republicaine Band |
Fünf-stimmigte blasende Musik |
- |
- |
Paris |
1933 |
Christoph Pezel |
2 |
Quintet of Garde Republicaine Band |
Fünf-stimmigte blasende Musik |
- |
- |
Paris |
1933 |
Christoph Pezel |
3 |
Max Meili, (tenor), Franz Siedersbeck (vielle), André
Lafosse (trombone) |
Le jour s'endort / Ma maitresse |
M6-73477 |
GS1a (USA) |
Paris |
- |
Dufay / Ockeghem |
3 |
Max Meili, (tenor), Franz Siedersbeck (vielle), André
Lafosse (trombone), Jan Merry (flute) |
Zwischen Berg / Pourrai-je avoir votre merci |
M6-73147 |
GS1b (USA) |
Paris |
- |
Isaac / Dufay |
4 |
Marcel Dupré, organ |
Toccata per l'elevazione |
- |
- |
Paris |
- |
FRESCOBALDI |
4 |
Marcel Dupré, organ |
Ricercare in the 10th tone |
- |
- |
Paris |
- |
G. GABRIELI |
5 |
Erwin Bodky, clavichord |
Der Streit zwischen David und Goliath |
AS-17 |
GS3a (USA) |
Paris |
- |
Johann Kuhnau |
5 |
Erwin Bodky, clavichord |
Der Streit zwischen David und Goliath |
AS-18 |
GS3b (USA) |
Paris |
- |
Johann Kuhnau |
6 |
String orch dir. Sachs |
Eight French Dances |
AS-21 (M6-78286) |
GS5a (USA) |
Paris |
- |
GERVAISE / anon. |
6 |
String orch dir. Sachs |
Eight French Dances |
AS-22 |
GS5b (USA) |
Paris |
- |
GERVAISE / anon. |
7 |
La Chanterie de la Renaissance Française (dir. Henry
Expert) |
Le Chant des Oyseaux |
AS19 |
GS6a (USA) |
Paris |
- |
Clément Janequin |
7 |
La Chanterie de la Renaissance Française (dir. Henry
Expert) |
Le Chant des Oyseaux |
AS20 |
GS6b (USA) |
Paris |
- |
Clément Janequin |
8 |
Pauline Aubert, harpsichord |
Tombeao en forme d'allemande |
AS13 |
GS7a (USA) |
Paris |
- |
J. N. GEOFFROY |
8 |
Pauline Aubert, harpsichord |
Le Pendant d'oreille / La Noce d'Auteuil |
AS14 |
GS7b (USA) |
Paris |
- |
A. Dornel |
9 |
Marcel Moyse, flute; Pauline Aubert, harpsichord |
Sonata No.2 in D major (La Vibray) |
AS23 |
- |
Paris |
1935 |
Michel Blavet |
9 |
Marcel Moyse, flute; Pauline Aubert, harpsichord |
Sonata No.2 in D major (La Vibray) |
AS24 |
- |
Paris |
1935 |
Michel Blavet |
10 |
Marcel Dupré, organ |
Chorale Prelude: Credo |
AS10 |
- |
Paris |
1935 |
Samuel SCHEIDT |
10 |
Marcel Dupré, organ |
Chorale Prelude: Vater unser |
AS9 |
- |
Paris |
1935 |
Johann PACHELBEL |
11 |
Louis Gromer, oboe; Marcelle de Lacour, harpsichord;
Étienne Pasquier, 'cello |
Sonata in E major, Op. 1, No. 15 |
AS26 |
M6-79226 |
Paris |
1935 |
Handel |
11 |
Louis Gromer, oboe; Marcelle de Lacour, harpsichord;
Étienne Pasquier, 'cello |
Sonata in E major, Op. 1, No. 15 |
AS27 |
M6-79227 |
Paris |
1935 |
Handel |
12 |
Henry Expert vocal ensemble |
Psalms 42 & 69 |
- |
- |
Paris |
1935 |
Claude le Jeune |
12 |
Henry Expert vocal ensemble |
Psalms 19 & 25 |
- |
- |
Paris |
1935 |
Goudimel |
13 |
viols and harpsichord dir. Sachs |
Concert Royal No.2 |
AS32 |
M6 79868 |
Paris |
1935 |
François Couperin |
13 |
viols and harpsichord dir. Sachs |
Concert Royal No.2 |
AS33 |
M6 79869 |
Paris |
1935 |
François Couperin |
14 |
Pauline Aubert (virginals) |
The Bells |
AS25 |
- |
Paris |
- |
William Byrd |
14 |
Pauline Aubert (virginals) |
The New Sa-Hoo / The Falle of the Leafe / A Toye |
AS34 |
- |
Paris |
- |
Giles Farnaby / Martin Peerson / G. Farnaby |
15 |
Marcelle Gérar, soprano (with flute, violins, guitar) |
Resveillez-moy, mon bel ami / La loy d'honneur / En
entrant en ung jardin |
AS35 |
- |
Paris |
1935 |
GARNIER / GENTIAN / Claudin de SERMlSY |
15 |
Marcelle Gérar, soprano (with flute, violins, guitar) |
Jehan de Lagny / Que feu craintif / Gros Jehan menoit
hors de Paris |
AS36 |
- |
Paris |
1935 |
Jachet van BERCHEM / J. BERCHEM / René |
16 |
Gaston Crunelle (Piccolo), Albert Debondue (musette),
Clayelte (tabor) |
Dance / Stantipes |
AS37 |
- |
Paris |
1935 |
anon. |
16 |
Gaston Crunelle (Piccolo), Albert Debondue (musette),
Clayelte (tabor) |
Ductia / Estampie / Il lamento di Tristano |
AS38 |
- |
Paris |
1935 |
anon. |
17A |
Maria Cid, soprano, Emilio Pujol (vihuela) |
Durandarte / Paseabase el Rey moro |
AS45 |
- |
Paris |
1935 |
Luis Milan / M. de FUENLLANA |
17B |
Maria Cid, soprano, Emilio Pujol (vihuela) |
Vos me mataseis / A las armas, moriscote |
AS44 |
- |
Paris |
1935 |
J. VASQUEZ / D. de PlSADOR |
18 |
Max Meili, tenor; Franz Siedersbeck, viol |
A l'entrant d'esté / Quand voi an la fin d'estey / Je
nuns bons pris |
AS3 |
M6-73115 |
Paris |
- |
BLONDEL de NESLES / Perrin d'Agiucourt / Richard
Coeur-de-lion |
18 |
Max Meili, tenor; Franz Siedersbeck, viol |
Nu alerst lebe ich mir werde / Ob aller mynne |
AS41 |
M6-80647 |
Paris |
- |
Walther von der Vogelweide / RUMELANT |
19 |
Sachs string ensemble |
Sonata for violin, viola d'amore and bass |
AS47 |
- |
Paris |
1935 |
anon. |
19 |
Sachs string ensemble |
Sonata for violin, viola d'amore and bass |
AS48 |
- |
Paris |
1935 |
anon. |
20 |
Yves Tinayre (Cellier string orch) |
Armide-pus j'observe ces lieux |
AS49 |
- |
Paris |
1935 |
Jean-Baptiste Lully |
20 |
Lina Falk (Cellier string orch) |
Persée- J'ay perdu la beauté / Je porte l'épouvante |
AS50 |
- |
Paris |
1935 |
Jean-Baptiste Lully |
21 |
Max Melli, tenor; Ruggero Gerlin, harpsichord; 'cello |
Ohimé, ch'io cado |
AS40 |
M6-80646 |
Paris |
1935 |
Claudio Monteverdi |
21 |
Max Melli, tenor; R. Gerlin, harpsichord; 'cello |
Quando to mi guardi / Se vedeste Ie piaghe |
AS39 |
M6-80645 |
Paris |
1935 |
Domenico Manzoli |
22A |
Jean Pasquier, P. Ferret (violins); Ruggero Gerlin
(harpsichord); E. Pasquier, 'cello |
The Golden Sonata (No.9 in F major): Allegro; Adagio |
AS52 |
M6-81921 |
Paris |
1935 |
Henry Purcell |
22B |
Jean Pasquier, P. Ferret (violins); Ruggero Gerlin
(harpsichord); E. Pasquier, 'cello |
The Golden Sonata (No.9 in F major): Canzona; Grave; Allegro |
AS53 |
M6-81922 |
Paris |
1935 |
Henry Purcell |
23A |
Max Meili, L. Moyse, L. Cromer, J. Pasquier, R. Gerlin,
A. Mosser |
Cantata no 189: Meine Seele ruhmt und priest pt1 |
AS 54 |
M6-82079 |
Paris |
1935 |
Johann Sebastian Bach |
23B |
Max Meili, L. Moyse, L. Cromer, J. Pasquier, R. Gerlin,
A. Mosser |
Cantata no 189: Meine Seele ruhmt und priest pt2 |
AS 55 |
M6-82080 |
Paris |
1935 |
Johann Sebastian Bach |
24 |
Erwin Bodky, clavichord |
Abschied von meinem Silberrnannischen Claviere |
AS28 |
- |
Paris |
1935 |
C. P. E. Bach |
24 |
Erwin Bodky, clavichord |
Five pieces from the Clavierbüchlein of Anna Maria Bach |
AS29 |
- |
Paris |
1935 |
J. S. Bach |
25A |
Ensemble of Cornets, Trombones, and Violas dir. Curt Sachs |
Sonata pian e forte |
AS58-1 |
- |
Paris |
1935 |
Giovanni Gabrieli |
25B |
Sachs brass ensemble |
6-part Canzona |
AS59 |
- |
Paris |
1935 |
Giovanni Gabrieli |
26 |
Jean Pasquier (vioIin); Marcel Moyse (flute); Ruggero
Gerlin (harpsichord), Étienne Pasquier ('cello) |
Quartet in e minor |
AS60 |
- |
Paris |
1935 |
Telemann |
26 |
Jean Pasquier (vioIin); Marcel Moyse (flute); Ruggero
Gerlin (harpsichord), Étienne Pasquier ('cello) |
Quartet in e minor |
AS61 |
- |
Paris |
1935 |
Telemann |
27 |
L. Dauby, alto; La Société Pro Musica Antiqua de
Bruxelles |
O flos fragrans |
AS71 |
- |
Paris |
1935 |
J. BRASART |
27 |
La Société Pro Musica Antiqua de Bruxelles |
Autant en emporté Ie vent / Tsat een meskin |
AS65 |
- |
Paris |
1935 |
P. de la Rue / Jacob Obrecht |
28 |
Max Meili, tenor; Y. Ie Marc'Hadour, baritone; M.
Suter-Moser, soprano; organ |
Concert Spiritual, Psaume 40 |
AS57 |
M6-82082 |
Paris |
1935 |
Schütz |
28 |
Max Meili, tenor; Y. Ie Marc'Hadour, baritone; M.
Suter-Moser, soprano; organ |
Concert Spirituals Psaumes 51 & 111 |
AS56-2 |
M6-82474 |
Paris |
1935 |
Schütz |
29 |
J. Peretti, soprano; M. Whita, alto; Ruggero Gerlin,
harpsichord |
Occhi Perché Piangete pt1 |
AS72 |
- |
Paris |
1936 |
Augustino Steffani |
29 |
J. Peretti, soprano; M. Whita, alto; Ruggero Gerlin,
harpsichord |
Occhi Perché Piangete pt2 |
AS73 |
- |
Paris |
1936 |
Augustino Steffani |
30 |
Jean Pasquier (vioIin); Eva Heinitz (viola da gamba);
Pauline Aubert (harpsichord) |
Pieces en Concert, No.5 |
AS78 |
- |
Paris |
1936 |
Jean Philippe Rameau |
30 |
Jean Pasquier (vioIin); Eva Heinitz (viola da gamba);
Pauline Aubert (harpsichord) |
Pieces en Concert, No.5 |
AS79 |
- |
Paris |
1936 |
Jean Philippe Rameau |
31 |
Paraphonistes de St. Jean & Brass Ensemble (dir.
Guillaume de Van) |
Mass (excerpts) |
- |
- |
Paris |
1936 |
Guillaume de Machaut |
31 |
Paraphonistes de St. Jean & Brass Ensemble (dir.
Guillaume de Van) |
Mass (excerpts) |
- |
- |
Paris |
1936 |
Guillaume de Machaut |
32 |
Paraphonistes de St. Jean & Brass Ensemble (dir.
Guillaume de Van) |
Mass (excerpts) |
- |
- |
Paris |
1936 |
Guillaume de Machaut |
32 |
Paraphonistes de St. Jean & Brass Ensemble (dir.
Guillaume de Van) |
Mass (excerpts) |
- |
- |
Paris |
1936 |
Guillaume de Machaut |
33 |
Ruggero Gerlin, harpsichord |
Toccata in d minor / Fugue in D Major |
AS62 |
- |
Paris |
1936 |
A. SCARLATTI |
33 |
Ruggero Gerlin, harpsichord |
Sarabanda / Canzona |
AS63 |
- |
Paris |
1936 |
Domenico Zipoli |
34 |
Agop Agopian & Paraphonistes de St. Jean (dir.
Guillaume de Van) |
Adiuvabit eam Deus |
AS80 |
M6-84132 |
Paris |
Mar-36 |
Gregorian chant |
34 |
Agop Agopian & Paraphonistes de St. Jean (dir.
Guillaume de Van) |
Pascha nostrum immolatus est |
AS81 |
M6-84133 |
Paris |
Mar-36 |
Gregorian chant |
35A |
La Société Pro Musica Antiqua de Bruxelles (dir. Safford
Cape) |
Se la face ay pale: Kyrie |
AS66 |
- |
Paris |
- |
Guillaume Dufay |
35B |
La Société Pro Musica Antiqua de Bruxelles (dir. Safford
Cape) |
Alma Redemptoris Mater |
AS67 |
- |
Paris |
- |
Guillaume Dufay |
36A |
H. Whita, contralto; H. Leeb, lute |
Je suis amour / Aymer est ma vie / Il me suffit |
AS 82 |
M6-84878 |
Paris |
1936 |
Nicolas de la Grotte / Clemens non Papa / anon. |
36B |
Hermann Leeb |
Villanelle de A. Dlugorni / Branle gay / Les cloches de
Paris / Danse angaise d'apres Dowland |
AS 83 |
M6-84879 |
Paris |
1936 |
Jean Baptiste Besard |
37 |
J. Fournier and string orch |
Concerto in D Major, Op. 3, No.9 |
AS84 |
- |
Paris |
1936 |
Vivaldi |
37 |
J. Fournier and string orch |
Concerto in D Major, Op. 3, No.9 |
AS85 |
- |
Paris |
1936 |
Vivaldi |
38 |
Ruggero, harpsichord |
Concerto in D Major |
AS86 |
- |
Paris |
1936 |
Vivaldi - Bach |
38 |
Ruggero, harpsichord |
Concerto in D Major |
AS87 |
- |
Paris |
1936 |
Vivaldi - Bach |
39 |
Lina Dauby (contralto) |
Puisque je vois |
AS69 |
- |
Paris |
- |
A. de LANTINS |
39 |
H. Guermant (soprano), Frédéric Anspach (tenor) |
De plus en plus / Va t'en, soupir |
AS68 |
- |
Paris |
- |
G. BINCHOIS / Grossin de Paris |
40 |
E. Pujol, vihuela |
3 Pavanes |
AS46 |
- |
Paris |
- |
Milan |
40 |
Carel van L. Boomkamp, viol d'gamba; Erwin Bodky,
harpsichord |
Ricercare |
AS90 |
- |
Paris |
- |
D. Ortiz |
41A |
Ruggero Gerlin, Marcelle Charbonnier (Curt Sachs orch) |
Concerto en Do-Majeur - Allegro pt1 |
AS 99 |
M6-86848 |
Paris |
- |
Johann Sebastian Bach |
41B |
Ruggero Gerlin, Marcelle Charbonnier (Curt Sachs orch) |
Concerto en Do-Majeur - Allegro (fin), Siciliano pt1 |
AS 100 |
M6-86849 |
Paris |
- |
Johann Sebastian Bach |
42A |
Ruggero Gerlin, Marcelle Charbonnier (Curt Sachs orch) |
Concerto en Do-Majeur - Siciliano (fin), Fuga pt1 |
AS 101 |
M6-86850 |
Paris |
- |
Johann Sebastian Bach |
42B |
Ruggero Gerlin, Marcelle Charbonnier (Curt Sachs orch) |
Concerto en Do-Majeur - Fuga (fin) |
AS 102 |
M6-86851 |
Paris |
- |
Johann Sebastian Bach |
43 |
Lina Dauby (contralto), Frédérich Anspach (tenor); Sachs
string ensemble |
Adieu, m'amour |
AS70 |
- |
Paris |
- |
Dufay |
43 |
Lina Dauby (contralto), Frédérich Anspach (tenor); Sachs
string ensemble |
Helas, que deuera mon coeur |
AS64 |
- |
Paris |
- |
Isaac |
44 |
Fernand Obradous (bassoon), Étienne Pasquier
(violoncello) |
Sonata for bassoon and violincello in B-flat Major, K292 |
AS97 |
- |
Paris |
- |
Mozart |
44 |
Fernand Obradous (bassoon), Étienne Pasquier
(violoncello) |
Sonata for bassoon and violincello in B-flat Major, K292 |
AS98 |
- |
Paris |
- |
Mozart |
45 |
Opienski Motet and Madrigal Chorale |
Au joly jeu / Ce moys de may |
AS105 |
- |
Paris |
1937 |
Clément Jannequin |
45 |
Opienski Motet and Madrigal Chorale |
Allons, gay bergeres / Mignonne, allons voir |
AS106 |
- |
Paris |
1937 |
Guillaume Costeley |
46A |
J. Fournier, J. Pasquier, F. Pasquier, R. Gerlin |
Sonate pour deux violons et basse: Adagio - Allegro |
AS 95 |
M6-86024 |
Paris |
1937 |
E. F. Dall' Abaco |
46B |
J. Fournier, J. Pasquier, F. Pasquier, R. Gerlin |
Sonate pour deux violons et basse: Largo - Allegro |
AS 96 |
M6-86025 |
Paris |
1937 |
E. F. Dall' Abaco |
47 |
Opienski Motet and Madrigal Chorale |
O crux, ave; Vulnerasti cor meum |
AS103 |
- |
Paris |
1937 |
Palestrina |
47 |
Opienski Motet and Madrigal Chorale |
La cruda mia nemica / Alla riva del Tebro |
AS104 |
- |
Paris |
1937 |
Palestrina |
48 |
Gaston Blanquart (flute), Eva Heinitz (gamba), Marcelle
de Lacour (harpsichord) |
Sonata in D Major, OP. 2, No.8 |
AS111 |
- |
Paris |
1937 |
LeClair |
48 |
Gaston Blanquart (flute), Eva Heinitz (gamba), Marcelle
de Lacour (harpsichord) |
Sonata in D Major, OP. 2, No.8 |
AS112 |
- |
Paris |
1937 |
LeClair |
49 |
Eva Heinitz (gamba) Marcelle de Lacour (harpsichord) |
Sonata for gamba and harpsichord in C Major |
AS113 |
- |
Paris |
1937 |
Handel |
49 |
Eva Heinitz (gamba) Marcelle de Lacour (harpsichord) |
Sonata for gamba and harpsichord in C Major |
AS114 |
- |
Paris |
1937 |
Handel |
50 |
G. Crunelle, flute; L. Gromer, oboe; J. Fournier, violin;
P. Villain, viola; P. Fournier, 'cello |
Quintet in D major, Op. 11, No.6 |
AS115 |
- |
Paris |
1937 |
J. C. Bach |
50 |
G. Crunelle, flute; L. Gromer, oboe; J. Fournier, violin;
P. Villain, viola; P. Fournier, 'cello |
Quintet in D major, Op. 11, No.6 |
AS116 |
- |
Paris |
1937 |
J. C. Bach |
51 |
Basel Chamber Choir (dir. Sacher) |
Also beilig ist der Tag / Kling, klang! Kommt heir |
AS127 |
M6-89378 |
Paris |
- |
Senfl |
51 |
Basel Chamber Choir (dir. Sacher) |
Ach, herzigs Herz / Wach' auf |
AS128 |
M6-89379 |
Paris |
- |
H. Finck |
52A |
orchestra a cordes, clavecin et 2 trompettes |
Suite "Journal du Printemps": ouverture -
marche - menuet |
AS 119 |
- |
Paris |
- |
Johann Kaspar Ferdinand Fischer |
52B |
orchestra a cordes et ckavecin |
Suite en ut majeur |
AS 120 |
M6-89055 |
Paris |
- |
Johann Rosenmuller |
53 |
Opienski Motet and Madrigal Chorale |
Evening Prayer / Per signum crucis |
AS107 |
- |
Paris |
- |
Waclaw Szamutolski / Mikolaj Zielenski |
53 |
Opienski Motet and Madrigal Chorale |
In monte Oliveti / Psalm 77 |
AS108 |
- |
Paris |
- |
Mikolaj Zielenski / Mikolaj Gomolka |
54 |
Martha Angelici, soprano |
J'ai Perdu Mon Serviteur & Si Des Galants |
AS129-1 |
M6-89484 |
Paris |
- |
Jean-Jacques Rousseau |
54 |
Martha Angelici, soprano |
Avec L'Objet De Mes Amour & Allons Danser |
AS130-1 |
M6-89485 |
Paris |
- |
Jean-Jacques Rousseau |
55 |
Jacques Février, piano; Jean Fournier, violin; Pierre
Fournier, 'cello |
Trio No. 5 in E-flat Major |
AS144 |
- |
Paris |
- |
Haydn |
55 |
Jacques Février, piano; Jean Fournier, violin; Pierre
Fournier, 'cello |
Trio No. 5 in E-flat Major |
AS145 |
- |
Paris |
- |
Haydn |
56 |
Jacques Février, piano; Jean Fournier, violin; Pierre
Fournier, 'cello |
Trio No. 5 in E-flat Major |
AS146 |
- |
Paris |
- |
Haydn |
56 |
Jacques Février, piano; Jean Fournier, violin; Pierre
Fournier, 'cello |
Trio in A Major - Larghetto |
AS147 |
- |
Paris |
- |
F. X. Richter |
57 |
Curt Sachs brass ensemble |
Pavane / Tanz / lntrada |
AS117 |
- |
Paris |
- |
Melchior Franck |
57 |
Curt Sachs brass ensemble |
Banchetto Musicale: Suite number fourteen |
AS118 |
- |
Paris |
- |
Johann Hermann Schein |
58 |
Opienski Motet and Madrigal Chorale |
Go, Crystal Tears / Farewell, Dear Love |
- |
- |
Paris |
- |
Dowland / Jones |
58 |
Opienski Motet and Madrigal Chorale |
Since My Tears |
- |
- |
Paris |
- |
Morley |
59 |
H. Guerment, soprano; F. Mertens, alto; F. Anspach,
tenor; E. Jacquier, baritone (Cape ensemble) |
Se je chant mains / De ce que fol pense |
- |
- |
Paris |
- |
anon. / P. de MOLINS |
59 |
H. Guerment, soprano; F. Mertens, alto; F. Anspach,
tenor; E. Jacquier, baritone (Cape ensemble) |
Fenice fu / Tosto che l'alba |
- |
- |
Paris |
- |
Jacopo da Bologna / Ghirardello da Firenze |
60 |
Bassler Kammerchor |
Selig sind die Toten |
AS121 |
M6-89398 |
Paris |
- |
Heinrich Schütz |
60 |
Bassler Kammerchor with gamba, bassoon and organ |
Die Gerechten werden weggerafft |
AS126 |
M6-89403 |
Paris |
- |
Johann Philipp Krieger |
61 |
Max Meili, tenor, Basel Chapel Choir and Orchestra |
Cantata No. 65 (partial) |
- |
- |
- |
- |
J. S. Bach |
61 |
Max Meili, tenor, Basel Chapel Choir and Orchestra |
Cantata No. 65 (partial) |
- |
- |
- |
- |
J. S. Bach |
62 |
Jacques Février, piano |
Sonata Op. 8: Allegro moderato |
AS162 |
- |
Paris |
- |
Johann Schobert |
62 |
Jacques Février, piano |
Sonata No. 3, Op. 9: Allegro maestoso |
AS163 |
- |
Paris |
- |
Jan Latislav Dussek |
63 |
La Société Pro Musica Antiqua, Brussels |
Gran piant' agli occhi |
AS138 |
- |
Paris |
1937 |
Francesco Landino |
63 |
Marcus, Bauwens, Dusèches (viol trio) |
Plus onques dame n'a mercy |
AS139 |
- |
Paris |
1937 |
Matteo de Perugia |
64 |
Gaston Micheletti, tenor (Curt Sachs string orch) |
Mitrane: Ah! Rendimi quel core |
AS131 |
- |
Paris |
- |
Francesco Rossi |
64 |
Gaston Micheletti, tenor (Curt Sachs string orch) |
Vado ben spesso |
AS132 |
- |
Paris |
- |
Giovanni Battista Buononcini |
65 |
Frédéric Anspach (duplum), E. Jacquier (organum), Franz
Mertens (organum) |
Organum duplum: Deum time |
AS142 |
- |
Paris |
1937 |
Léonin |
65 |
Frédéric Anspach (triplum), E. Jacquier (duplum), Franz
Mertens (organum) |
2. Organum triplum: Diffusa est gratia |
AS143 |
- |
Paris |
1937 |
Pérotin |
66 |
Pierre Fournier, 'cello; Ruggero Gerlin, piano |
Sonata No. 2 in C Major for 'Cello & Piano |
AS150 |
- |
Paris |
- |
Luigi Boccherini |
66 |
Pierre Fournier, 'cello; Ruggero Gerlin, piano |
Sonata No. 2 in C Major for 'Cello & Piano |
AS151 |
- |
Paris |
- |
Luigi Boccherini |
67 |
La Société Pro Musica Antiqua, Brussels |
Double ballade: Quant Theseüs |
- |
- |
Paris |
- |
Guillaume de Machaut |
67 |
La Société Pro Musica Antiqua, Brussels |
Je puis trop bien / De tout sui |
- |
- |
Paris |
- |
Guillaume de Machaut |
68 |
Jacques Février, piano |
Sonata in E flat Major |
AS148-1 |
- |
Paris |
1938 |
Johann Christian Bach |
68 |
Jacques Février, piano |
Sonata in E flat Major |
AS149-1 |
- |
Paris |
1938 |
Johann Christian Bach |
69 |
Joseph Bonnet, organ |
Diferencias sobre le canto del Caballero / Clausula de
octavo tono |
- |
- |
Paris |
- |
Antonio de Cabezón / Fray Thomas de Sancta Maria |
69 |
Joseph Bonnet, organ |
Tiento |
- |
- |
Paris |
- |
Juan Cabanilles |
70 |
Max Meili, tenor; Ruggero Gerlin, harpsichord; Curt Sachs
string orch |
Praise of Harmony: Recitativo / Andante allegro |
AS154 |
M6-90870 |
Paris |
1938 |
Georg Friedrich Händel |
70 |
Max Meili, tenor; Ruggero Gerlin, harpsichord; Curt Sachs
string orch |
Praise of Harmony: Andante allegro / Andante Larghetto |
AS155 |
M6-90871 |
Paris |
1938 |
Georg Friedrich Händel |
71 |
Société Pro Musica Antiqua de Bruxelles |
Alleluia psallat / À la clarté - Surge, illuminare / Li
dous regards de ma dame |
AS133 |
- |
Paris |
- |
anon. / anon. / Adam de la Halle |
71 |
Société Pro Musica Antiqua de Bruxelles |
In saeculum viellatoris / Au tens pascours - l'autre jour
/ Virelai |
AS141 |
- |
Paris |
- |
anon. / anon. / Adam de la Halle |
72 |
Max Meili, tenor, with 3 trombones |
Chant spirituel: Beati omnes |
AS122 |
M6-89399 |
Paris |
- |
Michael Praetorius |
72 |
Basler Kammerchor |
Wenn mein Stündlein / Mein Seele ein meinem letzten End. |
AS125 |
M6-89402 |
Paris |
- |
Hans Leo Hassler |
73 |
Les Paraphonistes de Saint-Jean-des-Matines (dir.
Guillaume de Van) |
Stabat Mater |
AS162 |
- |
Paris |
- |
Josquin des Prés |
73 |
Les Paraphonistes de Saint-Jean-des-Matines (dir.
Guillaume de Van) |
Missa Hercules: Kyrie |
AS163 |
- |
Paris |
- |
Josquin des Prés |
74 |
J. Grabowska, violin; Pauline Aubert, harpsichord |
Sonata in g minor |
AS166 |
- |
Paris |
- |
François Francoeur |
74 |
J. Grabowska, violin; Pauline Aubert, harpsichord |
Sonata in E major |
AS167 |
- |
Paris |
- |
Jean-Baptiste Senaillé |
75 |
Joseph Bonnet, organ |
Plein Jeu |
AS158 |
- |
Paris |
- |
Nicolas de Grigny |
75 |
Joseph Bonnet, organ |
Offertoire sur les grands jeux / Sanctus |
AS159 |
- |
Paris |
- |
François Couperin |
76 |
Van Leeuven Boomkamp, 'cello |
6th suite for violincello |
AS88 |
- |
Paris |
- |
J. S. Bach |
76 |
Van Leeuven Boomkamp, 'cello |
6th suite for violincello |
AS89 |
- |
Paris |
- |
J. S. Bach |
77 |
A capella vocal ensemble of Les Paraphonistes de
Saint-Jean des Matines (dir. Guillaume de Van) |
Dal letto mi levava / Rusticus / Rende l'arme al fiero
amore |
AS170 |
- |
Paris |
- |
Michael Presenti / anon. / anon. |
77 |
A capella vocal ensemble of Les Paraphonistes de
Saint-Jean des Matines (dir. Guillaume de Van) |
Sancta Maria / Anima Christi / Poichè |
AS171 |
- |
Paris |
- |
B. Trombocino and M. Cara / Antonet / Innocentius
Damnonis |
78 |
Eva Heinitz (viola da gamba), M. Clerget (viola da
gamba), Pauline Aubert (harpsichord) |
Piece for 2 Viols pt1 |
AS168 |
- |
Paris |
- |
Marin Marais |
78 |
Eva Heinitz (viola da gamba), M. Clerget (viola da
gamba), Pauline Aubert (harpsichord) |
Piece for 2 Viols pt2 |
AS169 |
- |
Paris |
- |
Marin Marais |
79 |
Max Meili (tenor), Ruggero Gerlin (harpsichord), Nanny
(harpsichord) |
Io tento invan / Occhi belli / Bionda, bionda, Clori |
AS156 |
M6-90872 |
Paris |
- |
G. Miniscalchi / Padre Ludivico Busca / Padre Ludivico
Busca |
79 |
Max Meili (tenor), Ruggero Gerlin (harpsichord) |
Voi
partite mio sole / Non posso più siffrir |
AS157 |
M6-90873 |
Paris |
- |
Girolamo Frecobaldi / G. Miniscalchi |
80 |
A capella vocal ensemble of Les Paraphonistes de
Saint-Jean des Matines (dir. Guillaume de Van) |
Parce, Domine / Crucifige |
AS165-II |
- |
Paris |
- |
anon. / Loyset Compère |
80 |
A capella vocal ensemble of Les Paraphonistes de
Saint-Jean des Matines (dir. Guillaume de Van) |
Maria Zart: Qui propter / Et incarnatus est |
AS166-II |
- |
Paris |
- |
Jacob Obrecht |
81 |
Pauline Aubert (harpsichord); Orchestre de l'Anthologie
sonore |
Marche / Air gai en rondeau / Tambourins |
AS178 |
- |
Paris |
- |
Jean-Philippe Rameau |
81 |
Pauline Aubert (harpsichord); Orchestre de l'Anthologie
sonore |
Menuets / Rondeau / Air |
AS179 |
- |
Paris |
- |
Jean-Philippe Rameau |
82 |
Martha Angelici, soprano; Pauline Aubert, harpsichord;
(Ruggero Gerlin orch) |
Il Pomo d'Oro: Air de Vénus |
AS176 |
- |
Paris |
- |
Marc' Antonio Cesti |
82 |
Martha Angelici, soprano; Yvon le Marc' Hadour, bass;
Pauline Aubert, harpsichord; (Ruggero Gerlin orch) |
La Nitteti: Rondo di Nitteti / Air d'Amagi |
AS177 |
- |
Paris |
- |
A. M. G. Sacchini |
83 |
Ruggero Gerlin, piano |
Sonata No. 19 in D Major |
AS172 |
- |
Paris |
- |
Franz Joseph Haydn |
83 |
Ruggero Gerlin, piano |
Sonata No. 19 in D Major |
AS173 |
- |
Paris |
- |
Franz Joseph Haydn |
84 |
Martha Angelici & G. Épicaste, sopranos; Ruggero
Gerlin, piano; Orchestre de la Société des Concerts de Versailles dir.
Gustave Cloëz |
Les Festes de Thalie pt1 |
AS181 |
- |
Paris |
- |
Jean-Joseph Mouret |
84 |
Martha Angelici & G. Épicaste, sopranos; Ruggero
Gerlin, piano; Orchestre de la Société des Concerts de Versailles dir.
Gustave Cloëz |
Les Festes de Thalie pt2 |
AS182 |
- |
Paris |
- |
Jean-Joseph Mouret |
85 |
Eva Heinitz (viola da gamba), J. Fournier (violin), G.
Figueroa (viola), P. Fournier ('cello) |
Quartet for Viola da gamba, violin, viola & cello |
AS186 |
- |
Paris |
- |
Karl Stamitz |
85 |
Eva Heinitz (viola da gamba), J. Fournier (violin), G.
Figueroa (viola), P. Fournier ('cello) |
Quartet for Viola da gamba, violin, viola & cello |
AS187 |
- |
Paris |
- |
Karl Stamitz |
86A |
Martha Angelici, soprano; Orchestre de la Société des
Concerts de Versailles (dir. Gustave Cloëz) |
Callirhoè |
AS180 |
- |
Paris |
- |
André Cardinal Destouches |
86B |
G. Épicaste, soprano; Pauline Aubert, harpsichord;
Orchestre de la Société des Concerts de Versailles (dir. Gustave Cloëz) |
Circé |
AS183 |
- |
Paris |
- |
François Coltin de Blamont |
87A |
Orchestre de Cambre de la Cociete des Concerts du
Conservatoire (dir. M. G. Cloez) |
Concerto en Sol majeur pour Clavecin et Orchestra: Allegro ma non tanto pt1 |
AS 193 |
M6-97932 |
Paris |
- |
Johann Schobert |
87B |
Orchestre de Cambre de la Cociete des Concerts du
Conservatoire (dir. M. G. Cloez) |
Concerto en Sol majeur pour Clavecin et Orchestra: Allegro ma non tanto (fin) Andante pt1 |
AS 194 |
M6-97933 |
Paris |
- |
Johann Schobert |
88 |
Orchestre de la Société des Concerts de Versailles (dir.
Gustave Cloëz) |
Concerto in G Major (harpsichord & orchestra) pt3 |
AS192 |
- |
Paris |
- |
Johann Schobert |
88 |
Orchestre de la Société des Concerts de Versailles (dir.
Gustave Cloëz) |
Concerto in G Major (harpsichord & orchestra) pt4 |
AS195 |
- |
Paris |
- |
Johann Schobert |
89 |
Jean Lafon, guitar |
Prélude / Allemande / Folie |
AS196 |
- |
Paris |
- |
Francisque Corbett |
89 |
Jean Lafon, guitar |
Prélude / Sarabande / Menuet / Bourrée
|
AS197 |
- |
Paris |
- |
Robert de Visée |
90 |
Eva Heinitz, viola da gamba; Ruggero Gerlin, harpsichord |
Sonata a viola da gamba e cembalo concertato (Andante,
Allegro) |
AS190 |
- |
Paris |
- |
Johann Pfeiffer |
90 |
Eva Heinitz, viola da gamba; Ruggero Gerlin, harpsichord |
Sonata a viola da gamba e cembalo concertato (Largo,
Bourrée) |
AS191 |
- |
Paris |
- |
Johann Pfeiffer |
91 |
Mairy Kuhner / Société Pro Musica Antiqua, Brussels |
En mai la rousée / Anima mea - Descendi - Alma
Redemptoris |
AS137 |
- |
Paris |
- |
anon. 13th/14th cent. |
91 |
Bousquet, Rousselon, Bonté, Deniau (dir. Guillaume de
Van) |
Congaudeant turba / Ad regnum opulentum - Noster coetus /
Je voi doleur - Fauvel nous a fait present - Fauvel autant |
AS204 |
- |
Paris |
- |
anon. 13th/14th cent. |
92 |
Ruggero Gerlin, harpsichord |
Chaconne / Branle de Basque |
AS198 |
M6-97937 |
Paris |
- |
Louis Couperin |
92 |
Ruggero Gerlin, harpsichord |
Pavane / Passacaille |
AS199 |
M6-97945 |
Paris |
- |
Louis Couperin |
93 |
Martha Angelici, soprano; Jean Hubeau, piano |
Das Lied der Trennung: Die Engel Gottes Weinen, K. 519 |
AS207 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
93 |
Martha Angelici, soprano; Jean Hubeau, piano |
Un moto di gioia, K. 579 / Ridente la calma, K. 152 |
AS208 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
94 |
G. Strauss, violin; Pauline Aubert, harpsichord |
Sonata in c minor "Leiden Christi am Ölberg"
pt1 |
AS211 I |
M6-98704 |
Paris |
- |
Heinz Ignaz Franz von Biber |
94 |
G. Strauss, violin; Pauline Aubert, harpsichord |
Sonata in c minor "Leiden Christi am Ölberg"
pt2 |
AS212 |
M6-98706 |
Paris |
- |
Heinz Ignaz Franz von Biber |
95 |
Ruggero Gerlin, piano |
Adagio / Andante |
AS174 |
- |
Paris |
- |
Giovanni-Antonio Matielli / Giovanni-Placido Ruttini |
95 |
Ruggero Gerlin, piano |
Allegro |
AS176 |
- |
Paris |
- |
Padre Giovanni-Battista Martini |
96 |
Jean Planel, tenor, with instrumental ens. |
Air de Musette |
AS210 |
M6-98705 |
Paris |
- |
André Campra |
96 |
Jean Planel, tenor, with instrumental ens. |
Cantata: La Papillon |
AS209 |
M6-98706 |
Paris |
- |
André Campra |
97 |
Bonté, Deniau, Rousselon, Bousquet (dir. Guillaume de
Van) |
Quemadmodum |
AS202 |
- |
Paris |
- |
John Tavener |
97 |
Bonté, Deniau, Rousselon, Bousquet (dir. Guillaume de
Van) |
Magnificat anima mea Dominum |
AS205 |
- |
Paris |
- |
John Tavener |
98 |
Gaston Micheletti, tenor; Ruggero Gerlin, harpsichord |
Sombre Forest / Comme une Hyrondelle / Iris / Bien que
l'amour |
AS188 |
- |
Paris |
- |
Michel Pignolet de Monteclair / Monteclair / L'Affilards
/ Michel de la Barre |
98 |
Gaston Micheletti, tenor; Ruggero Gerlin, harpsichord |
J'ay surpris l'Amour / Le bon vin chasse le chagrin /
Amis buvons jour et nuit |
AS189 |
- |
Paris |
- |
Louis de Lacoste / anon. / Renauld |
99 |
vocal and instrumental ensemble dir. Guillaume de Van |
Transfretrasse legitur / Deus Misertus |
AS203 |
- |
Paris |
~1940 |
anon. 13th cent. |
99 |
vocal and instrumental ensemble dir. Guillaume de Van |
Melisma I / Melisma II / Estampie |
AS206 |
- |
Paris |
~1940 |
anon. 13th cent. |
100 |
Ruggero Gerlin, harpsichord |
Sonata in C Major / Sonata in G Major |
AS200 |
M6-97943 |
Paris |
- |
Domenico Scarlatti |
100 |
Ruggero Gerlin, harpsichord |
Sonata in e minor / Sonata in B-flat Major |
AS201 |
M6-97944 |
Paris |
- |
Domenico Scarlatti |
101 |
Orchestre de chambre de la Société des concerts du
Conservatoire (de Versailles) dir. Gustave Cloëz |
Orfeo ed Euridice: Chaconne |
AS217 |
- |
Paris |
- |
Christoph Willibald Gluck |
101 |
Orchestre de chambre de la Société des concerts du
Conservatoire (de Versailles) dir. Gustave Cloëz |
Orfeo ed Euridice: Chaconne |
AS218 |
- |
Paris |
- |
Christoph Willibald Gluck |
102 |
Orchestre de chambre de la Société des concerts du
Conservatoire (de Versailles) dir. Gustave Cloëz |
Orfeo ed Euridice: Menuet / Air in C Major |
AS219 |
- |
Paris |
- |
Christoph Willibald Gluck |
102 |
Orchestre de chambre de la Société des concerts du
Conservatoire (de Versailles) dir. Gustave Cloëz |
Orfeo ed Euridice: Air in D Major / Air in A Major |
AS220 |
- |
Paris |
- |
Christoph Willibald Gluck |
103 |
Pauline Aubert, harpsichord |
Prélude / Les Trois Mains |
AS215 |
- |
Paris |
- |
Jean-Philippe Rameau |
103 |
Pauline Aubert, harpsichord |
Les Soupirs |
AS216 |
- |
Paris |
- |
Jean-Philippe Rameau |
104 |
Les Paraphonistes de St Jean-des-Matines dir. Guillaume
de Van |
Le bergier et la bergière: Sanctus / Agnus Dei |
AS224 |
- |
Paris |
- |
Roland de Lassus |
104 |
Les Paraphonistes de St Jean-des-Matines dir. Guillaume
de Van |
Omnia tempus habent |
AS225 |
- |
Paris |
- |
Orlando de Lassus |
105 |
Martha Angelici, soprano; G. Crunelle, flute; J.
Fournier, violin; V. Clerget, viola da gamba; Pauline Aubert, harpsichord |
Léandre et Héro pt1 |
AS226 |
- |
Paris |
- |
Louis-Nicolas Clérambault |
105 |
Martha Angelici, soprano; G. Crunelle, flute; J.
Fournier, violin; V. Clerget, viola da gamba; Pauline Aubert, harpsichord |
Léandre et Héro pt2 |
AS227 |
- |
Paris |
- |
Louis-Nicolas Clérambault |
106 |
Martha Angelici, soprano; G. Crunelle, flute; J.
Fournier, violin; V. Clerget, viola da gamba; Pauline Aubert, harpsichord |
Léandre et Héro pt3 |
AS228 |
- |
Paris |
- |
Louis-Nicolas Clérambault |
106 |
Martha Angelici, soprano; G. Crunelle, flute; J.
Fournier, violin; V. Clerget, viola da gamba; Pauline Aubert, harpsichord |
Léandre et Héro pt4 |
AS229 |
- |
Paris |
- |
Louis-Nicolas Clérambault |
107 |
Les Paraphonistes de St Jean-des-Matines dir. Guillaume
de Van |
Miserere pt1 |
AS221 |
- |
Paris |
- |
Josquin des Prés |
107 |
Les Paraphonistes de St Jean-des-Matines dir. Guillaume
de Van |
Miserere pt2 |
AS222 |
- |
Paris |
- |
Josquin des Prés |
108 |
Les Paraphonistes de St Jean-des-Matines dir. Guillaume
de Van |
Miserere pt3 |
AS223 |
- |
Paris |
- |
Josquin des Prés |
108 |
Les Paraphonistes de St Jean-des-Matines dir. Guillaume
de Van |
Miserere pt4 |
AS230 |
- |
Paris |
- |
Josquin des Prés |
109 |
Pauline Aubert, harpsichord |
Les vieux seigneurs / Les jeunes seigneurs |
AS213 |
- |
Paris |
- |
François Couperin |
109 |
Pauline Aubert, harpsichord |
La visionnaire / La convalescente |
AS214 |
- |
Paris |
- |
François Couperin |
110 |
Jean Hubeau; Les Paraphonistes de St Jean-des-Matines
dir. Guillaume de Van |
Va, fortune / En Albion |
AS232 |
- |
Paris |
- |
anon. 14th cent. |
110 |
Jean Hubeau; Les Paraphonistes de St Jean-des-Matines
dir. Guillaume de Van |
Or tost acux / En l'amoureux vergier |
AS231 |
- |
Paris |
- |
anon. 14th cent. |
111 |
Henry Merckel, violin; Jean Hubeau, piano |
Sonata for keyboard and violin in B flat major, K. 454
pt1 |
AS233 |
- |
Paris |
~1941 |
Wolfgang Amadeus Mozart |
111 |
Henry Merckel, violin; Jean Hubeau, piano |
Sonata for keyboard and violin in B flat major, K. 454
pt2 |
AS234 |
- |
Paris |
~1941 |
Wolfgang Amadeus Mozart |
112 |
Henry Merckel, violin; Jean Hubeau, piano |
Sonata for keyboard and violin in B flat major, K. 454
pt3 |
AS235 |
- |
Paris |
~1941 |
Wolfgang Amadeus Mozart |
112 |
Henry Merckel, violin; Jean Hubeau, piano |
Sonata for keyboard and violin in B flat major, K. 454
pt4 |
AS236 |
- |
Paris |
~1941 |
Wolfgang Amadeus Mozart |
113 |
Henry Merckel, violin; Jean Hubeau, piano |
Sonata for keyboard and violin in B flat major, K. 454
pt5 |
AS237 |
- |
Paris |
~1941 |
Wolfgang Amadeus Mozart |
113 |
Henry Merckel, violin; Jean Hubeau, piano |
Sonata for keyboard and violin in B flat major, K. 454
pt6 |
AS238 |
- |
Paris |
~1941 |
Wolfgang Amadeus Mozart |
114 |
Orchestre de la Société des concerts de Versailles
dir.Gustave Cloëz |
Cadmus et Hermione: Chaconne |
AS240 |
- |
Paris |
- |
Jean-Baptiste Lully |
114 |
Orchestre de la Société des concerts de Versailles
dir.Gustave Cloëz |
Phaëton: Ouverture / Entrée de danse |
AS239 |
- |
Paris |
- |
Jean-Baptiste Lully |
115 |
Orchestre de chambre de la Société des concerts de
Versailles dir. Gustave Cloëz |
Le parnasse, ou, L'apothéose de Corelli pt1 |
AS242 |
- |
Paris |
- |
François Couperin |
115 |
Orchestre de chambre de la Société des concerts de
Versailles dir. Gustave Cloëz |
Le parnasse, ou, L'apothéose de Corelli pt2 |
AS243 |
- |
Paris |
- |
François Couperin |
116 |
Orchestre de chambre de la Société des concerts de
Versailles dir. Gustave Cloëz |
Le parnasse, ou, L'apothéose de Corelli pt3 |
AS244 |
- |
Paris |
- |
François Couperin |
116 |
Gaston Crunelle, flute; V. Clerget, viola da gamba;
Pauline Aubert, harpsichord |
Les goûts réunis |
AS241 |
- |
Paris |
- |
François Couperin |
117 |
Trio Pasquier |
Trio in D major, Op. 32 pt1 |
AS253 |
- |
Paris |
- |
Franz Joseph Haydn |
117 |
Trio Pasquier |
Trio in D major, Op. 32 pt2 |
AS254 |
- |
Paris |
- |
Franz Joseph Haydn |
118 |
Martha Angelici, soprano; Jean Pasquier, solo violin;
(Francis Cébron orch) |
La Nozze de Figaro: Deh !, vieni, non tarder |
AS249 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
118 |
Martha Angelici, soprano; Jean Pasquier, solo violin;
(Francis Cébron orch) |
La Nozze de Figaro: L'Amerò sarò costante |
AS250 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
119A |
Trio Pasquier |
Sixth Trio Concertant for violin, viola and 'cello (Larghetto) |
AS255 1 |
M6-104921 |
Paris |
- |
Luigi Boccherini |
119B |
Trio Pasquier |
Sixth Trio Concertant for violin, viola and 'cello (Rondo / Allegro) |
AS256 1 |
M6-104922 |
Paris |
- |
Luigi Boccherini |
120 |
Chorale Émile Passani |
Strider faceva / Perché la pioggia |
AS259 |
- |
Paris |
- |
Luca Marenzio |
120 |
Chorale Émile Passani |
Moro lasso |
AS258 |
- |
Paris |
- |
Don Carlo Gesualdo |
121 |
Raymond Bonté, tenor; Eugène Bousquet, baritone; Les
Paraphonistes de St Jean-des-Matines dir. Guillaume de Van |
1. Salvae quae fama - Vos nunc - Viri mendaces pt1 |
AS261 |
- |
Paris |
- |
Guillaume Dufay |
121 |
Raymond Bonté, tenor; Eugène Bousquet, baritone; Les
Paraphonistes de St Jean-des-Matines dir. Guillaume de Van |
1. Salvae quae fama - Vos nunc - Viri mendaces pt2 |
AS262 |
- |
Paris |
- |
Guillaume Dufay |
122 |
Gaston Crunelle, flute; Pierre Jamet, harp (Gustave Cloëz
orch) |
Concerto flute, harp and orchestra in C Major K. 299:
Allegro pt1 |
AS233 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
122 |
Gaston Crunelle, flute; Pierre Jamet, harp (Gustave Cloëz
orch) |
Concerto flute, harp and orchestra in C Major K. 299:
Allegro pt2 |
AS234 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
123 |
Gaston Crunelle, flute; Pierre Jamet, harp (Gustave Cloëz
orch) |
Concerto flute, harp and orchestra in C Major K. 299:
Allegro, cadenza |
AS235 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
123 |
Gaston Crunelle, flute; Pierre Jamet, harp (Gustave Cloëz
orch) |
Concerto flute, harp and orchestra in C Major K. 299:
Andantino pt1 |
AS236 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
124 |
Gaston Crunelle, flute; Pierre Jamet, harp (Gustave Cloëz
orch) |
Concerto flute, harp and orchestra in C Major K. 299:
Andantino cadenza |
AS237 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
124 |
Gaston Crunelle, flute; Pierre Jamet, harp (Gustave Cloëz
orch) |
Concerto flute, harp and orchestra in C Major K. 299:
Rondo pt1 |
AS238 |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
125 |
Gaston Crunelle, flute; Pierre Jamet, harp (Gustave Cloëz
orch) |
Concerto flute, harp and orchestra in C Major K. 299:
Rondo cadenza |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
125 |
Gaston Crunelle, flute; Pierre Jamet, harp (Gustave Cloëz
orch) |
Concerto flute, harp and orchestra in C Major K. 299:
Rondo pt2 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
126 |
Les Paraphonistes de St Jean-des-Matines dir. Guillaume
de Van |
Gloria in excelsis Deo à quatre voix pt1 |
AS263 |
- |
Paris |
- |
anon. ca. 1420 |
126 |
Les Paraphonistes de St Jean-des-Matines dir. Guillaume
de Van |
Gloria in excelsis Deo à quatre voix pt2 / Le point agu,
poingnant a desmesure |
AS264 |
- |
Paris |
- |
anon. ca. 1420 |
127 |
Quatuor Pascal |
String Quartet in E-flat Major, Op. 7, No. 5: Allegro
commodo |
- |
- |
Paris |
- |
Nicolas Dalayrac |
127 |
Quatuor Pascal |
String Quartet in E-flat Major, Op. 7, No. 5: Minuetto |
- |
- |
Paris |
- |
Nicolas Dalayrac |
128 |
Chorale Émile Passani |
Psalm XLII: Juge le droit de ma cause |
- |
- |
Paris |
- |
Jacques Mauduit |
128 |
Chorale Émile Passani |
A la fontaine / Si d'une petite oeillade |
- |
- |
Paris |
- |
Jacques Mauduit / J. A. de Baïf |
129 |
Quatuor Léon Pascal |
String Quartet, Op. 1, No. 2: Moderato |
- |
- |
Paris |
- |
Luigi Boccherini |
129 |
Quatuor Léon Pascal |
String Quartet, Op. 1, No. 2: Moderato |
- |
- |
Paris |
- |
Luigi Boccherini |
130 |
Quatuor Léon Pascal |
String Quartet, Op. 1, No. 2: Largo |
- |
- |
Paris |
- |
Luigi Boccherini |
130 |
Quatuor Léon Pascal |
String Quartet, Op. 1, No. 2: Fugue |
- |
- |
Paris |
- |
Luigi Boccherini |
131 |
André Marchal, organ |
O Mensch Bewein dein sünde gross |
- |
- |
Paris |
- |
Jan-Pieter Sweelinck |
131 |
André Marchal, organ |
Mein junger leben hat ein' end |
- |
- |
Paris |
- |
Jan-Pieter Sweelinck |
132 |
Max Meili |
O lobä! Zio lobä |
AS289 |
- |
Paris |
- |
anon. |
132 |
Max Meili |
Ich sezte minen vuoz |
AS290 |
- |
Paris |
- |
anon. |
133 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Divertimento No. 2 in D Major, K. 131 pt1 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
133 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Divertimento No. 2 in D Major, K. 131 pt2 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
134 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Divertimento No. 2 in D Major, K. 131 pt3 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
134 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Divertimento No. 2 in D Major, K. 131 pt4 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
135 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Divertimento No. 2 in D Major, K. 131 pt5 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
135 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Divertimento No. 2 in D Major, K. 131 pt6 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
136 |
André Marchal, organ |
Passacaglia in c minor: theme & variations, fugue pt1 |
- |
- |
Paris |
1947 |
J. S. Bach |
136 |
André Marchal, organ |
Passacaglia in c minor: theme & variations, fugue pt2 |
- |
- |
Paris |
1947 |
J. S. Bach |
137 |
André Marchal, organ |
Jesu meine Freude pt1 |
- |
- |
Paris |
1947 |
J. S. Bach |
137 |
André Marchal, organ |
Jesu meine Freude pt2 |
- |
- |
Paris |
1947 |
J. S. Bach |
138 |
Ruggero Gerlin, harpsichord |
Sonata in A Major / Sonata in g minor |
- |
- |
Paris |
- |
Domenico Cimarosa |
138 |
Ruggero Gerlin, harpsichord |
Sonata in C Major / Sonata in G Major |
- |
- |
Paris |
- |
Domenico Cimarosa |
139 |
Chorale de l'Institut de théologie orthodoxe russe à
Paris dir. M. Ossorguine |
Liturgie des Présanctifiés |
- |
- |
Paris |
- |
anon. (Russia) |
139 |
Chorale de l'Institut de théologie orthodoxe russe à
Paris dir. M. Ossorguine |
Tropaires du Samedi Saint (Vêpres) / Tropaires du Samedi
Saint (Matines) |
- |
- |
Paris |
- |
anon. (Russia) |
140 |
Chorale de l'Institut de théologie orthodoxe russe à
Paris dir. M. Ossorguine |
Matines du Vendredi Saint / Matines de l'Assomption |
- |
- |
Paris |
- |
anon. (Russia) |
140 |
Chorale de l'Institut de théologie orthodoxe russe à
Paris dir. M. Ossorguine |
Cadence "Théta merveilleuse" / Louanges de la
Vierge |
- |
- |
Paris |
- |
anon. (Russia) |
141 |
Max Meili, Joseph Peyron, tenors; Martha Angelici,
soprano |
Combatimento di Tancredi et Clorinda pt1 |
AS281 |
- |
Paris |
- |
Claudio Monteverdi |
141 |
Max Meili, Joseph Peyron, tenors; Martha Angelici,
soprano |
Combatimento di Tancredi et Clorinda pt2 |
AS282 |
- |
Paris |
- |
Claudio Monteverdi |
142 |
Max Meili, Joseph Peyron, tenors; Martha Angelici,
soprano |
Combatimento di Tancredi et Clorinda pt3 |
AS283 |
- |
Paris |
- |
Claudio Monteverdi |
142 |
Max Meili, Joseph Peyron, tenors; Martha Angelici,
soprano |
Combatimento di Tancredi et Clorinda pt4 |
AS284 |
- |
Paris |
- |
Claudio Monteverdi |
143 |
Max Meili, Joseph Peyron, tenors; Martha Angelici,
soprano |
Combatimento di Tancredi et Clorinda pt5 |
AS285 |
- |
Paris |
- |
Claudio Monteverdi |
143 |
Max Meili, Joseph Peyron, tenors; Martha Angelici,
soprano |
Combatimento di Tancredi et Clorinda pt6 |
AS286 |
- |
Paris |
- |
Claudio Monteverdi |
144 |
Ruggero Gerlin, piano |
Polonaises no. 3 |
- |
- |
Paris |
- |
W. F. Bach |
144 |
Ruggero Gerlin, piano |
Polonaises no. 6 |
- |
- |
Paris |
- |
W. F. Bach |
145 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Les Petits Riens pt1 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
145 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Les Petits Riens pt2 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
146 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Les Petits Riens pt3 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
146 |
Orchestre de la Société des Concerts du Conservatoire
(Paris) dir. Arthur Goldschmidt |
Les Petits Riens pt4 |
- |
- |
Paris |
- |
Wolfgang Amadeus Mozart |
147 |
Max Meili with instrumental ens. |
Es taget vor dem Walde |
- |
- |
Paris |
- |
Ludwig Senfl |
147 |
Max Meili with instrumental ens. |
Ich sach eins mals / Der wallt hat sich entlawbet |
- |
- |
Paris |
- |
anon. |
148 |
Ruggero Gerlin, harpsichord |
1. Sonata in D Major, Op. 1, No. 4 pt1 |
- |
- |
Paris |
- |
Baldassare Galuppi |
148 |
Ruggero Gerlin, harpsichord |
1. Sonata in D Major, Op. 1, No. 4 pt2 |
- |
- |
Paris |
- |
Baldassare Galuppi |
149 |
Nadine Sautereau, voice; Denyse Gouarne, harpsichord;
(Félix Raugel orch) |
Mitridate Eupatore: Cara tomba |
- |
- |
Paris |
- |
Alessandro Scarlatti |
149 |
Nadine Sautereau, voice; Denyse Gouarne, harpsichord;
(Félix Raugel orch) |
Agrippina: Bel piacere |
- |
- |
Paris |
- |
Georg Frideric Handel |
150 |
Serge Tenenbaum, violin; Marcelle Charbonnier,
harpsichord |
Sonata No. 1 in D Major, pt1 |
- |
- |
Paris |
~1950 |
Jean-Noël Pagin |
150 |
Serge Tenenbaum, violin; Marcelle Charbonnier,
harpsichord |
Sonata No. 1 in D Major, pt2 |
- |
- |
Paris |
~1950 |
Jean-Noël Pagin |
151 |
Trio Pasquier |
Trio in D Major, Op. 9, No. 2 pt1 |
- |
- |
Paris |
- |
Ludwig van Beethoven |
151 |
Trio Pasquier |
Trio in D Major, Op. 9, No. 2 pt2 |
- |
- |
Paris |
- |
Ludwig van Beethoven |
152 |
Trio Pasquier |
Trio in D Major, Op. 9, No. 2 pt3 |
- |
- |
Paris |
- |
Ludwig van Beethoven |
152 |
Trio Pasquier |
Trio in D Major, Op. 9, No. 2 pt4 |
- |
- |
Paris |
- |
Ludwig van Beethoven |
153 |
Trio Pasquier |
Trio in D Major, Op. 9, No. 2 pt5 |
- |
- |
Paris |
- |
Ludwig van Beethoven |
153 |
Trio Pasquier |
Trio in D Major, Op. 9, No. 2 pt6 |
- |
- |
Paris |
- |
Ludwig van Beethoven |
154 |
Alfred Loewenguth Quartet |
Larghetto |
- |
- |
Paris |
- |
François-Joseph Gossec |
154 |
Alfred Loewenguth Quartet |
Allegro |
- |
- |
Paris |
- |
François-Joseph Gossec |
155 |
Serge Tenenbaum, violin; Marcelle Charbonnier,
harpsichord |
8th sonata in F Major for violin and basso continuo |
- |
- |
Paris |
- |
François Bouvard |
155 |
Serge Tenenbaum, violin; Marcelle Charbonnier,
harpsichord |
8th sonata in F Major for violin and basso continuo |
- |
- |
Paris |
- |
François Bouvard |
156 |
Marcelle Charbonnier, harpsichord |
Capriccio sopra la Battaglia |
- |
- |
Paris |
- |
Girolamo Frescobaldi |
156 |
Marcelle Charbonnier, harpsichord |
Capriccio sopra la bassa Fiamenga |
- |
- |
Paris |
- |
Girolamo Frescobaldi |
157 |
F. Dufrène, Rochut (flutes) |
Sonata for two transverse flutes pt1 |
- |
- |
Paris |
- |
Joseph Bodin de Boismortier |
157 |
F. Dufrène, Rochut (flutes) |
Sonata for two transverse flutes pt2 |
- |
- |
Paris |
- |
Joseph Bodin de Boismortier |
158 |
Dufrène, Rochut, Lussagnet (flutes) |
Sonata for three transverse flutes pt2 |
- |
- |
Paris |
- |
Joseph Bodin de Boismortier |
158 |
Dufrène, Rochut, Lussagnet (flutes) |
Sonata for three transverse flutes pt2 |
- |
- |
Paris |
- |
Joseph Bodin de Boismortier |
159 |
Dufrène, Rochut, Lussagnet, Jean-Pierre Rampal, Kenvyn
(flutes) |
1st Concerto for 5 flutes |
- |
- |
Paris |
- |
Joseph Bodin de Boismortier |
159 |
Dufrène, Rochut, Lussagnet, Jean-Pierre Rampal, Kenvyn
(flutes) |
2nd Concerto for 5 flutes |
- |
- |
Paris |
- |
Joseph Bodin de Boismortier |
160 |
Nadine Sautereau, soprano; Pierre Penassou, viola (Félix
Raugel orch) |
Vénus et Adonis: Lorsque Vénus… / Le Triomphe de la
Constance |
AS327 |
- |
Paris |
07/05/50 |
Jean-Joseph Cassanea de Mondonville / Montéclair |
160 |
Nadine Sautereau, soprano (Félix Raugel orch) |
Sancho Pança dans son isle: Il fallait le voir / Je ne
suis qu'une bergère |
AS328 |
- |
Paris |
07/05/50 |
François-André-Danican Philidor |
161 |
Gérard Souzay with Quintette de l'Ile-de-France (dir.
Félix Raugel) |
Les Femmes (Cantate française avec symphonie) pt1 |
AS353 |
- |
Paris |
02/27/50 |
André Campra |
161 |
Gérard Souzay with Quintette de l'Ile-de-France (dir.
Félix Raugel) |
Les Femmes (Cantate française avec symphonie) pt2 |
AS354 |
- |
Paris |
02/27/50 |
André Campra |
162 |
Gérard Souzay with Quintette de l'Ile-de-France (dir.
Félix Raugel) |
Les Femmes (Cantate française avec symphonie) pt3 |
AS355 |
- |
Paris |
02/27/50 |
André Campra |
162 |
Gérard Souzay with Quintette de l'Ile-de-France (dir.
Félix Raugel) |
Les Femmes (Cantate française avec symphonie) pt4 |
AS356 |
- |
Paris |
02/27/50 |
André Campra |
163 |
Marcelle Charbonnier, harpsichord |
Suite for harpsichord in g minor pt1 |
AS349 |
- |
Paris |
06/09/51 |
Jean-Henry d'Anglebert |
163 |
Marcelle Charbonnier, harpsichord |
Suite for harpsichord in g minor pt2 |
AS350 |
- |
Paris |
06/09/51 |
Jean-Henry d'Anglebert |
164 |
Alfred Loewenguth Quartet |
String Quartet in f minor, Op. 7, No. 3 pt1 |
AS343 |
- |
Paris |
02/27/50 |
Pierre Vachon |
164 |
Alfred Loewenguth Quartet |
String Quartet in f minor, Op. 7, No. 3 pt2 |
AS344 |
- |
Paris |
02/27/50 |
Pierre Vachon |
165 |
Alfred Loewenguth Quartet |
String Quartet in f minor, Op. 7, No. 3 pt3 |
AS345 |
- |
Paris |
02/27/50 |
Pierre Vachon |
165 |
Alfred Loewenguth Quartet |
String Quartet in f minor, Op. 7, No. 3 pt4 |
AS346 |
- |
Paris |
02/27/50 |
Pierre Vachon |
166 |
Jean-Pierre Rampal, flute; Robert Veyron-Lacroix,
harpsichord |
Sonata in G Major, Op. 1, No. 6 pt1 |
AS359 |
- |
Paris |
07/05/50 |
Johann Joachim Quantz |
166 |
Jean-Pierre Rampal, flute; Robert Veyron-Lacroix,
harpsichord |
Sonata in G Major, Op. 1, No. 6 pt2 |
AS360 |
- |
Paris |
07/05/50 |
Johann Joachim Quantz |
167 |
Jean-Pierre Rampal, flute; Robert Veyron-Lacroix,
harpsichord |
Sonata in d minor, Op. 1, No. 11 pt1 |
AS361 |
- |
Paris |
02/13/51 |
Johann Adolf Hasse |
167 |
Jean-Pierre Rampal, flute; Robert Veyron-Lacroix,
harpsichord |
Sonata in d minor, Op. 1, No. 11 pt2 |
AS362 |
- |
Paris |
02/13/51 |
Johann Adolf Hasse |
168 |
Jean-Pierre Rampal, flute; Robert Veyron-Lacroix,
harpsichord |
Sonata in c minor pt1 |
AS363 |
- |
Paris |
02/13/51 |
Friedrich II |
168 |
Jean-Pierre Rampal, flute; Robert Veyron-Lacroix,
harpsichord |
Sonata in c minor pt2 |
AS364 |
- |
Paris |
02/13/51 |
Friedrich II |
169 |
Marcelle Charbonnier, harpsichord |
Gigue: (où il y a un canon) / Sarabande: (O beau jardin) |
AS351 |
- |
Paris |
06/09/53 |
Jacques Champion de Chambonnières |
169 |
Marcelle Charbonnier, harpsichord |
Les Barricades / Rondeau |
AS352 |
- |
Paris |
06/09/53 |
Jacques Champion de Chambonnières |
801A |
Martha Angelici, Orchestre du
Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Mon tendre ami Bastien |
JF2-1 (M3-102729) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
801B |
Martha Angelici, Orchestre du
Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Bastien, quoi tu me fuisa; A travers la prairie |
JF 4-1 (M3-102727) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
802A |
Martha Angelici, André Monde, Orchestre du
Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Souvent vous invoquez mon art; Bonjour, Seigneur Colas |
JF 5-1 (M3-102730) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
802B |
Martha Angelici, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Que de fois celui que j'aime; Des flatteurs souvent |
JF 9-1 (M3-102734) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
803A |
Martha Angelici, André Monde, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Ces avis que je t'adresse; Eh! bien, sois satisfaite |
JF 10-1 (M3-102735) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
803B |
Paul Derenne, André Monde, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Cher Seigneur; Va, ce n'est la qu'une fable |
JF 11-1 |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
804A |
Paul Derenne, André Monde, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Diggi, daggi; Deux regards |
JF 3-1 (M3-102728) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
804B |
Martha Angelici, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Sotrcoeur je m'en cru certaine |
JF 12-1 (M3-102737) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
805A |
Paul Derenne, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Oui, da! je ris de tes outrages; Il n'est besoin que d'un sourire |
JF 1-1 (M3-102726) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
805B |
Paul Derenne, Martha Angelici, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: He quoi? tu ris de ma priere; Va, berger perfide |
JF 7-1 (M3-102732) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
806A |
Paul Derenne, Martha Angelici, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Quand vient l'hiver qu importe |
JF 8-1 (M3-102733) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |
806B |
Paul Derenne, Martha Angelici, André Monde, Orchestre du Conservatoire de Paris dir. Gustave Cloëz with Pauline Aubert, harpsichord |
Bastien et Bastienn: Fori bien, apres la tempere |
JF 6-1 (M3-102731) |
- |
Paris |
~1940 |
Wolfgang Amadeus Mozart |