| Cat# | Artist: | Title: | MX | Xref: | Loc: | Date: | Comp: |
| 11 | V. L Ossman | Buffalo Rag | - | - | - | - | - |
| 26 | duet | Every Little Bit Helps | - | - | 7" | - | - |
| 27 | tenor | Alexander | - | ARC | 7" | - | - |
| 29 | baritone tenor duet | Down on the Brandywine | - | ARC | 7" | - | - |
| 32 | band | The Diplomat - March | - | ARC | 7" | - | - |
| 34 | band | Down South | - | ARC | 7" | - | - |
| 36 | Orchestra | A SPRIG O' SHILLALAH | - | ARC | 7" | - | - |
| 37 | band | Glory March | - | M416 | - | - | - |
| 38 | band | The Night Alarm | - | - | 7" | - | - |
| 39 | band | NEUE KOLONIAL MARCH | - | M417 | 7" | - | - |
| 41 | tenor | Mama's Boy | - | - | - | - | - |
| 44 | band | Imperial Edward | - | ARC | 7" | - | - |
| 45 | Billy Murray | Good Bye, Little Girl, Good Bye | - | ARC | 7" | - | - |
| 46 | baritone and tenor | Where The Sweet Potatoes Grow | - | ARC | 7" | - | - |
| 48 | orchestra | The Troubador | ARC 48 | 61 (wax) M423 (label) | 7" | - | - |
| 49 | tenor | Hi-Le, Hi-Lo | - | - | 7" | - | - |
| 50 | tenor solo | Roll On Silver Moon | - | ARC 50 | 7" | - | - |
| 51 | Billy Murray | A SPRIG O' SHILLALAH | - | ARC 51 | 7" | - | - |
| 53 | baritone - contralto duet | Can't You See My Heart Beats for You | - | ARC | 7" | - | - |
| 54 | tenor | It Makes Me Think of Home Sweet Home | - | - | 7" | - | - |
| 55 | baritone solo | Rocked in the Cradle of the Deep | - | ARC | 7" | - | - |
| 56 | band | Yankee Consul | - | ARC | 7" | - | - |
| 57 | BARITONE | HELLO CENTRAL, GIVE ME HEAVEN | - | ARC | 7" | - | - |
| 60 | Byron G. Harlan | A LITTLE BOY CALLED TAPS | - | ARC | 7" | - | - |
| 61 | band | Jack Tar | - | ARC | 7" | - | - |
| 62 | baritone and tenor | Farewell, Mr. Abner Hemmingway | - | - | - | - | - |
| 65 | Duet Tenor & Whistling | The Merry Farmer Boy | - | 232 | - | - | - |
| 66 | WHISTLING SOLO | THE MOCKING BIRD | - | M 428 | 7" | - | - |
| 67 | Negro Shout | Roll On The Ground | - | ARC | 7" | - | - |
| 68 | Negro Shout | Bye, Bye Ma Honey | - | - | 7" | - | - |
| 72 | Arthur Collins | If I Were the Man in the Moon | - | - | 7" | - | - |
| 73 | ORCHESTRA | SELECTIONS FROM "SHO GUN" | - | ARC | 7" | - | - |
| 77 | baritone | My Irish Molly O | - | - | 7" | - | - |
| 80 | J. W. Myers | What the Brass Band Played | - | ARC | 7" | - | - |
| 84 | tenor | LONGING FOR YOU | - | ARC | 7" | - | - |
| 87 | baritone tenor duet | Hey, Mr. Joshua | - | ARC | 7" | - | - |
| 89 | Billy Murray | Billy | - | ARC | 7" | - | - |
| 90 | Billy Murray | Pal of Mine | - | - | 7" | - | - |
| 92 | ORCHESTRA | MOON WINKS | - | ARC | 7" | - | - |
| 93 | TENOR SOLO | YANKEE DOODLE BOY | - | ARC | 7" | - | - |
| 94 | band | SCOTch IRISH MEDLEY (REELS & JiGS) | - | ARC | 7" | - | - |
| 96 | Frank C. Stanley | The Girl Who Cares for Me | - | M 436 | - | - | - |
| 97 | Billy Murray | You Are Just My Style | - | - | - | - | - |
| 99 | tenor | Paddy's Day | - | - | 7" | - | - |
| 100 | Orchestra | Peter Piper | - | ARC | 7" | - | - |
| 101 | Baritone Solo | Throw Out the Lifeline | - | ARC | 7" | - | - |
| 103 | Collins and Harlan | COME ALONG LITTLE GIRL, COME ALONG | - | ARC | 7" | - | - |
| 105 | baritone and tenor | Take a Car | - | - | - | - | - |
| 106 | baritone and tenor | On A Summer Night | - | ARC | 7" | - | - |
| 109 | BASS SOLO | WHAT A FRIEND WE HAVE IN JESUS | - | ARC | 7" | - | - |
| 110 | TENOR SOLO | IN THE SHADE OF THE OLD APPLE TREE | - | ARC | 7" | - | - |
| 111 | Billy Murray | Where the Silvery Colorado Wends it's Way | - | - | 7" | - | - |
| 112 | tenor | Genevieve | - | ARC | 7" | - | - |
| 114 | tenor | Please Come and Play In My Yard | - | ARC | 7" | - | - |
| 115 | BYRON G HARLAN | WHY DON'T THEY PLAY WITH ME | - | - | - | - | - |
| 117 | tenor | Just Across the Bridge of Gold | ARC 117=2 | - | (7") | - | - |
| 120 | TENOR | IN THE WILD AND WOOLY WEST | - | ARC | 7" | - | - |
| 121 | tenor | I'll Be There Mary, Dear | - | ARC | 7" | - | - |
| 122 | Billy Murray | The Blue and the Gray | - | ARC | 7" | - | - |
| 123 | TENOR SOLO | JUST FOR THE SAKE OF SOCIETY | - | ARC | 7" | - | - |
| 125 | Billy Murray | Good-Bye Eyes of Blue | - | ARC | 7" | - | - |
| 127 | Baritone | Down Where the Suwannee River Flows | - | ARC | 7" | - | - |
| 128 | Billy Murray | In Dear Old Fairy Land | - | ARC | 7" | - | - |
| 132 | Ada Jones and Len Spencer | Con Clancy's Christening | - | ARC | 7" | - | - |
| 134 | - | Gloomy Gus | - | - | - | - | - |
| 137 | Billy Murray | Everybody Works But Father | - | ARC | 7" | - | - |
| 138 | Ada Jones | JUST PLAIN FOLKS | - | ARC | 7" | - | - |
| 140 | ARTHUR COLLINS | JUST BECAUSE SHE HAD THAT WINNING WAY | - | ARC | 7" | - | - |
| 141 | Arthur Collins | O'Reilly | - | - | - | - | - |
| 142 | George S. Watson | Dr. Eisenbarth | - | ARC | 7" | - | - |
| 143 | LEN SPENCER & ADA JONES | REUBEN & CYNTHIA | - | - | - | - | - |
| 145 | Billy Murray (with orch) | Can't You See I'm Lonely | - | ARC | 7" | - | - |
| 146 | Billy Murray | The Whole Damm Family | - | ARC | 7" | - | - |
| 147 | tenor | Hiram Green Good-Bye | - | - | 7" | - | - |
| 148 | REGIMENTAL BAND OF REPUBLIC | HAPPY HEINE | - | ARC 148 | 7" | - | - |
| 149 | Orch | The Church Parade | - | - | - | - | - |
| 151 | Arthur COLLINS | Sympathy | - | ARC | 7" | - | - |
| 153 | Billy Murray | Farewell, Sweetheart May | - | ARC | 7" | - | - |
| 154 | Byron G. Harlan | I'll Be Waiting in the Gloaming, Sweet Genevieve | - | ARC | 7" | - | - |
| 155 | tenor | THE GIRL FROM THE U.S.A | - | ARC | 7" | - | - |
| 156 | tenor | Where the Sunset Turns the Ocean's Blue to Gold | - | ARC | 7" | - | - |
| 157 | tenor | In Dear Old Georgia | - | ARC | 7" | - | - |
| 158 | Billy Murray | Just a Little Rocking Chair and You | 158 | ARC | 7" | - | - |
| 162 | American Symphony Orchestra | The Giggler two-step | - | ARC | 7" | - | - |
| 163 | {Ada} Jones and {Len} Spencer | The Original Cohens | - | ARC | 7" | - | - |
| 164 | Ada Jones | I'm the Only Star that Twinkles on Broadway | - | ARC | 7" | - | - |
| 165 | MALE VOCAL QT | NELLIE DEAR | - | ARC | 7" | - | - |
| 170 | Billy Murray | Forty-Five Minutes from Broadway | - | ARC | 7" | - | - |
| 171 | AMERICAN SYMPH ORCH | HOME OF MY CHILDHOOD - WALTZ | - | ARC | 7" | - | - |
| 172 | Band | The Cocoanut Dance | - | M458 | 7" | - | - |
| 173 | Regimental Band of the Republic | Leader Of The German Band | - | ARC | 7" | - | - |
| 174 | REGIMENTAL BAND OF THE REPUBLIC | SAMBO & DINAH | - | ARC | 7" | - | - |
| 176 | ARTHUR COLLINS | TRAVELLING | - | - | - | - | - |
| 177 | Collins and Harlan | Gretchen | - | ARC | 7" | - | - |
| 178 | tenor | Keep On The Sunny Side | - | ARC | 7" | - | - |
| 179 | BYRON G HARLAN | SOMEONE THINKS OF SOMEONE | - | ARC | 7" | - | - |
| 180 | Byron G. Harlan | Where The Morning Glories Twine Around The Door | - | ARC | 7" | - | - |
| 181 | Billy Murray | Cheyenne | - | ARC | 7" | - | - |
| 183 | Steve Porter | FOL THE ROL-LOL | - | ARC | 7" | - | - |
| 184 | Regimental Band of the Republic | Belle Of Chicago | - | ARC | 7" | - | - |
| 186 | American Symphony Orchestra | King Carnival March | - | - | - | - | - |
| 189 | - | Is Everybody Happy? | - | - | 7" | - | - |
| 191 | Billy Murray | You’re A Grand Old Rag | - | - | 7" | - | - |
| 192 | Billy Murray | When Mose with his Nose Leads the Band | - | ARC | 7" | - | - |
| 193 | BILLY MURRAY | GOODBYE SWEET MAGGIE DOYLE | - | ARC | 7" | - | - |
| 194 | BYRON G HARLAN | LET ME WRITE WHAT I DARE NOT TELL | - | ARC | 7" | - | - |
| 197 | Collins and Harlan | Afloat on a Five Dollar Note | - | ARC | 7" | - | - |
| 198 | Collins and Harlan | Honey Won't You Love Me Like You Used to Do | - | ARC | 7" | - | - |
| 203 | FRANK STANLEY | THE SAME OLD GIRL | - | ARC | 7" | - | - |
| 205 | American Symphony Orchestra | NUTMEG DANCE | - | - | 7" | - | - |
| 207 | Byron G. Harlan | CHEER UP MARY | - | - | 7" | - | - |
| 208 | ARTHUR COLLINS | ABRAHAM JEFFERSON WASHINGTON LEE | - | - | - | - | - |
| 209 | F. C. Stanley | Not Because Your Hair is Curly | - | - | 7" | - | - |
| 213 | - | I DON'T KNOW WHERE IM GOING BUT I AM ON MY WAY | - | - | 7" | - | - |
| 214 | baritone | Home Sweet Home | - | ARC | 7" | - | - |
| 215 | baritone | Just a Little Fond Affection | - | - | 7" | - | - |
| 216 | Billy Murray | Rosebud | - | - | 7" | - | - |
| 301 | National Regimental Band | SOLDIER'S CHORUS FROM "FAUST" | - | - | 7" | - | - |
| 302 | band | The Jolly Coppersmith | - | - | 7" | - | - |
| 408 | band | Hail to the Bull | - | - | - | - | - |
| 412 | whistling | Merry Farmer Boy | - | - | - | - | - |
| 455 | A. Collins | When The Silv'ry Colorado Wends Its Way | - | - | - | - | - |
| 458 | Collins and Harlan | Down on the Brandywine | 30458 | ARC | - | - | - |
| 459 | Collins and Harlan | The Mule Song | - | ARC | 10.75" | - | - |
| 483 | duet | Meet Me In St. Louis, Louis | - | ARC 030483 | - | - | - |
| 493 | orchestra (Joe Belmont) | The Mocking Bird | - | ARC 030493 | 10.75" | - | - |
| 501 | - | Turkey in the Straw | - | - | 10" | - | - |
| 590 | band | Jolly Fellows Waltz | - | ARC 030590 | 10.75" | - | ann "recorded for American Record Co." |
| 634 | BAND | CORNCRACKER DANCE | - | - | 10.75" | - | - |
| 703 | vocal solo | I NEED THEE EVERY HOUR | 8279D | 16029 | 7" | - | - |
| 704 | vocal solo | It Takes the Irish to Beat the Dutch | - | - | 7" | - | - |
| 705 | VOCAL SOLO | THE SONG BIRDS SING SWEETER LAD BACK HOME | - | L&C | 7" | - | - |
| 707 | orchestra | ONWARD CHRISTIAN SOLDIERS | - | - | 7" | - | - |
| 708 | VOCAL SOLO | LEAD KINDLY LIGHT | - | L&C | 7" | - | - |
| 711 | Band | Any Rags | - | - | 7" | - | - |
| 712 | band | Star Spangled Banner | - | L&C | 7" | - | - |
| 714 | chimes | NEARER, MY GOD, TO THEE | - | - | 7" | - | - |
| 717 | male solo | Mormon Coon | - | L&C | 7" | - | - |
| 722 | - | Happy Days in Dixie | 8341 D | 16020 | 7" | - | - |
| 723 | - | Noisy Bill March | - | - | 7" | - | - |
| 725 | - | Wait Till the Sun Shines Nellie | - | - | 7" | - | - |
| 726 | BAND | BALTIMORE BICENTENNIAL MARCH | - | L&C | 7" | - | - |
| 727 | Band | Handicap March | 8498 D | 16067 | 7" | - | - |
| 733 | VOCAL SOLO | MY DIXIE LOU | - | - | 7" | - | - |
| 735 | TENOR SOLO | RIP VAN WINKLE WAS A LUCKY MAN | - | - | 7" | - | - |
| 739 | - | Beyond the Smiling and the Weeping | - | - | 7" | - | - |
| 740 | TENOR SOLO | The Old Church Bell | - | - | 7" | - | - |
| 0775 | band | Tell Me Pretty Maiden | - | - | 10" | - | - |
| 793 | quartette | My Old Kentucky Home | 030793-2 | ARC 10.75" | - | - | {Foster} |
| 795 | male quartette | Camp Meeting Jubilee | - | L&C | - | - | - |
| 796 | MALE QT | CHARACTERISTIC NEGRO MEDLEY | 6702 D | L&C 44689 | 10" | - | - |
| 798 | minstrels | I've A Longing In My Heart For You, Louise | - | - | - | - | - |
| 799 | (male quartet) | I'se Gwine Back to Dixie | 6711D | 7700 (L&C) | - | - | - |
| 809 | VESS OSSMAN | Bit O'Blarney | - | ARC 030809 | - | - | - |
| 855 | Harry Talley | If I Were You | - | ARC 030855 | - | - | - |
| 880 | HARLAN and STANLEY | AN EVENING CALL IN JAYVILLE CENTER | - | ARC 030880 | - | - | - |
| 882 | HARLAN and STANLEY | Two Rubes in an Eating House | - | ARC 030882 | - | - | - |
| 878 | HARLAN & STANLEY | Two Rubes in a Tavern | ARC 030878 | - | 10" | - | - |
| 1024 | Regimental Band of the Republic | MARCHING THROUGH GEORGIA | - | ARC 031024 | - | - | - |
| 1032 | piccolo solo (Frank S. Mazziotta) | THE SLEIGH RIDE | - | ARC 031032 | 10.75" | - | - |
| 1052 | band | The Standard Bearer | - | - | - | - | - |
| 1059 | tenor | When The Bees Are In The Hive | - | ARC 031059 | 10.75" | - | - |
| 1060 | HARLAN & STANLEY | MARCHING THROUGH GEORGIA | - | ARC 031060 | - | - | - |
| 1061 | duet | Battle Cry of Freedom | - | - | - | - | - |
| 1062 | Billy Murray | A Sprig of Shillalah | - | ARC | 10.75" | - | - |
| 1065 | American Symphony Orchestra | Coax Me - Medley | 031065 | 66 | 10.75" | - | - |
| 1066 | Orchestra | LACES and GRACES | - | ARC 031066 | - | - | - |
| 1071 | George P. Watson | Original Lauderbach - Yodel Song | M5228 (31071) | ARC | - | - | - |
| 1072 | Regimental Band of the Republic | Artist's Life Waltz | - | Peerless | - | - | - |
| 1074 | Regimental Band of the Republic | Neve Kolonial March | - | ARC 031074 | 10.75" | - | - |
| 1076 | Arthur Collins | THE PREACHER AND THE BEAR | - | - | - | - | - |
| 1079 | COLLINS and HARLAN | Peter Piper | - | ARC 031079 | 10.75" | - | - |
| 1084 | Billy Murray | Just My Style | - | ARC | 10.75" | - | - |
| 1089 | orchestra | Moon Winks | 4519 | Zon 161; 5315 | - | - | {George Stevens} |
| 1091 | SPENCER & HOLT | Reuben Haskin's Trip In A Cyclone Auto | 031091=2 | ARC 031091 | 10" | - | - |
| 1093 | male solo | Where the River Swanee Flows | - | - | - | - | - |
| 1120 | Frank C. Stanley | Where Is My Wandering Boy To-Night | - | ARC 031120 (M5302) | - | - | - |
| 1121 | ? | Coronation song | - | - | - | - | - |
| 1125 | FRANK STANLEY | ONE SWEET SOLEMN THOUGHT | - | ARC 031125 | - | - | - |
| 1126 | tenor with organ | Just As I Am | - | - | - | - | - |
| 1127 | baritone | WHAT A FRIEND WE HAVE IN JESUS | - | M5240 | - | - | - |
| 1129 | song (Frank C. Stanley) | My Faith Looks Up to Thee | - | ARC 031129 | 10" | - | - |
| 1132 | yodle (G. P. Watson) | Schneider Does Your Mother Know You're Out | 31132 | M5243 | 10" | - | - |
| 1140 | SPENCER & HOLT | KRAUSMEYER AND HIS DOG | - | - | 10" | - | - |
| 1153 | CORNET DUET | LAST ROSE OF SUMMER | M5246 | ARC 031153 | 10.75" | - | {George Alexander Osborne} |
| 1157 | COLLINS & HARLAN | MEET ME DOWN AT LUNA, LENA | - | M5247 | - | - | - |
| 1165 | ORCHESTRA | DANCING ON THE HOUSE TOPS | 31165 | ARC | 10" 10.75" | - | {E. Christie} |
| 1173 | TENOR SOLO | THE HOLY CITY | - | L&C | - | - | - |
| 1182 | xylophone | American Patrol | - | ARC 031182 | - | - | - |
| 1185 | BAND | MOONLIGHT | - | ARC | 10" | - | - |
| 1186 | Regimental Band of the Republic | Soldiers Chorus from Faust | 31186 | ARC (129) | 10" | - | - |
| 1189 | ORCHESTRA | EXCERPTS FROM YANKEE CONSUL | - | ARC | 10" | - | - |
| 1203 | HARLAN+STANLEY | SCENE IN A COUNTRY STORE | - | - | 10" | - | - |
| 1204 | J.F. Harrison | I'm Longing For My Old Kentucky Home | - | ARC | 10.75" | - | - |
| 1211 | orchestra | Blue Danube Wa;tz | ARC 031211 | - | 10" | - | - |
| 1215 | LEN SPENCER | THE MUSICAL YANKEE | - | - | - | - | - |
| 1219 | baritone | Everybody Works but Father | - | M5252 | - | - | - |
| 1225 | Male Quartette | Sweet Adeline | - | - | - | - | - |
| 1240 | - | Star of Bethlehem Song | - | - | - | - | - |
| 1242 | TENOR SOLO | I'M GETTING SLEEPY | - | ARC | - | - | - |
| 1243 | song (Arthur Collins) | NOTHIN' FROM NOTHIN' LEAVES YOU | - | ARC 031243 | 10" | - | - |
| 1245 | {Collins and Harlan} | Nigger Loves His 'Possum | - | ARC | - | - | - |
| 1250 | {Harlan and Stanley} | I'm Trying So Hard to Forget You | ARC 031250 | 702 | 10" | - | - |
| 1250 | baritone | I'm Trying So Hard to Forget You | L&C 6356 (44504) | - | 10" | - | - |
| 1252 | Billy Murray | Forty-Five Minutes from Broadway | - | ARC | 10" | - | - |
| 1253 | Billy Murray | Just a Little Rocking Chair and You | - | ARC | 10" | - | - |
| 1257 | Spencer and Holt | A Barnyard Serenade | - | M3601 | - | - | - |
| 1261 | BAND | SECOND CONNECTICUT GRAND MARCH | - | ARC | - | - | - |
| 1262 | Regimental Band of the Republic | Swedish Guard March | - | ARC | - | - | - |
| 1263 | JOE BELMONT | BIRDS AND THE BROOK | - | ARC 031263 | 10" | - | - |
| 1263 | whistling | Birds and the Brook | 6610 D | L&C 44011 | - | - | - |
| 1265 | ORCHESTRA | SILVER HEELS | - | ARC | - | - | - |
| 1275 | Billy Murray | Keep a Little Cozy Corner in Your Heart for Me | - | ARC | 10" | - | - |
| 1277 | VESS OSSMAN | A Gay Gossoon | 31277 | 615 | 10" | - | - |
| 1280 | specialty {Spencer and Holt} | Auction Sale in a Toy Store | - | - | - | - | - |
| 1283 | Regimental Band of the Republic | LUSTSPIEL OVERTURE | - | ARC 031283 | 10" | - | - |
| 1285 | ORCHESTRA | CHICKEN CHARLIE | - | ARC 031285 | - | - | - |
| 1288 | ? | Lorna | - | - | - | - | - |
| 1296 | soprano | I'm The Only Star That Twinkles On Broadway | - | - | - | - | - |
| 1297 | Male Quartet (Murray, Belmont, Harlan, Stanley) | Nellie Dean | 6706 D | L&C 44714 | - | - | - |
| 1298 | descriptive | Steamboat Medley | - | L&C | - | - | - |
| 1299 | quartette | Wait Till the Sun Shines Nellie | - | - | - | - | - |
| 1303 | Harlan and Jones | FRITZ AND LOUISA | - | ARC | 10" | - | - |
| 1310 | Regimental Band of the Republic | O Golden Sunset Waltzes | - | ARC 031310 | - | - | - |
| 1315 | Clarionet - Flute duet, with piano | Fragrant Rose | - | ARC 031315 | - | - | - |
| 1316 | FREDERIC VOELKER (violin) | RAFF'S CAVATINA | - | ARC | - | - | - |
| 1317 | Billy Murray | Cheyenne (Shy-Ann) | - | ARC | 10" | - | - |
| 1321 | baritone and tenor | IN MY MERRY OLDSMOBILE | - | ARC 031321 | - | - | - |
| 1322 | tenor | Where the Morning Glories Twine Around the Door | - | ARC 031322 | - | - | - |
| 1324 | Quartet | THE SLEIGH RIDE PARTY | - | ARC | - | - | - |
| 1331 | Howard Blackburn | Sing Me A Song Of The South | - | - | - | - | - |
| 1333 | REG BAND OF THE REPUBLIC | COME, COME CAROLINE | - | ARC 031333 | - | - | - |
| 1334 | band | Silence and Fun | - | - | - | - | - |
| 1340 | ORCHESTRA | RIDING THROUGH THE GLEN | - | ARC | - | - | - |
| 1343 | Arthur Collins | What's the Use of Knocking When a Man Is Down | - | M 2273 | - | - | - |
| 1344 | Collins & Harlan | Little Red Papoose | - | - | - | - | - |
| 1347 | Harlan and Stanley | Two Rubes And A Tramp Fiddler | - | - | - | - | - |
| 1355 | LEN SPENCER | Arkansas Traveller | - | - | - | - | - |
| 1358 | ORCHESTRA | OVER THE WAVES | - | - | 10" | - | - |
| 1359 | minstrels | Record "A" | - | M4003 | - | - | - |
| 1360 | minstrels | Record "B" | - | M4004 | - | - | - |
| 1361 | minstrels | Record "C" | - | ARC | 10" | - | - |
| 1363 | QUARTETTE | NEARER MY GOD TO THEE | - | ARC | 10" | - | - |
| 1368 | orchestra (Curti's Mexican) | La Golondrina | M5283 | ARC 031368 | - | - | {Narciso Serradell} |
| 1369 | Orchestra | El Matador | 031369 | M5284 | 10" | - | - |
| 1371 | orchestra (Curti's Mexican) | Las Golondrinas, Castillian Waltz | - | ARC 031371 | - | - | - |
| 1372 | Steve Porter | Lord's Prayer - 23rd Psalm | - | ARC 031372 | - | - | - |
| 1373 | Len Spencer | The Ten Commandments | - | ARC 031373 | - | - | - |
| 1374 | Regimental Band of the Republic | Waiting at the Church | - | - | - | - | - |
| 1377 | Cornet with band | In The Gloaming | - | ARC 031377 | - | - | - |
| 1380 | orchestra | The Nutmeg Dance | - | M5293 | - | - | - |
| 1383 | Arthur Collins | I Don't Know Where I'm Going, But I'm On My Way | 031383 b | ARC | - | - | - |
| 1383 | baritone | I Don't Know Where I'm Going, But I'm On My Way | 7014D | LC 45191 | - | - | - |
| 1387 | Billy Murray | I Wouldn't Leave My Little Wooden Hut for You | - | ARC | 10" | - | - |
| 1388 | Billy Murray + orch | Rosebud | 31388 | ARC | 10" | - | {Cobb} |
| 1390 | Ada Jones | Waiting at the Church | 7037 D | L&C 7997 | - | - | - |
| 1391 | Baritone and Contralto | Peaches and Cream | - | - | - | - | - |
| 1393 | baritone | After They Gather the Hay | M5295 | - | - | - | - |
| 1394 | Steve Porter | You Are Just Like Your Mother, Mandy | - | - | - | - | - |
| 1380 | American Symphony Orchestra | The Nutmeg Dance | - | ARC 031380 | - | - | - |
| 1390 | Ada Jones | Waiting At The Church | - | - | - | - | - |
| 1404 | SR. A. de G. ABELLO | La Goldrina | - | - | - | - | - |
| 1405 | song in Italian {Sr A De G. Abello} | Los Bessos Que Te Di | 031405 | - | - | - | - |
| 1412 | - | Alice Blue Waltzes | 9010 D | L&C 45500 | - | - | - |
| 1414 | band | WALTZ ME AROUND AGAIN WILLIE | - | - | - | - | - |
| 1415 | Orchestra | Medley of Reels and Jigs | - | ARC 031415 | 10" | - | - |
| 1418 | flute and clarinet | Minnehaha | - | - | - | - | - |
| 1423 | minstrels | Record D | - | M4006 | - | - | - |
| 1424 | minstrels | Record E | M5114 | - | - | - | - |
| 1425 | QUARTETTE | MINSTREL RECORD F | - | M5113 | 10" | - | - |
| 1430 | mixed quartette | Jesus Lover of My Soul | - | M 5308 | - | - | - |
| 1432 | contralto | The Bull Frog And The Coon | - | - | - | - | - |
| 1434 | banjo solo | Bill Simmons | - | M5300 | ARC | - | - |
| 1434 | - | Bill Simmons | 45227 | L&C | 10" | - | - |
| 1435 | Steve Porter | Flannigan's Troubles In A Restaurant | - | ARC | - | - | - |
| 1497? | Arthur Collins | Rufus Rastus Johnson Brown | 6338 D | L&C 44502 | - | - | - |
| 2004 | band | Boston Commandery March | - | - | - | - | - |
| 2013 | band | Dixie | - | - | - | - | - |
| 2016 | band | The Forge In The Forest | - | - | - | - | - |
| 2017 | band | At a Georgia Camp Meeting | - | - | - | - | - |
| 2029 | band | Liberty Bell March | - | - | - | - | - |
| 2038 | band | On to Victory March | - | - | - | - | - |
| 2040 | band | Rock of Ages | - | - | - | - | - |
| 2043 | band | Second Regiment, Connecticut National Guard March | - | - | - | - | - |
| 2046 | band | Faust: Soldier’s Chorus | - | - | - | - | - |
| 2051 | band | The Gondolier's Waltz | - | - | - | - | - |
| 2060 | BAND | WINE, WOMEN AND SONG WALTZ | - | - | 10" | - | - |
| 2102 | Orchestra | Darkie Tickle | - | - | - | - | - |
| 2200 | Cal Stewart | A Monkey on a String | 2200 | H&S | 10" | - | - |
| 2201 | Anton Moser | I Pagliacci : Un Nido Di Memorie | - | - | - | - | - |
| 2205 | Bob Roberts | By The Watermelon Vine | - | - | - | - | - |
| 2211 | baritone with orchestra | Dearie | - | - | - | - | "Sergeant Brue" |
| 2214 | tenor yodle song | Emmett's Lullaby | 2214 | - | 10" | - | - |
| 2236 | George Alexander | I Want What I Want When I Want It | - | - | - | - | - |
| 2239 | Byron G. Harlan | Keep On The Sunny Side | - | - | - | - | - |
| 2248 | - | Nobody | - | - | - | - | - |
| 2257 | - | The Angel's Serenade | - | - | - | - | - |
| 2262 | baritone | The Parson and the Turkey | - | - | - | - | - |
| 2263 | baritone | The Poor Old Man | - | - | - | - | - |
| 2266 | Bob Roberts | Twenty Three (That Means Skidoo) | - | - | - | - | - |
| 2275 | tenor | When the Sunset Turns the Ocean's Blue to Gold | - | - | - | - | - |
| 2281 | - | Yankee Doodle Boy | - | - | - | - | - |
| 2288 | Harry Talley - Frank Stanley | Cheer Up, Mary | - | - | - | - | - |
| 2290 | Bob Roberts | He Walked Right In, Turned Around and Walked Right Out Again | - | - | - | - | - |
| 2303 | Henry Burr | The Ninety And Nine | - | - | - | - | - |
| 2402 | C. Morgan - Frank Stanley | Cross Your Heart (The Umpire) | - | - | - | - | - |
| 2404 | Collins - Harlan | Down Where The Sweet Potatoes Grow | - | - | - | - | - |
| 2505 | descriptive | The Professor and Musical Tramp | - | - | - | - | - |
| 2406 | baritone and tenor | Heinie | - | H&S | - | - | - |
| 2416 | Collins and Harlan | When Mose With His Nose Leads The Band | - | - | - | - | - |
| 2604 | quartette | I'se Gwine Back To Dixie | - | - | - | - | - |
| 2607 | Quartette | My Creole Sue | - | - | - | - | - |
| 2612 | quartette | Waltz Me Around Again, Willie | - | - | - | - | - |
| 2613 | quartette | WAY DOWN YONDER IN THE CORNFIELD | - | - | - | - | - |
| 2615 | quartette | RING THE BELLS OF HEAVEN | - | - | - | - | - |
| 2701 | Cal Stewart | Uncle Josh and Aunt Nancy in the Subway | - | - | - | - | - |
| 2712 | Cal Stewart | UNCLE JOSH ON AN AUTOMOBILE | - | - | - | - | - |
| 2716 | Cal Stewart | Uncle Josh on Jim Lawson's Horse Trade | 44856 | L+C | - | - | {Stewart} |
| 2721 | Cal Stewart | Uncle Josh At A Roller Skating Rink | - | - | - | - | - |
| 2803 | Band | Overture To Zampa | - | M-2803 | - | - | - |
| 2901 | banjo | Donny- brook fair | - | - | - | - | - |
| 3200 | tenor | Alpine Specialty | - | - | - | - | - |
| 3300 | vocal solo | Die Heimath | - | - | - | - | - |
| 3301 | vocal solo | Gute Nacht, Fahr Wohl | - | - | - | - | - |
| 3302 | vocal solo | Mädchen Mit Den Rothen Mündchen | - | - | - | - | - |
| 3303 | vocal solo | Schneiders Höllenfahrt (German Folk Song) | - | - | - | - | - |
| 3304 | German solo | Veber den Sternen Ist Ruh | - | - | - | - | - |
| 3305 | vocal solo | Wie Mag Es Wohl Gekommen Sein | - | - | - | - | - |
| 3309 | vocal solo | Das Edelweiss | - | - | - | - | - |
| 3400 | male quartette | Blumen… | - | H&S | - | - | - |
| 3401 | male quartette | Taure Heimat | - | H&S | - | - | - |
| 3601 | Spencer – Alf Holt | A Barnyard Serenade | - | - | - | - | - |
| 3603 | Steve Porter | Flanagan`s Night Off | - | - | - | - | - |
| 3604 | - | Hans and Gretchen | - | - | - | - | - |
| 3610 | Spencer – Watson | The Happy German Twins | - | - | - | - | - |
| 3900 | Harry Spencer | Address By the Late President McKinley at the Pan American Exposition | - | - | - | - | - |
| 4003 | minstrels | Minstrel Record "A" | - | - | - | - | - |
| 4004 | minstrels | Minstrel Record "B" | - | - | - | - | - |
| 4005 | minstrels | Dixie Dear – Minstrel Record C | - | - | - | - | - |
| 4302 | Collins | Mister Dinkelspeil | - | - | - | - | - |
| 5006 | vocal duet and whistling | The Merry Farmer Boy | - | - | - | - | - |
| 5027 | BAND | DIE WACHT AM RHEIN | - | Col. | 10" | - | - |
| 5028 | sung in German | Die Wacht Am Rhein | - | - | - | - | - |
| 5029 | Band | The Jolly Coppersmith | - | - | - | - | - |
| 5058 | V. Ossman’s Banjo Orch | Hilda – Fox Trot | - | - | - | - | - |
| 5064 | Euphonium solo, band acc. | Auld Lang Syne | - | - | - | - | - |
| 5103 | Piccolo Solo | Sweet Birdie | - | L&C | - | - | - |
| 5105 | Xylophone (w. orch) | Iola Intermezzo | - | - | - | - | - |
| 5112 | Quartette | Ain't You coming Back To Old New Hampshire, Molly? | - | - | - | - | - |
| 5113 | Billy Murray and quartette | Alice, Where Art Thou Going? | - | - | - | - | - |
| 5114 | minstrels | Minstrel Record E – Crocodile Isle | - | - | - | - | - |
| 5115 | minstrels | Minstrel Record F – Moses Andrew Jackson, Good-Bye | - | - | - | - | - |
| 5208 | German song | DIE WACHT AM RHEIN | - | - | - | - | - |
| 5358 | orchestra | The Bullfrog And The Coon | - | - | - | - | - |
| 5382 | BARITONE SOLO | IRISH PHILOSOPHY | - | - | - | - | - |
| 5401 | band | Golden Gate March | - | H&S | - | - | - |
| 5402 | band | Cherry Intermezzo two step | - | H&S | - | - | - |
| 5405 | orchestra | Army March No. 113 | - | - | - | - | - |
| 5407 | banjo, mandolin, harp, guitar | Chicken Chowder | - | H&S | - | - | - |
| 5408 | cello - piano acc. | Traumerei | - | - | - | - | - |
| 5409 | violin with orch | Jigs and Reels | - | H&S | - | - | - |
| 5410 | Marie Eldon | Love Time | - | - | - | - | - |
| 5411 | Billy Murray | On San Francisco Bay | - | - | - | - | - |
| 5412 | baritone solo | WHEN THE SNOW BIRDS CROSS THE VALLEY | - | H&S | - | - | - |
| 5413 | male quartette | A Meeting Of The Hen Roost Club | - | - | - | - | - |
| 5414 | Billy Murray - Rambler Minstrels | San Antonio (Minstrel Record G) | - | - | - | - | - |
| 5415 | Anthony and Harrison | Take The Name Of Jesus With You | - | - | - | - | - |
| 5416 | Frank C. Stanley and Elise Stevenson | Because You're You | - | - | - | - | "The Red Mill" |
| 5417 | Billy Golden | Sisseretta’s Visit To The North | - | - | - | - | - |
| 5418 | Ada Jones - Billy Murray - Frank C. Stanley | Whistle It | - | - | - | - | "The Red Mill" |
| 5501 | BAND | ONWARD CHRISTIAN SOLDIERS | - | - | (10") | - | - |
| 5504 | orchestra | Selections from "The Red Mill" | - | H&S | - | - | - |
| 5508 | cello with piano | Träumerei | - | H&S | - | - | {Robert Schumann} |
| 5510 | male quartette | Negro Sermon | - | H&S | - | - | - |
| 5606 | band | The Mascot Of The Troop March | - | - | - | - | - |
| 5706 | Baritone solo | Where the Silvery Colorado Wends it's Way | 5706 | H&S | - | - | - |
| 5909 | F. Stanley - H. Burr | Red Wing (An Indian Fable) | - | - | - | - | - |
| 6005 | orchestra | A Waltz Dream: Waltzes | - | - | - | - | - |
| 31165 | band | DANCING ON THE HOUSETOPS | - | - | - | - | - |
| 31217 | Henry Burr | My Cosey Corner Girl | - | - | - | - | - |
| 31245 | Collins & Harlan | Nigger Loves His Possum | - | - | - | - | - |
| 31256 | Spencer, Porter & Holt | Punch and Judy | - | - | - | - | - |
| 31288 | Henry Burr | Lorna | - | - | - | - | - |
| 31298 | male quartette | Steamboat medley | - | ARC 031298 | - | - | - |
| 31317 | MURRAY,Billy | CHEYENNE | 31317 | ARC | 10" | - | - |
| 31318 | Billy Murray | My Lovin' Henry | - | ARC | - | - | - |
| 31322 | Byron G. Harlan | Where The Morning Glories Twine Around The Door | - | ARC | - | - | - |
| 31333 | Regimental Band of the Republic | Come, Come Caroline | - | ARC | - | - | - |
| 31349 | Frank C. Stanley | When The Mocking Birds Are Singing In The Wildwood | - | ARC | - | - | - |
| 31370 | Curti's Mexican Orch | La Gran Via | - | ARC 10" | - | - | {Valverde} |
| A10 | quartette | Old Folks at Home | (L&C) | - | - | - | - |
| A11 | {Collins and Harlan} | Good Bye John | 8655D | L&C 45350 | - | - | - |
| A13 | BARITONE | COME BACK TO ERIN | - | L&C | - | - | - |
| A16 | tenor solo | Home Sweet Home | - | - | - | - | - |
| A17 | tenor | WHEN THE WHIP-POOR WILL SINGS MARGUERITE | - | - | - | - | - |
| A18 | DUET {Collins and Harlan} | Are You Coming Out Tonight Mary Ann | - | L&C | - | - | - |
| A20 | DUET | Almost Persuaded | 8114 D | L&C 11-44925 | - | - | - |
| A21 | - | Mama's Boy | - | - | - | - | - |
| A23 | baritone | BLEST BE THE TIE THAT BINDS | - | - | - | - | - |
| A27 | baritone solo | Whistling Bowery Boy | - | - | - | - | - |
| A28 | band | Paderewski's Minuet | 8565D | L&C 11-44887 | - | - | - |
| A29 | quartette | Down on the Farm | - | - | - | - | - |
| A30 | QUARTET | KENTUCKY BABE | - | L&C | - | - | - |
| A31 | Collins and Harlan | Iola | - | L&C | - | - | - |
| A32 | orchestra | The Garden Of Sleep - Waltz | 45279 | L&C | - | - | - |
| A36 | violin solo | Ave Maria | - | L&C | - | - | - |
| A37 | ORCHESTRA | ETERNELLE FOLIE | - | - | 10" | - | - |
| A39 | orchestra | Love's Garden - waltz | - | - | - | - | - |
| A40 | orchestra | The Whistler and His Dog | 6612 D | L&C 44606 | - | - | {Pryor} |
| A42 | quartet | In the Evening By the Moonlight | - | - | - | - | - |
| A43 | ? | Heidelberg | - | - | - | - | - |
| A45 | (Frank Stanley) | He Laid Away His Suit of Grey to Wear the Union Blue | - | L&C | - | - | - |
| A46 | tenor | Down On The Brandywine | 5783D (74209) | L&C | - | - | - |
| A49 | orchestra | Gondolier | 8425 D | L&C 11-74969 | - | - | - |
| A50 | bell solo | Pretty as a Butterfly | - | - | - | - | - |
| A54 | baritone | Old Hundred [Doxology] | 6172D | L&C 44392 | - | - | - |
| A55 | TENOR SOLO | Just Before the Battle Mother | - | L&C | - | - | - |
| A57 | - | Sleep Baby Sleep | - | - | - | - | - |
| A58 | tenor | Song of the Ragtime Boy | 8177 D | L&C 45243 | - | - | - |
| A64 | solo | Makes The Heart Grow Fonder | - | - | - | - | - |
| A68 | band | The Free Lance March | - | L&C | - | - | - |
| A69 | band | YANKEE PATROL | - | - | - | - | - |
| A72 | Len Spencer | The Musical Yankee | 8485 D | L&C 45342 | - | - | - |
| A74 | DUET | - | - | 11-44996 | - | - | - |
| A75 | solo | When You Know You're Forgotten By the Girl You Can't Forget | - | L&C | - | - | - |
| A76 | DUET | Take a Little Ride With Me | - | - | - | - | - |
| A77 | COLLINS & HARLAN | BAKE DAT CHICKEN PIE | 8833 D | Imp 45435 | - | - | - |
| A78 | - | Since Arrah Wanna Married Barney Carney | - | - | - | - | - |
| A82 | solo | Silver Threads Among the Gold | - | - | - | - | - |
| A83 | - | THROW DOWN THAT KEY | - | - | - | - | - |
| A85 | solo | She Cost Me a Dollar and Fifty Cents | - | - | - | - | - |
| A87 | banjo solo | Sunflower Dance | - | - | - | - | - |
| A88 | cornet solo | The Whirlwind Polka | 4048D | L&C 45303 | - | - | - |
| A94 | - | Teasing | 8068D | L&C 11-44350 | - | - | - |
| A95 | - | Many's the Time | - | - | - | - | - |
| A96 | song | Every Little Bit Added to What You've Got Makes Just a Little Bit More | - | L&C | - | - | - |
| A97 | - | Cavalleria Rusticana | - | - | - | - | - |
| A99 | - | And a Little Bit More | - | - | - | - | - |
| A103 | - | SILVER HEELS | - | - | - | - | - |
| A104 | tenor solo | Love Me and the World is Mine | - | - | - | - | - |
| A105 | Len Spencer, Ada Jones | Travel On | 7024 D | L&C 45199 | - | - | - |
| A108 | band | Shillalah O | 9003D | L&C 45494 | - | - | - |
| A109 | - | If I'm Going to Die, I'm Going to Have Some Fun | 8633D | 45467 | - | - | - |
| A114 | Harold Eisenberg, violin | Beceuse | 8643D; 45478 | L+C | - | - | {Benjamin Godard} |
| A115 | - | Uncle Josh at the Bug House | 9014 D | Imp 45502 | - | - | - |
| A116 | (Cal Stewart?) | Ground Hog Day at Punkin' Centre | - | - | - | - | - |
| A117 | band | Minnehaha | 9029D | L&C 45519 | - | - | - |
| A119 | Billy Murray | Honey Boy | - | L&C | - | - | - |
| A120 | TENOR SOLO | Top of the Morning Bridget McCue | - | L&C | - | - | - |
| A123 | - | Dixie Medley | - | - | - | - | - |
| A124 | - | Who? Me? | - | - | - | - | - |
| A126 | BAND | MANHATTAN BEACH MARCH | - | L&C | 10" | - | - |
| A127 | - | Just Help Yourself | - | - | - | - | - |
| A130 | duet | WOULDN'T YOU LIKE TO HAVE ME FOR A SWEETHEART | 9106D | L&C 45564 | - | - | - |
| A132 | tenor solo | Everybody's Pickin on Me | - | L&C | - | - | - |
| A134 | - | Somebody's Been Around Since I've Been Gone | - | - | - | - | - |
| A136 | band | Merry Widow Waltz | - | - | - | - | - |
| A137 | banjo solo | Much Obliged to You | - | L&C | - | - | - |
| A140 | TENOR SOLO | I'm Looking for the Man Who Wrote the Merry Widow Waltz | - | L&C | 10" | - | - |
| A141 | song | My Gal Irene | - | L&C | - | - | - |
| A142 | - | Under Any Old Flag at All | - | - | - | - | - |
| A156 | baritone and tenor duet | Redwing | - | L&C | - | - | - |
| A157 | WILLIAM BRYAN | CHICAGO AUDITORIUM SPEECH ON LABOR DAY | - | - | - | - | - |
| A160 | MALE QT | WAY DOWN IN ALABAMA | - | L&C | - | - | - |
| A164 | SOPRANO SOLO | ANNIE LAURIE | - | L&C 45739 | - | - | - |
| A170 | band | A Francesa | 45740 | L&C | - | - | {Costa} |
| A176 | baritone | Cheer Up, Cherries Will Soon Be Ripe | - | L&C | - | - | - |
| A179 | duet | It Looks Like a Big Night To-Night | - | L&C | - | - | - |
| A300 | duet | Rainbow | - | L&C | - | - | - |
| A305 | Billy Murray - Ada Jones | OH YOU COON | - | - | - | - | - |
| A306 | Mr. Porter | Finnigan's Flat | - | - | - | - | - |
| A309 | ORCHESTRA | JOHN CHINAMAN MARCH AND 2 STEP | - | - | - | - | - |
| A312 | - | Mary McGee | - | - | - | - | "The Dairy Maids" |
| A313 | orchestra | ONeill of Derry | - | - | - | - | - |
| A320 | STANLEY and BURR | When Johnny Comes Marching Home | - | - | - | - | - |
| A326 | Peerless Quartette | Moonlight on the Lake | - | - | - | - | - |
| A330 | orchestra | Dance of the Honey Bees | - | - | - | - | - |
| A332 | COLLINS and HARLAN | YIMMINY YEE I YUMPED MY YOB FOR YOU | - | - | - | - | - |
| A333 | band | Jolly Dutchman's Waltz | - | Zono | - | - | - |
| A335 | - | Bird on Nellie's Hat | - | - | - | - | - |
| A1076 | - | The Preacher and the Bear | 6242 D | L&C L & C #s 44431 | - | - | - |
| A1219 | - | Everybody Works but Father | - | ARC 031298 | - | - | - |
| A1250 | Byron G. Harlan | I'm Trying So Hard to Forget You | 6356 D | L&C 44504 | - | - | - |
| A1263 | Joseph Belmont | The Birds and the Brook | 6610 D | L&C 44611 | - | - | - |
| A2612 | baritone and tenor | Waltz Me Around Again Willie | 6934D | L&C 44995 | - | - | - |
| B537 | Jan V. Hofreiter Rokycansky | Muziky, Muziky | D537 | Star | - | - | Kmocha |
| D3 | - | Almost Persuaded | - | - | - | - | - |
| D3 | - | All Hail the Power of Jesus' Name | - | - | - | - | - |
| D4 | - | NEARER MY GOD TO THEE | 9305D | L&C | 45639 | - | - |
| D4 | - | Oh Come, All Ye Faithful | 8551D | L&C | 45332 | - | - |
| D6 | - | KENTUCKY BABE | 8621D | L&C | 44958 | - | - |
| D6 | - | Down on the Farm | 8668 | L&C | 11-44953 | - | - |
| D7 | STANLEY and BURR | Red Wing | - | - | - | - | - |
| D8 | TENOR SOLO | WON'T YOU COME OVER TO MY HOUSE | - | L&C | - | - | - |
| D8 | DUET | I'M DREAMING OF YOU | - | L&C | - | - | - |
| D9 | Vocal Quartette | WAY DOWN YONDER IN THE CORN FIELD | - | - | - | - | - |
| D9 | Collins and Harlan | DOWN WHERE THE SWEET POTATOES GROW | - | - | - | - | - |
| D12 | song | Battle Cry of Freedom | - | - | - | - | - |
| D12 | song | Just Before the Battle Mother | - | - | - | - | - |
| D15 | Song | BAKE DAT CHICKEN PIE | - | - | (L&C) | - | - |
| D15 | Collins and Harlan | Every Little Bit, Added To What You Got, Makes Just A Little Bit More | 3678-2 | - | - | - | - |
| D15 | Collins and Harlan | BAKE DAT CHICKEN PIE | 3610-3 | - | - | - | - |
| D16 | VIOLIN | TRAUMEREI | - | - | - | - | - |
| D16 | violin | SOUVENIR | - | - | - | - | - |
| D17 | Cal Stewart | Uncle Josh at the Bug House | 3667-3 | - | - | - | - |
| D17 | Cal Stewart | Ground Hog Day at Pumpkin Center | 3334-2 | - | - | - | - |
| D19 | DUET | WOULDN'T YOU LIKE TO HAVE ME FOR A SWEETHEART | - | - | - | - | - |
| D19 | DUET | WHO DO YOU LOVE | - | - | - | - | - |
| D27 | Billy Golden | TURKEY IN THE STRAW | - | Col. | - | - | - |
| D27 | Arthur Collins | THE PREACHER AND THE BEAR | 3146=4 | Col. | - | - | - |
| D29 | band | Ye Ancients March | 45493 | L+C | - | - | {David Wallis Reeves} |
| D30 | band | New Colonial March | =4 | Col. | - | - | - |
| D30 | band | Blue Danube Waltz | - | - | - | - | - |
| D34 | song | HAPPY HEINE | - | - | - | - | - |
| D34 | song | Forge in the Forest | - | - | - | - | - |
| D38 | BILLY MURRAY | CHEYENNE | - | - | - | - | - |
| D38 | PEERLESS QUARTETTE | WALTZ ME AROUND AGAIN WILLIE | - | - | - | - | - |
| D39 | - | Jota Dance | - | - | - | - | - |
| D39 | - | Vals de las Golindrinas (Waltz of the Swallows) | - | - | - | - | - |
| D40 | {Ada Jones} | Waiting at the Church | - | - | - | - | - |
| D40 | - | After They Gather the Hay | - | - | - | - | - |
| D43 | male quartette | Steamboat medley | - | - | - | - | - |
| D43 | male quartette | THE SLEIGH RIDE PARTY | - | - | - | - | - |
| D44 | MALE QT | WHEN THE SNOW BIRDS CROSS THE VALLEY | - | - | - | - | - |
| D44 | VOCAL SOLO | AIN'T YOU COMING BACK TO OLD NEW HAMPSHIRE? | - | - | - | - | - |
| D46 | - | The Bull Frog And The Coon | - | - | - | - | - |
| D46 | - | At The Telephone | - | - | - | - | - |
| D47 | BAND | 2ND REGIMENT CONNECTICUT MARCH | - | - | - | - | - |
| D47 | BAND | BOSTON COMMANDERY MARCH | - | - | - | - | - |
| D48 | orchestra | OVER THE WAVES | 637=3 | Col. | - | - | - |
| D48 | band | Barber of Seville Overture | 80=5 | Col. | - | - | - |
| D50 | - | THE HOLY CITY | - | - | - | - | - |
| D52 | male quartette | Liza | 4138 | Col. | - | - | Williams - Van Alstyne |
| D58 | Arthur Collins | I Love, I Love, I Love My Wife But Oh You Kid | - | Col. | - | - | - |
| D58 | Henry Burr | I Wonder Who's Kissing Her Now | - | Col. | - | - | - |
| S327 | G. A. Lund | Du Gamla du Friska | S327 | (H&S?) | 10" SS | - | - |