| Cat# | Artist: | Title: | MX | Xref: | Loc: | Date: | Comp: |
| 1701 | Jules Bledsoe, baritone with orch | Poor Monah | P75162 | - | - | - | - |
| 1701 | Jules Bledsoe, baritone with orch | Wake Up Jacob | P75167 | - | - | - | - |
| 1702A | JULES BLEDSOE | DOES HE LOVE YOU? | P75161 | - | - | - | - |
| 1702B | JULES BLEDSOE | DU BIST DIE RUHE | P75165 | - | - | - | SCHUBERT |
| 1703 | JULES BLEDSOE (baritone) with orch | GO DOWN MOSES | 75168 | - | - | - | Spiritual |
| 1703 | JULES BLEDSOE (baritone) with orch | DEEP RIVER | 75166 | - | - | - | Spiritual |
| 1704 | Greta Keller, comedienne | Who Am I? | F1856 | - | - | - | - |
| 1704 | Greta Keller, comedienne | Song Is Done | F1860 | - | - | - | - |
| 1705 | International Opera Company | Excerpts from "The Mikado" pt1 | - | - | - | - | - |
| 1705 | International Opera Company | Excerpts from "The Mikado" pt2 | - | - | - | - | - |
| 1706 | International Opera Company | Excerpts from "The Gondoliers" pt1 | - | - | - | - | - |
| 1706 | International Opera Company | Excerpts from "The Gondoliers" pt2 | - | - | - | - | - |
| 1707 | Savoy Singers and Players | Iolanthe (vocal gems) | 12374 | - | - | - | - |
| 1707 | Savoy Singers and Players | Behold the Lord High Executioner | - | - | - | - | - |
| 1708 | Savoy Singers and Players | "The Gondoliers" - selections | 12363 | - | - | - | - |
| 1708 | Savoy Singers and Players | "Yeoman of the Guard" - selections | 12364 | - | - | - | - |
| 1709 | James Topping with orch | Iolanthe: Sentry Song | - | - | - | - | - |
| 1709 | Savoy Singers and Players | Iolanthe - selections | - | - | - | - | - |
| 1710 | Court Symphony Orchestra | HMS Pinafore - excerpts | AGH127 | - | - | - | - |
| 1710 | Court Symphony Orchestra | The Mikado - excerpts | AGH128 | - | - | - | - |
| 1711 | H. M. Guards Band | Yeoman of the Guard, pt1 | AGH109 | - | - | - | - |
| 1711 | H. M. Guards Band | Yeoman of the Guard, pt2 | AGH110 | - | - | - | - |
| 1712 | ROYALE BAND | WILLIAM TELL - march | AGH115 | - | - | - | - |
| 1712 | ROYALE BAND | TANNHAUSER GRAND MARCH | AG106 | MW1045 | - | - | - |
| 1713 | ROYALE BAND | ZAMPA OVERTURE PT.1 | AG107 | MW1047 | - | - | - |
| 1713 | ROYALE BAND | ZAMPA OVERTURE PT.2 | AG108 | MW1047 | - | - | - |
| 1714 | ROYALE BAND | HALLELUJAH CHORUS | ? | MW1046 | - | - | - |
| 1714 | ROYALE BAND | LARGO FROM XERXES | ? | MW1046 | - | - | - |
| 1715 | ROYALE BAND | POET AND PEASANT | AG103 | MW1044 | - | - | - |
| 1715 | ROYALE BAND | POET AND PEASANT PT.2 | AG104 | MW1044 | - | - | - |
| 1716 | MASSED MILITARY BANDS | ELEPHANT March | AGH 116 | MW1042 | (Europe) | - | Ord Hume |
| 1716 | H. M. Guards BAND | RADETSKY MARCH | 2167 | MW1043 | (Europe) | - | J. Strauss, Sr. Op. 228 |
| 1717 | Georges Kneistaedt, violin (with organ, harp, double quintet) | Arioso | - | - | - | - | Handel |
| 1717 | Georges Kneistaedt, violin (with organ, harp, double quintet) | Largo | - | - | - | - | Handel |
| 1718 | Georges Kneistaedt, violin (with organ, harp, double quintet) | Nocturne No. 2 in E flat Major | 16491 | - | - | - | Chopin |
| 1718 | Georges Kneistaedt, violin (with organ, harp, double quintet) | Serenade | 16490 | - | - | - | Schubert |
| 1719 | E. Orthman with Radio Philharmonic Orch | Liebestraum | - | - | - | - | Liszt |
| 1719 | E. Orthman with Radio Philharmonic Orch | Prelude in C Sharp Minor | - | - | - | - | Rachmaninoff |
| 1720 | Theo Mackeben with Radio Philharmonic Orch | Minuet in G | - | - | - | - | Paderewski |
| 1720 | Theo Mackeben with Radio Philharmonic Orch | Spring Song | - | - | - | - | Mendelsohn |
| 1721 | Ernest Viebig with Vienna Symphony Orchestra | Village Swallows | 15071 | - | - | - | - |
| 1721 | Ernest Viebig with Vienna Symphony Orchestra | Southern Roses | 15072 | - | - | - | - |
| 1722 | Wilhelm Groszs with Vienna Symphony Orchestra | Tales of the Vienna Woods, pt1 | - | - | - | - | - |
| 1722 | Wilhelm Groszs with Vienna Symphony Orchestra | Tales of the Vienna Woods, pt2 | - | - | - | - | - |
| 1723 | Wilhelm Groszs with Vienna Symphony Orchestra | Annen - polka | 10883 | - | - | - | - |
| 1723 | Wilhelm Groszs with Vienna Symphony Orchestra | Tritsch-Tratsch - polka | 15213 | - | - | - | - |
| 1724 | Erich Kleiber with Vienna Symphony Orchestra | The Gypsy Baron - Overture pt1 | 10463 | - | - | - | - |
| 1724 | Erich Kleiber with Vienna Symphony Orchestra | The Gypsy Baron - Overture pt2 | 10464 | - | - | - | - |
| 1725 | Carl Schuricht with National Opera Orchestra | Anitra's Dance | - | - | - | - | Greig |
| 1725 | Carl Schuricht with National Opera Orchestra | In the Hall of the Mountain King | - | - | - | - | Greig |
| 1726 | Selmar Meyrowitz with National Opera Orchstra | Poet and Peasant Overture pt1 | 10465 | - | - | - | - |
| 1726 | Selmar Meyrowitz with National Opera Orchstra | Poet and Peasant Overture pt2 | 10466 | - | - | - | - |
| 1727 | Theo Mackeben with National Opera Orchestra | Offenbach Operettas pt1 | - | - | - | - | - |
| 1727 | Theo Mackeben with National Opera Orchestra | Offenbach Operettas pt2 | - | - | - | - | - |
| 1728 | Wilhelm Groszs with Hungarian Symphony Orchestra | Valse Caprice | - | - | - | - | - |
| 1728 | Wilhelm Groszs with Hungarian Symphony Orchestra | Mazurka | - | - | - | - | Godard |
| 1729 | Elmar Meyrowitz with Berlin Philharmonic Orch | Ride of the Valkyries, pt1 | - | - | - | - | Wagner |
| 1729 | Elmar Meyrowitz with Berlin Philharmonic Orch | Ride of the Valkyries, pt2 | - | - | - | - | Wagner |
| 1730 | Court Symphony Orchestra | Funeral March | - | - | - | - | Chopin |
| 1730 | Court Symphony Orchestra | Funeral March | - | - | - | - | Beethoven |
| 1731 | Grand Military Orchestra | Florence March | 16045 | - | - | - | Fucit |
| 1731 | Grand Military Orchestra | March of the Cadets | 16044 | - | - | - | Sousa |
| 1732 | Leo Rostell (cello) | The Swan | - | - | - | - | Saint-Saens |
| 1732 | Leo Rostell (cello) | Libeslied | - | - | - | - | Kreisler |
| 1733 | Court Symphony Orchestra | Madame Butterfly pt1 | - | - | - | - | - |
| 1733 | Court Symphony Orchestra | Madame Butterfly pt2 | - | - | - | - | - |
| 1734 | Court Symphony Orchestra | Hungarian Dances pt1 | AGH117 | - | - | - | - |
| 1734 | Court Symphony Orchestra | Hungarian Dances pt2 | AGH118 | - | - | - | - |
| 1735 | Euterpe Symphony Orch | Pomp and Circumstance pt1 | - | - | - | - | - |
| 1735 | Euterpe Symphony Orch | Pomp and Circumstance pt2 | - | - | - | - | - |
| 1736 | Court Symphony Orchestra | Coppelia Ballet | 8168 | - | - | - | - |
| 1736 | Court Symphony Orchestra | Barcarolle | 8170 | - | - | - | - |
| 1737 | Royale Philharmonic Orch | Slavonic Dances pt1 | 0308 | - | - | - | - |
| 1737 | Royale Philharmonic Orch | Slavonic Dances pt2 | 0309 | - | - | - | - |
| 1738 | Royale Philharmonic Orch | Bell Song | - | - | - | - | - |
| 1738 | Royale Philharmonic Orch | Provincial Dance | - | - | - | - | - |
| 1739 | Royale Philharmonic Orch | Faust - selections pt1 | 5383 | - | - | - | - |
| 1739 | Royale Philharmonic Orch | Faust - selections pt2 | 5384 | - | - | - | - |
| 1740 | Eddy Walis and orch | Minuet in G | - | - | - | - | Paderewski |
| 1740 | Eddy Walis and orch | Letter of Manon | - | - | - | - | - |
| 1741 | The Grenadiers | In a Persian Market | AGH111-D1 | - | - | - | - |
| 1741 | The Grenadiers | Hungarian Rhapsody No. 2 | AGH113-D1 | - | - | - | - |
| 1742 | Fred Hartley Quintet | Romance | BT2129 | - | - | - | Rubenstein |
| 1742 | Fred Hartley Quintet | Traumerei | BT2123 | - | - | - | - |
| 1743 | DeWolfe and orch | The Daughter of the Regiment, pt1 | 9446 | - | - | - | - |
| 1743 | DeWolfe and orch | The Daughter of the Regiment, pt2 | 9447 | - | - | - | - |
| 1744 | Leo Rostell with orch | Berceuse de Jocelyn | 13100 | - | - | - | - |
| 1744 | Leo Rostell with orch | Wiegenlied | 11239 | - | - | - | - |
| 1745 | ROYALE BAND | YORKSHIRE MARCH | - | MW1041 | - | - | - |
| 1745 | ROYALE BAND | Glow Worm | - | - | - | - | - |
| 1746 | Radio Symphony Orchstra | Estudiantina | 3392 | - | - | - | - |
| 1746 | Radio Symphony Orchstra | Cavalleria Rusticana | 8167 | - | - | - | - |
| 1747 | New Devonshire Orchstra | By the Waters of the Minnetonka | F1832 | - | - | - | - |
| 1747 | New Devonshire Orchstra | Trees | BT1955 | - | - | - | - |
| 1748 | Ena Baga (organ) | Even Song | - | - | - | - | - |
| 1748 | Ena Baga (organ) | Liebestraum | - | - | - | - | Liszt |
| 1749 | Charles Willis (organ) | Chanson | BT2353 | - | - | - | Friml |
| 1749 | Charles Willis (organ) | Serenata | BT2350 | - | - | - | Tosselli |
| 1750 | Radio Symphonette Orchestra | Christmas Bells, pt1 | - | - | - | - | - |
| 1750 | Radio Symphonette Orchestra | Christmas Bells, pt2 | - | - | - | - | - |
| 1751 | ROYALE CHOIR | ROCK OF AGES | 10665 | - | (Europe) | - | - |
| 1751 | ROYALE CHOIR | NEARER MY GOD | 10666 | - | (Europe) | - | - |
| 1752 | BLACK DYKE MILLS BAND | THE CHURCH'S ONE FOUNDATION | USE13013D1 | - | - | - | - |
| 1752 | BLACK DYKE MILLS BAND | HARK THE HERALD ANGELS SING | 13910=1 | - | - | - | - |
| 1753 | QUNITET OF HOT CLUB OF FRANCE | DINAH | P77161 | VAR8377 | - | 12/??/34 | - |
| 1753 | QUNITET OF HOT CLUB OF FRANCE | TIGER RAG | P77162 | VAR8380 | - | 12/??/34 | - |
| 1754 | QUNITET OF HOT CLUB OF FRANCE | LADY BE GOOD | P77163 | VAR8376 | - | 12/??/34 | - |
| 1754 | 52ND STREET BOYS | THAT'S A PLENTY | C1780 | - | - | 07/??/32 | - |
| 1755 | Radio Symphony Orchstra | La Cinquantine (Golden Wedding) | - | - | - | - | - |
| 1755 | Radio Symphony Orchstra | Roses of Picardy | - | - | - | - | - |
| 1756 | Radio Symphony Orchstra | Poeme | 10485 | - | - | - | Fibich |
| 1756 | Radio Symphony Orchstra | Humoresque | 10484 | - | - | - | Dvorak |
| 1757 | George Enders and orch | Wiener Blut, pt1 | - | - | - | - | - |
| 1757 | George Enders and orch | Wiener Blut, pt2 | - | - | - | - | - |
| 1758 | Newman and Symphony Orch | Hungarian Rhapsody #13, pt1 | 12559-D1 | - | - | - | - |
| 1758 | Newman and Symphony Orch | Hungarian Rhapsody #13, pt2 | 12560 | - | - | - | - |
| 1759 | Newman and Symphony Orch | Peer Gynt Suite, pt1 | 2128 | - | - | - | - |
| 1759 | Newman and Symphony Orch | Peer Gynt Suite, pt2 | 2129 | - | - | - | - |
| 1760 | Newman and Symphony Orch | Peer Gynt Suite, pt3 | - | - | - | - | - |
| 1760 | Newman and Symphony Orch | Peer Gynt Suite, pt4 | - | - | - | - | - |
| 1761 | Auguste de Radwan (piano) | Concert Ballad in E minor | - | - | - | - | Chopin |
| 1761 | Auguste de Radwan (piano) | Mazurka #23 | - | - | - | - | Chopin |
| 1762 | Sigfrid Schneevoigt (piano) | Etude #13 in A-flat Major | - | - | - | - | Chopin |
| 1762 | Sigfrid Schneevoigt (piano) | Etude #5 in G-flat Major | - | - | - | - | - |
| 1763A | MARIAN ANDERSON | O MIO FERNANDO | 11769 | - | (Europe) | - | LA FAVORITA |
| 1763B | MARIAN ANDERSON | O MIO FERNANDO PT.2 | 11770 | - | (Europe) | - | - |
| 1764A | MARIAN ANDERSON | JEANNE D'ARC: AIR DES ADIEUX | 11768 | - | (Europe) | - | "JEAN D'ARC" |
| 1764B | MARIAN ANDERSON | SAMSON & DELILAH: O LOVE FROM THY POWERS | 11771 | - | (Europe) | - | "SAMSON & DELILAH" |
| 1765 | MARIAN ANDERSON | SOMETIMES I FEEL LIKE A MOTHERLESS CHILD | 11749 | - | (Europe) | - | - |
| 1765 | MARIAN ANDERSON | HEAV'N HEAV'N | 11750 | - | (Europe) | - | - |
| 1766 | Ena Baga (organ) | In a Chinese Temple Garden | - | - | - | - | - |
| 1766 | Ena Baga (organ) | In a Monastery Garden | - | - | - | - | - |
| 1767 | Harry Davidson (organ) | The End of a Perfect Day | - | - | - | - | - |
| 1767 | Harry Davidson (organ) | Abide With Me | - | - | - | - | - |
| 1768 | Radio Symphonette Orchestra | Light Cavalry, pt1 | 0302 | - | - | - | - |
| 1768 | Radio Symphonette Orchestra | Light Cavalry, pt2 | 0303 | - | - | - | - |
| 1769 | ROYALE BAND | COLONEL BOGEY MARCH | - | MW1041 | - | - | - |
| 1769 | ROYALE BAND | ON THE MALL | - | MW1043 | - | - | - |
| 1770 | Harry Berly (viola) | Mozart Sonata, pt1 | - | - | - | - | - |
| 1770 | Harry Berly (viola) | Mozart Sonata, pt2 | - | - | - | - | - |
| 1771 | H. M. Scots Guard Band | Morning, Noon, and Night in Vienna pt1 | 12954 | - | - | - | - |
| 1771 | H. M. Scots Guard Band | Morning, Noon, and Night in Vienna pt2 | 12955 | - | - | - | - |
| 1772 | ROYALE BAND | ENTRY OF THE GLADIATORS | 3380 | MW1040 | - | - | - |
| 1772 | ROYALE BAND | PARADE OF THE Tin SOLDIERS | W1728 | MW1040 | - | - | - |
| 1773 | Ena Baga (organ) | Ave Maria | - | - | - | - | - |
| 1773 | Ena Baga (organ) | The Lost Chord | - | - | - | - | - |
| 1774 | Newman and Symphony Orch | Japanese Lantern Dance | E327-1 | - | - | - | - |
| 1774 | Newman and Symphony Orch | La Paloma | E11068-1 | - | - | - | - |
| 1775 | JOHNNY GREEN & HIS ORCH | HEAVEN IN MY ARMS | US7916-31 | - | - | - | - |
| 1775 | JOHNNY GREEN & HIS ORCH | ALL THE THINGS YOU ARE (v. Jack Smith) | US7917-32 | Inco 2002 | - | - | - |
| 1776 | Richard Himber and His Orch | March of the Toys | US7861-5 | - | - | - | - |
| 1776 | Richard Himber and His Orch | Ah! Sweet Mystery of Life (v. Stuart Allen) | US7862-8 | - | - | - | - |
| 1777 | JOHNNY GREEN & HIS ORCH | I DIDN'T KNOW WHAT TIME IT WAS (v. Jack Smith) | US7914-29 | - | - | - | - |
| 1777 | JOHNNY GREEN & HIS ORCH | GIVE IT BACK TO THE INDIANS | US7915-30 | - | - | - | ROGERS;HART |
| 1778 | Freddy Taylor with the Quintette Of The Hot Club Of France | BLUE DRAG | 77285 | - | MW10102 | 04/??/35 | (-) |
| 1778 | Alex Combelle with the Quintette of the Hot Club Of France | CRAZY RHYTHM | P77522 | VAR8378 | MW10102 | 9/1/1935 | Meyer - Kahn - Caesar |
| 1779 | Richard Himber and His Orch | A Kiss in the Dark | US7860-6 | - | - | - | - |
| 1779 | Richard Himber and His Orch | I'm Falling In Love with Someone | US7861-7 | - | - | - | - |
| 1780 | QUNITET OF HOT CLUB OF FRANCE | AVALON | P77434 | VAR8379 | - | 07/??/35 | - |
| 1780 | QUINTET HOT CLUB OF FRANCE | SWEET SUE, JUST YOU | P77241 | - | - | 09/??/35 | - |
| 1781A | JAN PEERCE (Erno Rapee orch) | MACHUSHLA | US7918=2 | - | 7918=39 | 10/??/39 | - |
| 1781B | JAN PEERCE (Erno Rapee orch) | L'AMOUR, TOUJOURS L'AMOUR | US7921=1 | - | 7919-40 | 10/??/39 | - |
| 1782 | JAMES SHELTON | OUR TOWN | US1002-1 | - | - | - | JAMES SHELTON "STRAW HAT REV" |
| 1782 | JAMES SHELTON | FOUR YOUNG PEOPLE | US1001-1 | - | - | - | JAMES SHELTON "STRAW HAT REV" |
| 1783 | Johnny Green and his Orch | Katie Went to Haiti | US1036-2 | Hit 7047 | - | - | - |
| 1783 | Johnny Green and his Orch | It Was Written in the Stars (v. Jack Smith) | US1033-2 | - | - | - | - |
| 1784 | JAN PEERCE+ERNO RAPEE ORCH | LA DONNA E MOBILE ("RIGOLETTO") | US7919=41 | - | - | 10/??/39 | VERDI 'RIGOLETTO' |
| 1784 | JAN PEERCE+ERNO RAPEE ORCH | VESTI LA GIUBBA ("PAGLIACCI") | US7920=42 | - | - | - | LEONCAVILLO "PAGLIACCI" |
| 1785 | QUNITET OF HOT CLUB OF FRANCE | SWANEE RIVER | P77352 | VAR8378 | MW10103! | 04/??/35 | - |
| 1785 | QUNITET OF HOT CLUB OF FRANCE | ULTRAFOX | P77354 | VAR8376 | MW10103! | - | - |
| 1786 | JOHNNY GREEN & HIS ORCH | I SHOULDA STAYED IN BED | - | - | - | - | - |
| 1786 | JOHNNY GREEN & HIS ORCH | THE WIND AT MY WINDOWS | - | - | - | - | - |
| 1787 | REX IRVING'S MODERN MEN | TOY DEPARTMENT | US1065 | EL5037 | - | 10/??/39 | - |
| 1787 | REX IRVING & THE BOYS | SWING MARCH | US1062 | - | - | 10/??/39 | - |
| 1788 | QUINTET OF HOT CLUB OF FRANCE | CONFESSIN' | P77242 | - | - | 03/??/35 | - |
| 1788 | QUNITET OF HOT CLUB OF FRANCE | SMOKE RINGS | P77435 | VAR8379 | - | - | - |
| 1789 | Savoy Singers and Players | The Desert Song, pt1 | 12823 | - | - | - | - |
| 1789 | Savoy Singers and Players | The Desert Song, pt2 | 12824 | - | - | - | - |
| 1790 | MADRIGAL SINGERS | It Was A Lover & His Lass - Maidens Fair Of Mantua | 1056 | MW10150 | - | - | - |
| 1790 | MADRIGAL SINGERS | Dainty Fair Sweet Nymph Hark All Ye Lovely Saints | 1057 | MW10150 | - | - | - |
| 1791 | MADRIGAL SINGERS | Sing We & Chant It - Sing We At Pleasure | ? | MW10151 | - | - | - |
| 1791 | MADRIGAL SINGERS | Adieu Sweet Amarillas - Coventry Carol | ? | MW10151 | - | - | - |
| 1792 | MADRIGAL SINGERS | O MAGNUM MYSTERIUM | US1053=1 | MW10152 | - | - | - |
| 1792 | MADRIGAL SINGERS | AVE VIRGO SANCTISSIMA | US1050=1 | MW10152 | - | - | - |
| 1793 | MADRIGAL SINGERS | All Creatures Are Now Merry Minded - My Bonnie | ? | MW10153 | - | - | - |
| 1793 | MADRIGAL SINGERS | Oh Christmas Night - Sleep Of The Child Jesus | ? | MW10153 | - | - | - |
| 1794 | MADRIGAL SINGERS | LO HOW A ROSE E'ER BLOOMING | US1054=1 | MW10154 | - | - | - |
| 1794 | MADRIGAL SINGERS | From Lyons As I Journed - Lo How A Rose E'er Bloom | US1054=1 | MW10154 | - | - | - |
| 1794 | MADRIGAL SINGERS | SO BEN MI CH'A BON TEMPO | US1051=1 | MW10154 | - | - | - |
| 1795 | RICHARD HIMBER & HIS ORCH | WHOSE THEME SONG PT.2 | US1081=1 | MW10101 | - | 11/??/39 | - |
| 1795 | RICHARD HIMBER & HIS ORCH | WHOSE THEME SONG PT.1 | US1080=1 | MW10101 | - | 11/??/39 | - |
| 1796 | Richard Himber and His Orch | Darn That Dream (v. Stuart Allen) | US1079-1 | Inco 2005 | - | - | - |
| 1796 | Richard Himber and His Orch | Swingin' a Dream (v. Patsy Stone) | US1078-1 | - | - | - | - |
| 1797B | REX IRVING & THE BOYS | DANCE HENRY | US1064 | - | - | 10/??/39 | - |
| 1797A | REX IRVING & THE BOYS | THEY'RE OFF | US1063 | - | - | 10/??/39 | - |
| 1798 | QUINTET HOT CLUB OF FRANCE | CHASING SHADOWS | P77537 | MW10104 | - | 09/??/35 | - |
| 1798 | QUNITET OF HOT CLUB OF FRANCE | I'VE HAD MY MOMENTS | P77538 | VAR8377 | - | - | - |
| 1799 | JAN PEERCE acc piano | THE SONG OF SONGS | US1082=1 | - | - | 11/??/39 | - |
| 1799 | JAN PEERCE acc piano | UNTIL | US1083=1 | - | - | 11/??/39 | - |
| 1800 | Charles Baum and his St. Regis Hotel Orch | BUT IN THE MORNING, NO | US1103-1 | - | - | - | COLE PORTER |
| 1800 | Charles Baum and his St. Regis Hotel Orch | DO I LOVE YOU? | US1102-1 | Hit 7045, Inco 2005 | - | - | - |
| 1801 | Vienna Concert Orch cond. Max Geiger | My Dream pt1 | 15522 | - | - | - | - |
| 1801 | Vienna Concert Orch cond. Max Geiger | My Dream pt2 | 15523 | - | - | - | - |
| 1802 | Charles Baum and his St. Regis Hotel Orch | Ooh! What You Said (v. Frank Baker) | US1104-1 | - | - | - | - |
| 1802 | Charles Baum and his St. Regis Hotel Orch | The Rhumba Jumps (v. Frank Baker) | US1105-1 | - | - | - | - |
| 1803 | JAN PEERCE (piano acc) | LA DANZA | US1085=1 | - | - | 11/??/39 | Pepoli - Rossini |
| 1803 | JAN PEERCE (piano acc) | MATTINATA | US1084=1 | - | - | 11/??/39 | Leoncavallo |
| 1804 | CARLOS MOLINA & HIS ORCH | Tabu Rhumba | 1116 | MW10052 | - | - | - |
| 1804 | CARLOS MOLINA & HIS ORCH | Pa-Ran-Pan-Pan, Rhumba | 1118 | MW10052 | - | - | - |
| 1805 | Ultraphone Symphony Orch | Elegie | - | - | - | - | - |
| 1805 | Ultraphone Symphony Orch | Faust | - | - | - | - | Gounod |
| 1806 | CARLOS MOLINA & HIS ORCH | CUI CUI CONGA | 1117 | MW10053 | - | - | - |
| 1806 | CARLOS MOLINA & HIS ORCH | SENTIMENTAL GAUCHO | 1115 | MW10053 | - | - | - |
| 1807 | QUINTET HOT CLUB OF FRANCE | SHEIK OF ARABY | P77523 | MW10105 | - | 9/1/1935 | - |
| 1807 | QUNITET OF HOT CLUB OF FRANCE | THE SUNSHINE OF YOUR SMILE | P77353 | VAR8380 | - | 04/??/35 | YOUR SWEET SMILE |
| 1808 | CLIFFORD HERZER+JASHA ZAYDE | VELOCE FROM SIX ETUDES | US1121=1 | - | - | 12/??/39 | VICTOR BABIN |
| 1808 | CLIFFORD HERZER+JASHA ZAYDE | VALSE FROM FACADE | US1122=1 | - | - | 12/??/39 | WILLIAM WALTON |
| 1809 | Eddy Brown and Roman Totenberg | Serenade pt1 | US1144 | - | - | - | Sinding |
| 1809 | Eddy Brown and Roman Totenberg | Serenade pt2 | US1145 | - | - | - | Sinding |
| 1810 | Eddy Brown and Roman Totenberg | Serenade pt3 | US1146-1 | - | - | - | Sinding |
| 1810 | Eddy Brown and Roman Totenberg | Serenade pt4 | US1147-1 | - | - | - | Sinding |
| 1811 | RICHARD HIMBER'S ORCH | I'VE GOT MY EYES ON YOU (v. Marion Shaw) | - | - | - | - | - |
| 1811 | RICHARD HIMBER'S ORCH | I CONCENTRATE ON YOU (v. Marion Shaw) | - | - | - | - | - |
| 1812 | RICHARD HIMBER & HIS ORCH | I HAPPEN TO BE IN LOVE | - | - | - | - | - |
| 1812 | RICHARD HIMBER & HIS ORCH | BETWEEN YOU AND ME | - | - | - | - | - |
| 1813 | JAN PEERCE (piano acc) | BECAUSE | US1176=1 | - | - | 12/18/1939 | - |
| 1813 | JAN PEERCE (piano acc) | THE JASMINE DOOR | US1174=1 | - | - | 12/18/1939 | - |
| 1814 | Eldridge Newman and Orch | Southern Rhapsody pt1 | 12367-1A | - | - | - | - |
| 1814 | Eldridge Newman and Orch | Southern Rhapsody pt2 | 12368-2A | - | - | - | - |
| 1815 | CARLOS MOLINA & HIS ORCH | Make Love With A Guitar | 1216 | MW10051 | - | 01/??/40 | - |
| 1815 | CARLOS MOLINA & HIS ORCH | Pobre Sebastien | 1215 | MW10051 | - | 01/??/40 | - |
| 1816 | JAN PEERCE (piano acc) | I LOVE LIFE | US1175=1 | - | - | 12/18/1939 | - |
| 1816 | JAN PEERCE (piano acc) | MORNING | US1173=1 | - | - | 12/18/1939 | - |
| 1817B | TOOTS MENDELLO | HERE'S YOUR CHANGE | US1177=1 | - | - | 12/18/1939 | - |
| 1817A | TOOTS MONDELLO | BURNIN' STICKS | US1180=2 | - | - | 12/18/1939 | - |
| 1818 | Clifford Herzer and Jascha Zayde | Standchen | - | - | - | - | - |
| 1818 | Clifford Herzer and Jascha Zayde | Ritmo | - | - | - | - | - |
| 1819 | Alfred Mirovitch | Promenade & The Old Castle | US1162-3 | - | - | - | - |
| 1819 | Alfred Mirovitch | The Ox-Cart | US1163-1 | - | - | - | - |
| 1820 | Alfred Mirovitch | The Maiden with the Flaxen Hair | US1164-1 | - | - | - | - |
| 1820 | Alfred Mirovitch | Minstrels | US1165-1 | - | - | - | - |
| 1821 | Alfred Mirovitch | The Great Gate at Kiev pt1 | US1219-1 | - | - | - | - |
| 1821 | Alfred Mirovitch | The Great Gate at Kiev pt2 | US1220-1 | - | - | - | - |
| 1822 | CARLOS MOLINA & HIS ORCH | Recuerdo Tango | US1217-2 | MW10050 | - | 01/??/40 | - |
| 1822 | CARLOS MOLINA & HIS ORCH | Incertidumbre | US1218-1 | MW10050 | - | 01/??/40 | - |
| 1823 | TOOTS MENDELLO | SUNSET LULLABY | US1178=1 | - | - | 12/18/1939 | - |
| 1823 | TOOTS MENDELLO | SHADES OF JADE | US1179=1 | - | - | 12/18/1939 | - |
| 1824 | Alfred Mirovitch | Spring Song | - | - | - | - | - |
| 1824 | Alfred Mirovitch | Minuet | - | - | - | - | - |
| 1825 | Clifford Herzer and Jascha Zayde | Three Brahms Waltzes | - | - | - | - | - |
| 1825 | Clifford Herzer and Jascha Zayde | Romance | - | - | - | - | - |
| 1826 | Boris Schwarz, Benno Rabinoff, Eddy Brown, Roman Totenberg, violins | Concerto for Four Violins, pt1 | US1244-1 | - | - | - | - |
| 1826 | Boris Schwarz, Benno Rabinoff, Eddy Brown, Roman Totenberg, violins | Concerto for Four Violins, pt2 | US1245-1 | - | - | - | - |
| 1827 | Boris Schwarz, Benno Rabinoff, Eddy Brown, Roman Totenberg, violins | Concerto for Four Violins, pt3 | US1246-1 | - | - | - | - |
| 1827 | Boris Schwarz, Benno Rabinoff, Eddy Brown, Roman Totenberg, violins | Concerto for Four Violins, pt4 | US1247-1 | - | - | - | - |
| 1828 | Alfred Mirovitch | Menuet | - | - | - | - | - |
| 1828 | Alfred Mirovitch | Rondo | - | - | - | - | - |
| 1829 | JAN PEERCE (tenor+Piano) | TREES | US1260=1 | - | - | 01/??/40 | KILMER-RASBACH |
| 1829 | JAN PEERCE (tenor+Piano) | SYLVIA | US1261=2 | - | - | 01/??/40 | SCOLLARD-SPEAKS |
| 1830 | Ter-Abramoff and his Orch | Rhapsodie Orientale | - | - | - | - | - |
| 1830 | Ter-Abramoff and his Orch | Les Armes | - | - | - | - | - |
| 1831 | Ultraphone Salon Orch | Danse Espagnole | USE11021 | - | - | - | - |
| 1831 | Ultraphone Salon Orch | Moment Musicale | USE11022 | - | - | - | - |
| 1832 | Vienna Symphony Orchestra | The World Is Beautiful pt1 | USE15961 | - | - | - | - |
| 1832 | Vienna Symphony Orchestra | The World Is Beautiful pt2 | USE15962 | - | - | - | - |
| 1833 | ORQ ARMANDO VALDESPI | Quirindinga - Conga | 1289 | MW10168 | - | 02/??/40 | - |
| 1833 | ORQ ARMANDO VALDESPI | Me Voy Con La Conga | 1288 | MW10168 | - | 02/??/40 | - |
| 1834 | ORQ ARMANDO VALDESPI | Negra Mala - Conga | 1291 | MW10167 | - | 02/??/40 | - |
| 1834 | ORQ ARMANDO VALDESPI | Abierta - Conga | 1290 | MW10167 | - | 02/??/40 | - |
| 1835 | JAN PEERCE & HIS ORCH | AT DAWNING | US1311 | - | - | 01/??/40 | - |
| 1835 | JAN PEERCE & HIS ORCH | OH PROMISE ME | US1310=1 | - | - | 02/??/40 | - |
| 1836 | JOHNNY GREEN'S ORCH | OUT OF NOWHERE (v. Jack Smith) | US1298=1 | - | - | 01/??/40 | HEYMAN-GREEN |
| 1836 | JOHNNY GREEN & HIS ORCH | BODY AND SOUL | US1299=1 | - | - | 01/??/40 | HEYMAN-SOUR-EYTON-GREEN |
| 1837 | Alfred Mirovitch | Die Lorelei, pt1 | - | - | - | - | - |
| 1837 | Alfred Mirovitch | Die Lorelei, pt2 | - | - | - | - | - |
| 1838 | Maravilla del Siglo and his Orch | Insomnio | - | - | - | - | - |
| 1838 | Maravilla del Siglo and his Orch | Con Tu Negro | - | - | - | - | - |
| 1839 | JOHNNY GREEN & HIS ORCH | TOO ROMANTIC (vJack Smith) | US1296 | - | - | 01/??/40 | BURKE-MONACO |
| 1839 | JOHNNY GREEN & HIS ORCH | SWEET POTATO PIPER (v. Louanne) | US1297 | - | - | 01/??/40 | BURKE-MONACO |
| 1840 | Eddy Brown and Milton Katims | Passacaglia on a Theme by Handel pt1 | - | - | - | - | - |
| 1840 | Eddy Brown and Milton Katims | Passacaglia on a Theme by Handel pt2 | - | - | - | - | - |
| 1841 | Alfred Mirovitch | Malaguena | US1221-1 | - | - | - | - |
| 1841 | Alfred Mirovitch | Sequidillas | US1222-2 | - | - | - | - |
| 1842 | REX IRVING & THE BOYS | SECOND AVENUE CLAMBAKE | US1339=1 | - | - | 02/??/40 | - |
| 1842 | REX IRVING & THE BOYS | GOSSIP | US1337=2 | - | - | 02/??/40 | - |
| 1843 | Joseph Wolfstahl, violin (Arpad Sandor, piano) | Hymn to the Sun | - | - | - | - | - |
| 1843 | Joseph Wolfstahl, violin (Arpad Sandor, piano) | Song of India | - | - | - | - | - |
| 1844B | JAN PEERCE & HIS ORCH | I LOVE YOU TOO MUCH | US1262=1 | - | - | - | - |
| 1844A | JAN PEERCE & HIS ORCH | I HAVE SO LITTLE TO GIVE | US1263 | - | - | - | - |
| 1845A | REX IRVING & THE BOYS | ELEGY TO A JITTERBUG | US1336 | - | - | 02/??/40 | - |
| 1845B | REX IRVING'S MODERN MEN | THE ACROBAT | US1338 | EL5035 | - | 02/??/40 | - |
| 1846 | JOHNNY GREEN & HIS ORCH | HOW HIGH THE MOON | - | - | - | - | - |
| 1846 | JOHNNY GREEN & HIS ORCH | HOUSE WITH THE LITTLE RED BARN | - | - | - | - | - |
| 1847B | JAN PEERCE & HIS ORCH | THE ROSARY | US1399=1 | - | - | 03/??/40 | - |
| 1847A | JAN PEERCE & HIS ORCH | THE LORD'S PRAYER | US1312 | - | - | 02/??/40 | - |
| 1848 | Johnny Green and his Orch | Irene (v. Jack Smith) | US1368-1 | - | - | - | - |
| 1848 | Johnny Green and his Orch | I Walk With Music (v. Jack Smith) | US1369-1 | - | - | - | - |
| 1849 | Royale Salon Orch | Neopolitan Nights | - | - | - | - | - |
| 1849 | Royale Salon Orch | Two Irish Dances | - | - | - | - | - |
| 1850 | JAN PEERCE | HILLS | US1398=1 | - | - | 03/??40 | LAROISE |
| 1850 | JAN PEERCE | A DREAM | US1400=1 | - | - | 03/??40 | - |
| 1851 | Alfred Mirovitch | Promenade and Gnomes | - | - | - | - | - |
| 1851 | Alfred Mirovitch | Promenade and Tuilleries | - | - | - | - | - |
| 1852 | Alfred Mirovitch (piano) | Catacombs | US1272-2 | - | - | - | - |
| 1852 | Alfred Mirovitch (piano) | The Witch (Hut of Baba Yaga) | US1274-1 | - | - | - | - |
| 1853 | Alfred Mirovitch | The Marketplace | US1275-1 | - | - | - | - |
| 1853 | Alfred Mirovitch | The Convent | US1273-1 | - | - | - | - |
| 1854 | Eddy Brown (violin) | Suite Antique pt1 | US1388-1 | - | - | - | - |
| 1854 | Eddy Brown (violin) | Suite Antique pt2 | US1389-1 | - | - | - | - |
| 1855 | Eddy Brown (violin) | Suite Antique pt3 | US1390-1 | - | - | - | - |
| 1855 | Eddy Brown (violin) | Suite Antique pt4 | US1391-1 | - | - | - | - |
| 1856 | Eddy Brown (violin) | Suite Antique pt5 | US1392-2 | - | - | - | - |
| 1856 | Eddy Brown (violin) | Crinoline - minuet in olden style | US1393-1 | - | - | - | - |
| 1857 | Johnny Green and his Orch | From Another World (v. Jack Smith) | US1446-1 | - | - | - | - |
| 1857 | Johnny Green and his Orch | Ev'ry Sunday Afternoon (v. Carol Horton) | US1448-2 | - | - | - | - |
| 1858 | Johnny Green and his Orch | Lover Come Back to Me (v. Jack Smith) | US1445-2 | - | - | - | - |
| 1858 | Johnny Green and his Orch | Ziguenier (v. Carol Horton) | US1447-1 | - | - | - | - |
| 1859 | Anita Louise (harp) | Star Dust | US1449-1 | - | - | - | - |
| 1859 | Anita Louise (harp) | chanson Sans Paroles | US1452-2 | - | - | - | - |
| 1860 | Anita Louise (harp) | The Last Rose of Summer | US1451-2 | - | - | - | - |
| 1860 | Anita Louise (harp) | Believe Me If All Those Endearing Young Charms | US1450-1 | - | - | - | - |
| 1861 | Clifford Herzer and Jascha Zayde | Rhapsody in Blue pt1 | US1475-1 | - | - | - | - |
| 1861 | Clifford Herzer and Jascha Zayde | Rhapsody in Blue pt2 | US1476-1 | - | - | - | - |
| 1862 | Clifford Herzer and Jascha Zayde | Rhapsody in Blue pt3 | US1477-1 | - | - | - | - |
| 1862 | Clifford Herzer and Jascha Zayde | Rhapsody in Blue pt4 | US1478-1 | - | - | - | - |
| 1863 | Hamilton Colldge Choir (dir. Professor Paula Fancher) | Song of Bohemia (Czech folk song) | US1470-2 | - | - | - | - |
| 1863 | Hamilton Colldge Choir (dir. Professor Paula Fancher) | Were You There? | US1469-1 | - | - | - | - |
| 1864 | Hamilton Colldge Choir (dir. Professor Paula Fancher) | Ave Maria | US1468-2 | - | - | - | - |
| 1864 | Hamilton Colldge Choir (dir. Professor Paula Fancher) | 1. Introit 2. Sanctus | US1466-1 | - | - | - | - |
| 1865 | Hamilton Colldge Choir | Oh Rejoice, Ye Christians | - | - | - | - | - |
| 1865 | Hamilton Colldge Choir | Jesus Unto Thee Be Praise | - | - | - | - | - |
| 1866 | - | - | - | - | - | - | - |
| 1866 | - | - | - | - | - | - | - |
| 1867 | EDDY BROWN ENSEMBLE | THREE.PIECES.for.FLUTE-HARP+STRING.QT:PT.1 | US1441=2 | - | - | - | - |
| 1867 | EDDY BROWN ENSEMBLE | THREE.PIECES.for.FLUTE-HARP+STRING.QT:PT.2 | US1442=2 | - | - | - | - |
| 1868 | EDDY BROWN ENSEMBLE | THREE.PIECES.for.FLUTE-HARP+STRING.QT:PT.3 | US1443=1 | - | - | - | - |
| 1868 | EDDY BROWN ENSEMBLE | THREE.PIECES.for.FLUTE-HARP+STRING.QT:PT.4 | US1444=1 | - | - | - | - |
| 1869 | JAN PEERCE (Tenor+Orch) | AY AY AY | US1538=1 | - | - | 04/??/40 | - |
| 1869 | JAN PEERCE (Tenor+Orch) | O SOLE MIO | US1539=1 | - | - | 04/??/40 | - |
| 1870 | EDDY BROWN v & JOHN POWELL p | SONATA.VIRGINIANESQUE-PT.1 | US1409=1 | - | - | - | - |
| 1870 | EDDY BROWN v & JOHN POWELL p | SONATA.VIRGINIANESQUE-PT.2 | US1410=2 | - | - | - | - |
| 1871 | EDDY BROWN v & JOHN POWELL p | SONATA.VIRGINIANESQUE-PT.3 | US1428=1 | - | - | - | - |
| 1871 | EDDY BROWN v & JOHN POWELL p | SONATA.VIRGINIANESQUE-PT.4 | US1429=2 | - | - | - | - |
| 1872 | EDDY BROWN v & JOHN POWELL p | SONATA.VIRGINIANESQUE-PT.5 | US1430=2 | - | - | - | - |
| 1872 | EDDY BROWN v & JOHN POWELL p | SONATA.VIRGINIANESQUE-PT.6 | US1431=2 | - | - | - | - |
| 1873 | JAN PEERCE & HIS ORCH | ONE ALONE | US1536=1 | - | - | - | - |
| 1873 | JAN PEERCE & HIS ORCH | WITHOUT A SONG | US1537=1 | - | - | - | - |
| 1874 | Eddy Brown (violin) | Turkey in the Straw | US1563 | - | - | - | - |
| 1874 | Eddy Brown (violin) | To a Wild Rose | US1564 | - | - | - | - |
| 1875 | Eddy Brown and Jascha Zayde | Solvejg's Song | US1565-1 | - | - | - | - |
| 1875 | Eddy Brown and Jascha Zayde | The Prophet Bird | US1566-1 | - | - | - | - |
| 1876 | Richard Himber and His Orch | Tennessee Fish Fry (v. Bart Phillips) | US1581-1 | - | - | - | - |
| 1876 | Richard Himber and His Orch | How Can I Ever Be Alone? (v. Bart Phillips) | US1582-1 | - | - | - | - |
| 1877 | Richard Himber and His Orch | Clear Out of the World (v. Bart Phillips) | US1583-1 | - | - | - | - |
| 1877 | Richard Himber and His Orch | On the Old Park Bench (v. Bart Phillips) | US1584-1 | - | - | - | - |
| 1878 | Johnny Green and his Orch | It's a Lovely Day Tomorrow (v. Jack Smith) | US1600-1 | - | - | - | - |
| 1878 | Johnny Green and his Orch | It'll All Come Back to You (v. Carol Horton) | US1601-1 | - | - | - | - |
| 1879 | EDDIE LeBARON RAINBOW ROOM OR. | WILD ABOUT YOU | US1598 | - | - | - | - |
| 1879 | EDDIE LeBARON RAINBOW ROOM OR. | LATINS KNOW HOW | US1596 | - | - | - | - |
| 1880 | Johnny Green and His Orchestra | You're Lonely and I'm Lonely (v. Jack Smith) | US1599-2 | - | - | - | - |
| 1880 | Johnny Green and His Orchestra | You Can't Brush Me Off (v. Carol Horton) | US1602-2 | - | - | - | - |
| 1881 | Royale Salon Orch | Prelude in g minor | USE35030 | - | - | - | Rachmaninoff |
| 1881 | Royale Salon Orch | None But the Lonely Heart | USE35031 | - | - | - | Tschaikovsky |
| 1882 | JAN PEERCE (tenor) | I'M FALLING IN LOVE WITH SOMEONE | US1707 | - | - | - | - |
| 1882 | JAN PEERCE (tenor) | THINE ALONE | US1708=1 | - | - | - | - |
| 1883 | JAN PEERCE (tenor) | I'LL TAKE YOU HOME AGAIN, KATHLEEN | US1710=1 | - | - | 06/??/40 | - |
| 1883 | JAN PEERCE (tenor) | SOFTLY, AS IN A MORNING SUNRISE | US1709 | - | - | - | - |
| 1885 | Anthony Antone | Technical Fantasy | US1798-1 | Var 8369 | - | 6/27/1940 | - |
| 1885 | Antone - Gibbs Quartet | Stringin' Along | US1796-1 | Var 8369 | - | 6/27/1940 | - |
| 1886 | Antone - Gibbs Quartet | Hannah from Havana (v. Don Coster) | US1794-1 | Var 8375 | - | 6/27/1940 | - |
| 1886 | Antone - Gibbs Quartet | Honeysuckle Rose | US1797-1 | Var 8375 | - | 6/27/1940 | - |
| 1887 | Antone - Gibbs Quartet | Evening Shadows (v. Don Coster) | US1795-2 | Var 8381 | - | 6/27/1940 | - |
| 1887 | Antone - Gibbs Quartet | Long Live Love (v. Don Coster) | US1793-1 | Var 8381 | - | 6/27/1940 | - |