Note that providing dates for these early discs is impossible. Early take numbers will accordingly be closer to 1901, while later take numbers may approach 1908. Anticipating Grey Gull, perhaps, different takes will feature different artists. Additional information is heartily welcomed by the Project.
Cat# | Artist | Title | Matrix | Cross reference | Diameter | Date | Composer |
1 | Columbia Orchestra | In a Clock Store | 1=0=1 | A-140 (=4) | - | - | (-) |
2 | J. W. Myers | The Heart Bowed Down | 2=7 | - | 7 | - | Bunn - Balfe "The Bohemian Girl" |
2 | J. W. Myers | The Heart Bowed Down | 2=1=2=4 | - | 10 | - | Bunn - Balfe "The Bohemian Girl" |
3 | J. W. Myers | Dear Heart | 3=1 | - | 7 | - | Mattei |
4 | J. W. Myers | Wait | 4=0 | - | 7 | - | Horwitz - Bowers |
4 | J. W. Myers | Wait | 4=0 | - | 10 | - | Horwitz - Bowers |
5 | J. W. Myers | The Lost Chord | 5=1 | - | 7 | - | Proctor - Sullivan |
5 | J. W. Myers | The Lost Chord | 5=6 | - | 10 | - | Proctor - Sullivan |
6 | Vienna Orchestra | Simplicius Waltz | 6=0 | - | 7 | - | - |
6 | Vienna Orchestra | Simplicius Waltz | 6=0 | - | 7 | - | - |
8 | Bernard Begue, baritone | La Marseillaise | 8=0 | - | 7 | - | de l'Isle |
8 | Bernard Begue, baritone | La Marseillaise | 8=3 | - | 10 | - | de l'Isle |
8 | Alberto De Bassini | La Marseillaise | 8=5 | - | 10 | - | de l'Isle |
9 | baritone | I PAGLIACCI: Si Puo? (Prologue) | 9=0 | - | 7 | - | Leoncavallo |
9 | Alberto De Bassini | I PAGLIACCI: Si Puo? (Prologue) | 9=4=9 | - | 10 | - | Leoncavallo |
10 | George Alexander | MARTHA: Drinking Song | 10=4 | - | 7 | - | Flotow |
10 | George Alexander | MARTHA: Drinking Song | 10=4 | Man. 10 | 10 | - | Flotow |
11 | cornet solo | The Holy City | 11=0 | - | 7 | - | Adams |
11 | W. S. Mygrant (cornet) | The Holy City | 11=1 | - | 10 | - | Adams |
11 | cornet solo | The Holy City | 11=3 | - | 10 | - | Adams |
12 | cornet solo | Sing, Smile, Slumber | 12=0 | - | 10 | - | Gounod |
12 | Emil Keneke, cornet | Sing, Smile, Slumber | 12=0 | - | 10 | - | Gounod |
13 | Arthur Collins | Come Out, Dinah, on the Green | 13=0 | - | 7 | - | Cole - J. W. Johnson - J. R. Johnson "The Sleeping Beauty and the Beast" |
13 | Arthur Collins | Come Out, Dinah, on the Green | 13=1 | - | 10 | - | Cole - J. W. Johnson - J. R. Johnson "The Sleeping Beauty and the Beast" |
14 | W. S. Mygrant (cornet) | Killarney | - | - | 7 | - | Balfe |
14 | cornet | Killarney | 14=1 | - | 10 | - | Balfe |
14 | W. S. Mygrant (cornet) | Killarney | 14=2 | - | 10 | - | Balfe |
15 | W. S. Mygrant (cornet) | Flora Waltz | 15=1 | - | 7 | - | Cunard |
15 | W. S. Mygrant (cornet) | Flora Waltz | 15=5 | - | 10 | - | Cunard |
15 | Christian Rodenkirchen (cornet) | Flora Waltz | 15=6 | - | 10 | - | Cunard |
15 | cornet solo | Flora Waltz | 15=10 | - | 10 | - | Cunard |
16 | orchestra | Climax March | - | - | 7 | - | Frederick W. Hager |
16 | orchestra | Climax March | - | - | 10 | - | Frederick W. Hager |
17 | W. S. Mygrant (cornet) | Tell Me, Pretty Maiden | 17=0 | - | 7 | - | Stuart "Floradora" |
17 | Emil Keneke, cornet | Tell Me Pretty Maiden | - | - | - | - | Stuart "Floradora" |
17 | cornet | Tell Me, Pretty Maiden | - | - | 10 | - | Stuart "Floradora" |
18 | W. S. Mygrant (cornet) | STABAT MATER: Inflammatus | 18=1 | - | 7 | - | Rossini |
18 | Holly Wilder (cornet) | STABAT MATER: Inflammatus | - | - | 10 | - | Rossini |
19 | Harry Spencer and George Schweinfest | Husking Bee Dance | 19=1=2=6=7=8 | Ox 19 | 7 | - | - |
19 | Harry Spencer and George Schweinfest | Husking Bee Dance | 19=7=8 | Ox. 19, Col A405 (=9=10) | 10 | - | - |
20 | Emil Keneke, cornet | Day By Day | 20=0 | - | 7 | - | Stanford |
20 | Emil Keneke, cornet | Day By Day | 20=0 | - | 10 | - | Stanford |
21 | talking | Arkansas Traveller | 21=2=7 | Std. 21 | 7 | - | - |
21 | talking | Arkansas Traveller | 21=2=3=12=13 | - | 10 | - | - |
22 | CAL STEWART | I'M OLD, BUT I'M AWFULLY TOUGH | 22=2 | - | 7 | - | Cal Stewart |
22 | CAL STEWART | I'M OLD, BUT I'M AWFULLY TOUGH | 22=1=2=4=5=11 | - | 10 | - | Cal Stewart |
23 | Dutch dialect | Schultz on Kissing | - | Harvard 23 | 7 | - | - |
23 | Dutch dialect | Schultz on Kissing | - | - | 10 | - | - |
24 | Dutch dialect | Schultz on George Washington | - | 7 | - | - | |
24 | Dutch dialect | Schultz on George Washington | - | 10 | - | - | |
25 | Dutch dialect | Schultz on Malaria | 25=1 | - | 7 | - | - |
25 | Dutch dialect | Schultz on Malaria | - | - | 10 | - | - |
26 | Dutch dialect | Schultz on The Man Behind The Gun | - | Ox 26 | 7 | - | - |
26 | talking | Schultz As The Man Behind The Gun | - | - | 10 | - | - |
27 | Dutch dialect | Schultz's Trip to Chicago | Ox 27 | 7 | - | - | |
27 | Dutch dialect | Schultz's Trip to Chicago | 27=5=6=7 | - | 10 | - | - |
28 | Dutch dialect | Schultz on Christian Science | - | - | 7 | - | - |
28 | Dutch dialect | Schultz on Christian Science | - | - | 10 | - | - |
29 | Collins and Natus | Tell Us, Pretty Ladies | - | - | 7 | - | Smith - Stromberg |
29 | Collins and Natus | Tell Us, Pretty Ladies | 29=1 | - | 10 | - | Smith - Stromberg |
30 | Columbia Band | Manisot March | - | - | 7 | - | Brooke |
31 | COLUMBIA BAND | With Sword And Lance March | - | - | 7 | - | Starke |
31 | COLUMBIA BAND | With Sword And Lance March | - | - | 10 | - | Starke |
32 | Columbia Band | American Eagle March | 32=2 | - | 7 | - | Boehme |
32 | Columbia Band | American Eagle March | 32=5=8 | - | 10 | - | Boehme |
33 | Minstrels (Len Spencer, solo) | Dese Bones Shall Rise Again | 33=2=3 | - | 7 | - | - |
33 | Minstrels (Len and Harry Spencer, solos) | Dese Bones Shall Rise Again | - | D&R 3565 | 10 | - | - |
34 | Harry Spencer | Stump Speech on Love | 34=2 | - | 7 | - | George Graham |
34 | Harry Spencer | Stump Speech on Love | 34=4=10 | - | 10 | - | George Graham |
35 | Harry Spencer | A Negro Sermon | 35=2=3=4 | - | 7 | - | - |
35 | Harry Spencer | A Negro Sermon | 35=9 | - | 10 | - | - |
36 | Columbia Orchestra | WIEN BLIEBT WIEN | - | - | 7 | - | Schrammel |
36 | Columbia Orchestra | WIEN BLIEBT WIEN | - | - | 10 | - | Schrammel |
37 | Columbia Orchestra | Maid Marian: Waltz | - | - | 7 | - | de Koven |
37 | Columbia Orchestra | Maid Marian: Waltz | 37=2 | - | 10 | - | de Koven |
38 | Columbia Orchestra | Artist's Life Waltz | - | - | 7 | - | Strauss |
38 | Columbia Orchestra | Artist's Life Waltz | 38=1=3 | - | 10 | - | Strauss |
39 | bass with orch | BEDOUIN LOVE SONG | - | - | 7 | - | Taylor - Pinsuti |
39 | J.W.MYERS | BEDOUIN LOVE SONG | 39=2 | - | 10 | - | Taylor - Pinsuti |
40 | Columbia Orchestra | Handicap March | - | - | 7 | - | Rosey |
40 | Columbia Orchestra | Handicap March | 40=1 | - | 10 | - | Rosey |
41 | Columbia Orch | Riding Thro' The Glen | - | - | 7 | - | Rollinson |
41 | Columbia Orch | Riding Thro' The Glen | - | - | 10 | - | Rollinson |
42 | J. W. Myers | Oh, Promise Me | 42=3=4 | - | 7 | - | Scott - De Koven |
42 | J. W. Myers | Oh, Promise Me | 42=7=9 | - | 10 | - | Scott - De Koven |
43 | baritone with piano | The Clang Of The Forge | 43=1 | - | 7 | - | Vaughn - Rodney |
43 | J. W. Myers | The Clang Of The Forge | 43=4=9 | - | 10 | - | Vaughn - Rodney |
44 | J. W. Myers with piano | Home, Sweet Home | - | - | 7 | - | Payne - Bishop |
44 | J. W. Myers with piano | Home, Sweet Home | 44=7 | Kal 6956 | 10 | - | Payne - Bishop |
45 | J. W. Myers with piano | Bonnie Mary of Argyle | 45=2 | - | 7 | - | English - Kneass |
45 | baritone with piano | Bonnie Mary of Argyle | - | - | 10 | - | English - Kneass |
46 | J. W. Myers with piano | Always | 46=1 | - | 7 | - | Horwitz - Bowers |
46 | baritone with piano | Always | - | - | 10 | - | Horwitz - Bowers |
47 | baritone with piano | LA TRAVIATA: Di Provenza il mar | - | - | 7 | - | Verdi |
47 | Antonio Del Campo | LA TRAVIATA: Di Provenza il mar | 47=2 | - | 10 | - | Verdi |
48 | Columbia Orchestra | Blaze Away March | 48=1 | - | 7 | - | Holzmann |
48 | Columbia Orchestra | Blaze Away March | 48=4 | A623 | 10 | - | Holzmann |
49 | Columbia Band with bird imitations | The Birds and the Brook | 49=2=4 | - | 7 | - | Stults |
49 | Columbia Band with bird imitations | The Birds and the Brook | 49=2=3 | - | 10 | - | Stults |
50 | Bernard Begue, baritone | Cantique de Noel (O Holy Night) | - | - | 7 | - | Adam |
50 | Bernard Begue, baritone | Cantique de Noel (O Holy Night) | 50=2 | - | 10 | - | Adam |
51 | Bernard Begue, baritone | Hosanna (Easter Song) | - | - | 7 | - | Dole - Granier |
51 | Bernard Begue, baritone | Hosanna (Easter Song) | 51=2 | - | 10 | - | Dole - Granier |
52 | Joseph Natus | SWEET ANNIE MOORE | - | - | 7 | - | Flynn |
52 | Joseph Natus | SWEET ANNIE MOORE | - | - | 10 | - | Flynn |
53 | Will F. Denny | When The Harvest Days Are Over | 53=1=2 | - | 7 | - | Graham - Harry Von Tilzer |
53 | Will F. Denny | When The Harvest Days Are Over | 53=4 | - | 10 | - | Graham - Harry Von Tilzer |
53 | George J. Gaskin | When The Harvest Days Are Over | 53=5 | - | 10 | - | Graham - Harry Von Tilzer |
54 | tenor | The Game of Eyes | - | - | 7 | - | Doty - Brill |
54 | tenor | The Game of Eyes | - | - | 10 | - | Doty - Brill |
55 | George J. Gaskin | In the House of Too Much Trouble | 55=1 | - | 7 | - | Heelan - Helf |
55 | Edward M. Favor | In the House of Too Much Trouble | 55=5 | - | 10 | - | Heelan - Helf |
56 | tenor | Since That Day | - | - | 7 | - | Jones |
56 | William Albert {Arthur Campbell} | Since That Day | 56=2 | - | 10 | - | Jones |
56 | Henry Burr | Since That Day | 56=4 | - | 10 | - | Jones |
57 | HARRY MACDONOUGH | GOOD BYE, SWEET DREAMS, GOOD BYE | - | - | 7 | - | - |
57 | tenor | GOOD BYE, SWEET DREAMS, GOOD BYE | - | - | 10 | - | - |
58 | Harry Macdonough | Just for Today | - | - | 7 | - | Smith - Herbert "The Viceroy" |
58 | tenor | Just for Today | - | - | 10 | - | Smith - Herbert "The Viceroy" |
59 | tenor | THE ROSE OF PERSIA: Drinking Song | - | - | 7 | - | Sullivan |
59 | tenor | THE ROSE OF PERSIA: Drinking Song | - | - | 10 | - | Sullivan |
60 | tenor | The Holy City | 60=11 | - | 7 | - | Adams |
60 | Albert Campbell | The Holy City | 60=2 | - | 10 | - | Adams |
60 | Henry Burr | The Holy City | 60=6=8=10 | - | 10 | - | Adams |
61 | Henry Burr | I'll Sing Thee Songs of Araby | - | - | 7 | - | Wills - Clay |
61 | Henry Burr | I'll Sing Thee Songs of Araby | - | - | 10 | - | Wills - Clay |
62 | Charles D'Almaine | Cavalleria Rusticana | 62=5 | - | 7 | - | Mascagni |
62 | Charles D'Almaine | Cavalleria Rusticana | 62=5=7 | - | 10 | - | Mascagni |
63 | Charles D'Almaine | Traumerei | - | - | 7 | - | Schumann |
63 | Fredrick W. Hager | Traumerei | - | - | 10 | - | Schumann |
63 | Charles D'Almaine | Traumerei | - | - | 10 | - | Schumann |
64 | Columbia Orchestra | Angel's Serenade | - | - | 7 | - | Braga |
64 | Columbia Orchestra | Angel's Serenade | 64=2=7 | - | 10 | - | Braga |
65 | W. S. Mygrant (cornet) | Arbucklenian Polka | 65=2 | - | 7 | - | Hartmann |
65 | Holly Wilder (cornet) | Arbucklenian Polka | 65=1 | - | 10 | - | Hartmann |
65 | W. S. Mygrant (cornet) | Arbucklenian Polka | 65=2 | - | 10 | - | Hartmann |
66 | Charles D'Almaine, vln | Hungarian Dance #5 | - | - | 7 | - | Brahms |
66 | Charles D'Almaine, vln | Hungarian Dance #5 | 66=7 | - | 10 | - | Brahms |
67 | Columbia Orchestra | Quality Street - Waltzes | - | - | 7 | - | Furst |
67 | Columbia Orchestra | Quality Street - Waltzes | - | - | 10 | - | Furst |
68 | CAL STEWART | UNCLE JOSH IN A DEPARTMENT STORE | 68=3=11 | - | 7 | - | Cal Stewart |
68 | Cal Stewart | UNCLE JOSH IN A DEPARTMENT STORE | 68=5=6 | - | 10 | - | Cal Stewart |
69 | Columbia Orchestra | Chilean Dance - Maņana | 69=1 | - | 7 | - | Missud |
69 | Columbia Orchestra | Chilean Dance - Maņana | - | - | 10 | - | Missud |
70 | CAL STEWART | UNCLE JOSH'S ARRIVAL IN NEW YORK | - | - | 7 | - | Cal Stewart |
70 | CAL STEWART | UNCLE JOSH'S ARRIVAL IN NEW YORK | 70=4=5=10 | - | 10 | - | Cal Stewart |
71 | CAL STEWART | UNCLE JOSH AT A BASEBALL GAME | 71=5 | - | 7 | - | Cal Stewart |
71 | CAL STEWART | UNCLE JOSH AT A BASEBALL GAME | 71=8 | A286 | 10 | - | Cal Stewart |
72 | Cal Stewart | Uncle Josh on a Bicycle | 72=6 | - | 7 | - | Cal Stewart |
72 | Cal Stewart | Uncle Josh on a Bicycle | 72=4 | - | 10 | - | Cal Stewart |
73 | J. W. Myers | My Princess Zulu Lulu | 73=6 | - | 7 | - | Reed |
73 | J. W. Myers | My Princess Zulu Lulu | 73=1 | - | 10 | - | Reed |
74 | Cal Stewart | Uncle Josh And The Lightning Rod Agent | 74=1=2=3 | - | 7 | - | Cal Stewart |
74 | Cal Stewart | Uncle Josh And The Lightning Rod Agent | 74=5=6 | - | 10 | - | Cal Stewart |
75 | J. W. Myers | I Want to See a Minstrel Show Tonight | 75=6 | - | 7 | - | - |
75 | J. W. Myers | I Want to See a Minstrel Show Tonight | - | - | 10 | - | - |
76 | Cal Stewart | Uncle Josh's Troubles In A Hotel | 76=1=2 | - | 7 | - | Cal Stewart |
76 | Cal Stewart | Uncle Josh's Troubles In A Hotel | 76=4 | - | 10 | - | Cal Stewart |
77 | J. W. Myers | Fare The Well, Molly Darling | 77=1 | - | 7 | - | Cobb - Mills |
77 | J. W. Myers | Fare The Well, Molly Darling | 77=3=4 | - | 10 | - | Cobb - Mills |
78 | Columbia Band | Semper Fidelis March | - | - | 7 | - | Sousa |
78 | Columbia Band | Semper Fidelis March | - | - | 10 | - | Sousa |
79 | Columbia Band | The Mosquito Parade - A Jersey Review | 79=2 | - | 7 | Whitney | |
79 | Columbia Orchestra | The Mosquito Parade - A Jersey Review | 79=1 | - | 10 | - | Whitney |
80 | COLUMBIA BAND | BARBER OF SEVILLE OVERTURE | - | - | 7 | - | Rossini |
80 | COLUMBIA BAND | BARBER OF SEVILLE OVERTURE | 80=3 | - | 10 | - | Rossini |
81 | baritone with piano | Katy Did | - | - | 7 | - | Selden - Jerome |
81 | baritone with piano | Katy Did | - | - | 10 | - | Selden - Jerome |
82 | Columbia Band | Tell Me, Pretty Maiden | - | - | 7 | - | Stuart "Floradora" |
82 | Columbia Band | Tell Me, Pretty Maiden | 82=1 | - | 10 | - | Stuart "Floradora" |
83 | Columbia Band | Overture to "Poet and Peasant" | 83=2=3=4 | - | 7 | - | von Suppe |
83 | Columbia Band | Overture to "Poet and Peasant" | 83=4 | A63 | 10 | - | von Suppe |
84 | Columbia Band | IL TROVATORE: Anvil Chorus | 82=1=2=3 | - | 7 | - | Verdi |
84 | Columbia Band | IL TROVATORE: Anvil Chorus | 84=1=2=3 | A15 | 10 | - | Verdi |
85 | Columbia Band | FAUST: Soldier's Chorus | 85=3=4 | - | 7 | - | Gounod |
85 | Columbia Band | FAUST: Soldier's Chorus | - | - | 10 | - | Gounod |
88 | Columbia Band | Serenade Waltz, from "The Serenade" | - | - | 10 | - | - |
89 | Columbia Band | William Tell-Overture, Part 1 | - | - | 10 | - | - |
90 | George McNeice | Salome Intermezzo | - | - | - | - | - |
91 | GEORGE McNIECE (clarinet) | COMIN' THRO THE RYE with variations | - | - | 10 | - | - |
92 | George McNeice | Dance California - Caprice | - | - | 10 | - | - |
92 | Mr. Theodore Pussinelli (Clarionet) | Dance California, Caprice | - | - | 10 | - | - |
93 | Theodor Pussinelli (clarionet) | Little Nell | - | - | 7 | - | - |
94 | Theodor Pusinelli | Rigoletto-Caro Nome | - | - | 10 | - | - |
96 | clarinet | OLD FOLKS AT HOME "Variations" | - | - | 10 | - | - |
98 | George McNeice | Intermezzo Cavalleria Rusticana | - | - | - | - | - |
99 | George McNeice | Angels Serenade | - | - | - | - | - |
100 | J.W. Myers | June, My June | - | - | 7 | - | - |
104 | J.W. Myers | I Can Only Say I Love Thee | - | - | 7 | - | - |
105 | Cal Stewart | And Then I Laughed | - | - | 7 | - | - |
105 | Cal Stewart | And Then I Laughed | - | - | 10 | - | - |
107 | J.W. Myers | In Old New York | - | - | 7 | - | - |
108 | Emil Muench | Die Wacht Am Rhein | - | - | 7 | - | - |
109 | Emil Muench | Grad Aus Dem Wirthshaus | - | - | 7 | - | - |
112 | TENOR SOLO | I Need the Money | - | - | 7 | - | - |
122 | Hager's Orch | King Edward VII - March | - | - | 7 | - | - |
123 | German solo | Deutschland, Deutschland | 123=2 | - | 7 | - | - |
125 | Emil Muench | Wohl Auf Noch | - | - | 7 | - | - |
126 | Climax Orch | A Frangesa March | - | - | 7 | - | - |
126 | Climax Orch | A Frangesa March | - | - | 10 | - | - |
126 | Columbia Band | A Frangesa March | 126=3 | - | 10 | - | - |
129 | Columbia Orchestra | He Laid Away a Suit of Gray to Wear the Union Blue | - | - | 7 | - | - |
132 | Hager's Orch | Good-Bye, Dolly Gray | - | - | 7 | - | - |
133 | Hager's Orch | The Man Behind the Gun | - | - | 7 | - | - |
136 | Frank Mazziotta, piccolo | The Goldfinch Polka | - | - | 7 | - | - |
136 | Frank Mazziotta, piccolo | The Goldfinch Polka | - | - | 10 | - | - |
138 | George Schweinfest, pic | Merry Birds Polka | - | - | 10 | - | - |
140 | flute solo | I'LL FOLLOW THEE | 140=5 | - | 7 | - | - |
140 | George Schweinfest, flute | I'LL FOLLOW THEE | 140=3 | - | 10 | - | - |
140 | flute solo | I'LL FOLLOW THEE | 140=5 | Har A211 | 10 | - | - |
141 | flute solo | Durand's Concert Valse | - | - | 7 | - | Durand |
141 | flute solo | Durand's Concert Valse | 141=2=5 | A215, Lakeside 70242 | 10 | - | Durand |
142 | George Schweinfest, flute | La Tourterelle | - | - | 7 | - | - |
142 | flute solo | La Tourterelle | 142=3 | - | 10 | - | - |
144 | german solo | In Dunkler Nacht | 144=1 | - | 10 | - | (-) |
147 | german song | Schneiders Hollenfahrt | - | - | 7 | - | - |
149 | J. W. Myers | The Holy City | - | - | 7 | - | - |
149 | Edward Franklin | The Holy City | - | - | 10 | - | - |
149 | J. W. Myers | The Holy City | 149=3=12 | - | 10 | - | - |
157 | J. W. Myers | Asleep In The Deep | - | - | 7 | - | - |
157 | William F. Hooley | Asleep In The Deep | - | - | 10 | - | - |
159 | Bass solo | Let All Obey | - | - | 7 | - | - |
160 | Harry Spencer | Lincoln's Speech At Gettysburg | - | - | - | - | - |
165 | Edward M. Favor | Lucky Jim | - | - | - | - | - |
166 | tenor | Gabie | - | - | - | - | - |
171 | Edward M. Favor | Uncle Harry, What Is Love? | - | - | 7 | - | - |
174 | Henry Burr | Old Folks at Home | - | - | 10 | - | - |
175 | George J. Gaskin | Sally In Our Alley | - | - | 7 | - | - |
181 | Columbia Band | Baltimore Centennial March | - | - | 7 | - | - |
183 | Climax Band | Waltz from "Faust" | - | - | 10 | - | - |
185 | Columbia Band | Lohengrin-Bridal Chorus | - | - | 10 | - | - |
189 | J.J. Fisher | Now I Lay Me Down To Sleep | - | - | 10 | - | - |
194 | J.J. Fisher | Wearing of the Green | - | - | 7 | - | - |
194 | J. W. Myers | The Wearing of the Green | - | - | 10 | - | - |
195 | J.J. Fisher | I HEARD THE VOICE OF JESUS SAY | - | - | 7 | - | - |
196 | J.J. Fisher | O Salutaris Hostia | - | - | 7 | - | - |
197 | Frank C. Stanley | Nazareth | 197=3 | - | 7 | - | - |
199 | Henry Burr | Where Is My Wandering Boy Tonight | 199=6 | - | 7 | - | - |
199 | tenor | WHERE IS MY WANDERING BOY TO-NIGHT | - | - | 10 | - | - |
202 | Edward M. Favor | My Lady Lu | - | - | 10 | - | - |
208 | Henry Burr | Ben Bolt | - | - | 7 | - | - |
210 | George W. Johnson | Negro Laughing Song | - | - | 10 | - | - |
211 | BILLY MURRAY | THE WHISTLING COON | 211=5 | - | 7 | - | - |
211 | GEORGE JOHNSON | THE WHISTLING COON | - | - | - | - | - |
212 | violin solo | Schubert's Serenade | - | - | 7 | - | - |
213 | song with whistling chorus | Whip-Poor-Will Song | 213=3 | - | 7 | - | - |
215 | Joseph Belmont, whistling | The Mocking Bird | - | - | 7 | - | - |
215 | Joseph Belmont, whistling | The Mocking Bird | - | - | 10 | - | - |
216 | Charles D'Almaine, vln | Then You'll Remember Me | - | - | 10 | - | - |
218 | Charles D'Almaine, vln | Il Trovatore: El Miserere | - | - | 10 | - | - |
221 | Harry Macdonough | Absence Makes the Heart Grow Fonder | - | - | 7 | - | - |
222 | Andrew Mack | Grandmother's Song | - | - | 10 | - | - |
224 | GEORGE GASKIN | LITTLE BLACK ME | - | - | - | - | - |
225 | Joseph Natus | My Moon Beam Babe | - | - | 7 | - | - |
226 | Harry Macdonough | I've A Longing In My Heart For You, Louise | - | - | 7 | - | - |
226 | George J. Gaskin | I've A Longing In My Heart For You Louise | - | - | 10 | - | - |
231 | Edward M. Favor | Vaudeville Specialty | - | - | 7 | - | - |
231 | tenor | Vaudeville Specialty | 231=5 | - | 10 | - | - |
232 | Climax Orch | Yorke Mazurka | - | - | 7 | - | - |
234A | Columbia Orch | University Club Lanciers, 1st Figure | - | - | 10 | - | - |
234D | orchestra | UNIVERSITY CLUB LANCIERS 4th Figure | - | - | 10 | - | - |
238 | Columbia Orch | Tannhauser-Grand March | - | - | 7 | - | - |
238 | Columbia Band | Tannhauser-Grand March | - | - | 10 | - | - |
239 | Columbia Band | Coronation March from "The Prophet" | - | - | 10 | - | - |
240 | Columbia Band | WEDDING MARCH | - | - | 7 | - | - |
242 | Columbia Orchestra | Jolly Coppersmith | - | - | 10 | - | - |
243 | ORCHESTRA | THE NIGHT ALARM | - | - | - | - | - |
244 | Clilmax/Columbia Band | March from "Floradora" | - | - | 10 | - | - |
245 | Climax Band | The Old Church Organ - Serenade | - | - | 7 | - | - |
247 | Columbia Orch | The Forge in the Forest | - | - | 10 | - | - |
248 | Columbia Band | Zampa Overture | - | - | 7 | - | - |
248 | band | Zampa Overture | - | - | 10 | - | - |
249 | Columbia Band | The Invincible Eagle March | - | - | 7 | - | - |
250 | Columbia Band | El Miserere | - | - | 10 | - | - |
251 | Columbia Band | Coon, Coon, Coon | - | - | 10 | - | - |
252 | Columbia Band | Messiah: Hallelujah Chorus | - | - | 10 | - | Handel |
254 | Ruby Brooks, bjo | The Mosquito Parade | - | - | 10 | - | - |
255 | Ruby Brooks, bjo | Tell Me, Pretty Maiden | - | - | 7 | - | - |
258 | Harlan and Stanley | In The Shadow Of The Pines | - | - | 7 | - | - |
259 | Harlan and Stanley | 'Mid The Green Fields Of Virginia | - | - | 10 | - | - |
261 | Dudley & Macdonough | While The Leaves Came Drifting Down | - | - | 7 | - | - |
261 | {Harlan & Stanley} | While The Leaves Came Drifting Down | - | - | 7 | - | - |
262 | Ruby Brooks | Coon Songs | - | - | 7 | - | - |
266 | Columbia Band | The Warblers | - | - | 10 | - | - |
277 | Columbia Orch | Overture from "Fra Diavolo" | - | - | 10 | - | Auber |
278 | Columbia Orchestra | Selections from "Foxy Quiller" | - | - | 7 | - | - |
279 | Climax Band | Selections From "Foxy Quiller" | - | - | 7 | - | - |
281 | Columbia Band | SELECTIONS FROM FLORADORA | - | - | 7 | - | - |
284 | Columbia Band | Admiral's Favorite March | 284=4 | - | 10 | - | - |
285 | Columbia Band | America | - | - | 10 | - | - |
286 | Columbia Orch | Hail To The Spirit Of Liberty March | - | - | 7 | - | - |
288 | VESS OSSMAN | BERKELY MARCH | - | - | - | - | - |
289 | Ruby Brooks, bjo | Valse Bleue | - | - | 7 | - | - |
290 | Vess L. Ossman | Hunky Dory | - | - | 10 | - | - |
293 | Ruby Brooks, bjo | Senegambian | - | - | 7 | - | - |
297 | band | American Student's Waltz | 297=3A | - | 7 | - | - |
297 | Columbia Band | American Student's March | - | - | 10 | - | - |
298 | Columbia Band | Artists' Life Waltz | - | - | 10 | - | - |
301 | Bernard Begue | Faust: Serenade | - | Col. A542 | 10 | - | Gounod |
306 | Bernard Begue | Les Rameaux | - | - | 10 | - | Jean-Baptiste Faure |
308 | ANTONIO VARGAS | LA PALOMA | - | - | - | - | - |
312 | Will F. Denny | Go 'Way Back And Sit Down | - | - | 10 | - | - |
318 | Will F. Denny | When Reuben Comes to Town | - | - | 7 | - | Goodwin - Levi "The Rogers Brothers in Central Park" |
318 | Will F. Denny | When Reuben Comes to Town | - | - | 10 | - | Goodwin - Levi "The Rogers Brothers in Central Park" |
319 | Will F. Denny | I Want to Be a Military Man | - | - | 7 | - | Hall - Stuart "Florodora" |
319 | Will F. Denny | I Want to Be a Military Man | - | - | 10 | - | Hall - Stuart "Florodora" |
320 | tenor | My Old Kentucky Home | 320=9 | - | 7 | - | - |
322 | Columbia Band | Columbia Phonograph Co. March | - | - | 7 | - | - |
326 | Harry Macdonough | He Laid Away a Suit of Gray | - | - | 7 | - | - |
329 | Harry Macdonough | The Wedding of the Reuben and the Maid | - | - | 7 | - | - |
330 | Climax Orch | Creole Belles | - | - | 7 | - | - |
330 | Hager's Orch | Creole Belles | - | - | 7 | - | - |
330 | Orch with violin | Creole Belles | 330=2 | - | 10 | - | - |
333 | Climax Orch | Epler's Whiskers | - | - | 7 | - | - |
336 | ORCHESTRA | SIMPLE LITTLE SISTER MARY GREEN | - | - | - | - | - |
338 | Hager's Orch | The Honeysuckle and the Bee | - | - | 10 | - | - |
341 | Columbia Orch | The Invincible Eagle March | - | - | 7 | - | - |
342 | S.H. Dudley | Ma Blushin' Rosie | - | - | 10 | - | - |
362 | Climax Band | Good Morning Carrie - Medley March | - | - | 7 | - | - |
363 | Climax Band | Selection from "The Burgomaster" | - | - | 7 | - | - |
364 | Climax Band | My Baby | - | - | 7 | - | - |
365 | Columbia Band | King Dodo, Selection | - | - | 7 | - | - |
365 | Climax Band | King Dodo, Selection | - | - | 10 | - | - |
366 | Columbia Band | Overture to "Masaniello" | - | - | 7 | - | - |
368 | Columbia Band | Charge Of The Light Brigade | - | - | 7 | - | - |
372 | Columbia Band | Dream On The Ocean Waltz | - | - | 10 | - | - |
377 | Arthur Collins | Go 'Way Back and Sit Down | - | - | 7 | - | - |
379 | Arthur Collins | Since Ma Linda Hinda's in the Syndicate | - | - | 10 | - | - |
385 | Hager's Orchestra | Hunky Dory | - | - | 7 | - | - |
385 | Columbia Orch | Hunky Dory | - | - | 10 | - | - |
386 | Hager's Orch | My Japanese Cherry Blossom | - | - | 10 | - | "Hoity-Toity" |
388 | Columbia Band | El Capitan March | =1 | - | 7 | - | - |
389 | Columbia Band with bell solo | Evening chimes in the Mountains | - | - | 7 | - | - |
391 | Hager's Orch | SPRING SONG | - | - | 10 | - | - |
391 | Columbia Orch | SPRING SONG | - | - | 10 | - | - |
392 | Climax Orch | Hungarian Dance | - | - | 10 | - | - |
393 | Columbia Band | Selections from Faust | 393=3 | - | 10 | - | Gounod |
394 | Columbia Orch | Onward, Christian Soldiers | - | - | 7 | - | - |
396 | S.C. Porter | Lead, Kindly Light | - | - | 7 | - | - |
398 | Spencer and Porter | Backyard Conversation | - | - | 10 | - | - |
399 | baritone | The Story The Violets Told | - | - | 7 | - | - |
401 | Steve Porter | An Armful of Kittens and a Cat | - | - | 7 | - | - |
402 | Baritone solo | In the Shade of the Palm | - | - | 7 | - | "Floradora" |
404 | baritone | You Are My Daisy, I'm Your Butterfly | - | - | 10 | - | - |
406 | Columbia band | At a Georgia Camp Meeting | - | - | 7 | - | - |
406 | band | At a Georgia Camp Meeting | 406=3 | - | 10 | - | - |
415 | Harry McDonough | The New Born King | 415=1 | - | 7 | - | - |
416 | Columbia Band | Hail to the Spirit of Liberty | - | - | 10 | - | - |
417 | Columbia Band | The Handicap March | - | - | 7 | - | - |
417 | Prince's Band | The Handicap March | - | - | 10 | - | - |
419 | Columbia Band | Hearts and Flowers | - | - | 10 | - | - |
420 | Columbia Band | High School Cadets March | - | - | 7 | - | - |
421 | band | Hurrah Boys March | 421=1 | - | 7 | - | - |
424 | Columbia Band | An Indian Chase | - | - | 10 | - | - |
427 | Columbia Band | In the Village Tavern | 427=2 | - | 10 | - | - |
428 | Columbia Band | Medly of Irish Aires | - | - | 7 | - | - |
429 | William F. Hooley | My Hame Is Where The Heather Blooms | - | - | 7 | - | - |
430 | William F. Hooley | Oh! Fair, Oh! Sweet And Holy | - | - | 7 | - | - |
436 | Columbia Band | The Jolly Cadet | - | - | 7 | - | - |
437 | Columbia Band | Killarney | - | - | 10 | - | - |
438 | chimes | NEARER, MY GOD TO THEE | 438=2 | - | 7 | - | - |
439 | chimes | Rock of Ages | 439=2 | - | 10 | - | - |
439 | chimes | Rock of Ages | 439=2A | - | 7 | - | - |
441 | chimes | Almost Persuaded | - | - | 7 | - | - |
441 | Steve Porter, chimes | Almost Persuaded | - | - | 10 | - | - |
442 | S.C. Porter, chimes | My Country 'Tis Of Thee - America | - | - | 7 | - | - |
443 | S.C. Porter, chimes | I Need Thee Every Hour | - | - | 7 | - | - |
446 | J.W. Myers w/Steve Porter, chimes | Lead, Kindly Light | - | - | 7 | - | - |
447 | chimes (w. voice and organ) | The Holy City | 447=5 | - | 10 | - | - |
448 | Climax Quar | My Louisiana Lou | - | - | 10 | - | - |
449 | COLUMBIA QT | CHURCH SCENE FROM THE OLD HOMESTEAD | 449=1 | - | 10 | - | - |
450 | Columbia Male Quartet / Invincible Quartet | The Sleigh Ride Party | - | - | - | - | - |
455 | Columbia Male Quartet | Farm Yard Medley | - | - | - | - | - |
462 | banjo solo | Invincible Eagle March | - | - | 7 | - | - |
463 | Vess L. Ossman | When Mr. Shakespeare Comes to Town And Go 'Way Back And Sit down | - | 7" | - | - | - |
465 | BANJO SOLO | CREOLE BELLE | - | - | - | - | - |
469 | BANJO SOLO | Rusty Rags Medley | - | - | 10 | - | - |
470 | Columbia Band | King Cotton March | 470=1 | - | 7 | - | - |
473 | Columbia Band | La Chasse Infernal Gallo | - | - | 7 | - | - |
477 | Columbia Band | Selections from "The Huguenots" | - | - | 10 | - | - |
478 | Columbia Band | Liberty Bell March | - | - | 7 | - | Sousa |
478 | Columbia Band | Liberty Bell March | 478=8 | - | 10 | - | Sousa |
479 | Columbia Band | The Forge in the Forest | - | - | 7 | - | - |
479 | Columbia Band | The Forge in the Forest | 479=1A,3 | - | 10 | - | Michaelis |
480 | Columbia Band | THE ARBITRATION MARCH | 480=2 | - | 10 | - | - |
486 | Edward M. Favor | How Was I To Know | - | - | 7 | - | - |
495 | Columbia Band | Love's Dreamland Waltz | - | - | 10 | - | - |
498 | George Schweinfest | A Ragtime Skedaddle | - | - | 10 | - | - |
499 | George Schweinfest | Irish Medley Jig | - | - | 7 | - | - |
499 | George Schweinfest | Irish Medley Jig | - | - | 10 | - | - |